Here's an announcement from the Kinetic Cinema series at Collective: Unconscious:
On Monday June 2nd (7:30pm), choreographer and dance filmmaker Kriota Willberg will host The Worst of the Best, a tour of inspiringly bad dance films from the early 1900’s to the present. Truly awful dance is powerful art. We react strongly to it as an audience, we relate our horrible experiences to our friends and warn them away from it, we laugh, we seethe, we remember it far longer than “good” dance, and possibly longer than “great” dance. Join us for film and discussion as we chase that ethereal muse, Badness, through the work of generations of dance film artists.
$5 Admission (at door)Collective: Unconscious
279 Church Street (just south of White Street)
Trains: 1 to Franklin; A, C, E to Canal
212-254-5277
Kinetic Cinema at Collective:Unconscious explores the intersection of dance and the moving image both on screen and stage. Each month curator Anna Brady Nuse invites a special guest from the dance community to share the films and videos that have inspired or moved them. These could be films that feature dance, are kinetic-based, or have been influential on their work in some way. The guest curators come from a range of backgrounds as performers, choreographers, critics, and filmmakers. In the fall upcoming guests will include Elizabeth Zimmer (Oct 5th), Maya Ciarrocchi (Nov 3rd), and new films by Anna Brady Nuse & friends (Dec 1st).
KRIOTA WILLBERG has danced and choreographed in Germany, Chicago, and New York. In addition to working with her company, Dura Mater, Willberg choreographs for commercial, theatrical, and other dance productions. Dance choreography for film includes The Bentfootes (dir. K. Willberg and Todd Alcott), Grasshopper (dir. Todd Alcott), Dreamgirl (dir. Robbie Busch), and On The Road With Judas (dir. JJ Lask). She has passed her basic proficiency tests in Single Sword and Broadsword techniques from the Society of American Fight Directors (SAFD) and occasionally includes fight choreography in her own work and for others. Her article on dance and stage combat was published in the SAFD magazine, The Fightmaster. Her ballerina tattoo was featured in Dance Magazine.
Anna Brady Nuse
