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Showing posts with label The Apollo Theater. Show all posts
Showing posts with label The Apollo Theater. Show all posts

Tuesday, October 20, 2015

And the 2015 Bessies go to...!

With deep regret, I missed this year's Bessies celebration at the Apollo, as I'm struggling with the horrible cold that's going around. But I'm absolutely delighted to share this list of winners. Congratulations to everyone!

# # #

Hosts with the mostest, Carmelita Tropicana and Jock Soto
on The Apollo stage
(photo: Yi-Chun Wu)



Lifetime Achievement in Dance

Steve Paxton

For a relentless curiosity into the possibility of movement, from the redefinition of modern dance with the movers who gathered at Judson Church in the 1960s, to the development of contact improvisation now practiced around the world, and for his ongoing rigorous and surprising choreographic investigations.


Outstanding Service to the Field of Dance

Movement Research

For nearly four decades as a creative incubator for innovation, enquiry, and dialogue. For providing a range of platforms to disseminate ideas about dance, art, and civic life via its classes, publications and weekly performance gatherings. For championing the importance of artistic process.


Outstanding Production

Dorrance Dance with Toshi Reagon and BIGLovely for The Blues Project at The Joyce Theater

For a symphonic dialogue between a stellar company of tap artists and a groundbreaking blues band; a true fusion of dance and music, expanding the boundaries of two great American traditions.


Outstanding Production

David Neumann/Advanced Beginner Group for I Understand Everything Better, Abrons Arts Center and The Chocolate Factory

For creating a mysterious and whimsical world in which to explore the dual devastations of personal loss and public destruction, taking the audience on a visceral journey through internal and external storms.


Outstanding Production

Justin Peck for ‘Rōdē,ō: Four Dance Episodes, New York City Ballet

For a bracing new interpretation of a well-known score, wiping it clean of prior associations and using it as the springboard for an entirely new ballet marked by wit, surprise, poignant intimacy, and robust ensemble energy.


Outstanding Production

Roger Guenveur Smith for Rodney King at BRIC Arts Media

For a powerful and timely performance using gesture, voice, and historical document to link the personal tragedy of Rodney King's life to our national tragedies of racism and police brutality.
For extending that conversation into the street in an improvised post-show town hall that evolved into a peaceful demonstration in reaction to the Eric Garner case unfolding in New York City.


Outstanding Revival

Alexei Ratmansky for The Sleeping Beauty, American Ballet Theatre

For recapturing the spirit and style of Petipa from 19th-century ballet notation starting with simple steps to reconstruct that world’s ideas about movement, musicality, aesthetics, and storytelling in dance.


Sustained Achievement in Performance (posthumous)

Lawrence Cassella for his work with Ivy Baldwin

For the ability to be smooth, strong, fast, fearless, dangerously sexy, and bizarrely hilarious. For more than a decade of creation in a richly intertwined collaboration with choreographer Ivy Baldwin.


Sustained Achievement in Performance

Lauren Grant for her work with the Mark Morris Dance Group

For nearly two decades’ work gracing Mark Morris’ choreography with invigorating spontaneity, expansive phrasing, and robust musicality. For bringing to life an extensive and varied repertory, embodying the essence and individual tone of each work.


Sustained Achievement in Performance

Amar Ramasar for his work with New York City Ballet

For his natural ease and contemporary presence on the classical stage. For his ongoing contributions to a wide range of new ballet work, and for his sensitivity and skill in the demanding and sometimes unseen art of partnering.


Outstanding Performance

Ryoji Sasamoto in OQ by Kota Yamazaki at Japan Society

For his mastery and presence in a dance palace filled with extraordinary movers. For a never-ending flow of movement merging an ingrained sense of lock and pop with a contemporary sense of fluid release.


Outstanding Performance

Melissa Toogood for her work in the 2014−15 season with Pam Tanowitz, Kimberly Bartosik, Merce Cunningham, Rashaun Mitchell, Stephen Petronio, and Sally Silvers

For dancing so precise and fluid, elegant and electric, it captivates the viewer in each work in which she appears. For committing herself so completely to enhancing and transforming the vision of an astounding number of unique choreographers.


Outstanding Sound Design

Tei Blow for I Understand Everything Better by David Neumann/Advanced Beginner Group, Abrons Arts Center and The Chocolate Factory

For a virtuosic live audio performance mixing recorded sounds, percussive rhythms, a live mic, and spinning vinyl to transport the audience from the mountains of Japan to the hurricane-ravaged shores of New York.


Outstanding Visual Design

Geoff Sobelle, Steven Dufala, Christopher Kuhl, Nick Kourtides, Jamie Boyle, and Rachel McIntosh for The Object Lesson by Geoff Sobelle at BAM Fisher

For creating an immersive environment built from the material debris of an individual life. For sparking curiosity in the audience about the need, meaning, and weight of their own lives’ objects.


As previously announced, the 2015 Emerging Choreographer Award was given to Storyboard P for fusing various styles of hip-hop with elements of modern and jazz dance, creating a cinematic choreographic vision for new dance narratives and abstract movement-based works. The 2015 Juried Bessie Award was given to Pavel Zuštiak for his poetic layering of movement and visual imagery, and conceiving of the stage space as a decentralized world in which the corporeal body is the focus and canvas for a wide range of human expression.


The full list of nominees can be found at: http://bessies.org/2015-nominees-announced/.


2014−15 Bessie Committees

The Bessie Awards Steering Committee, responsible for setting policy and providing oversight of the Bessie Awards throughout the year, is comprised of Cora Cahan, Beverly D’Anne, Lane Harwell, Judy Hussie-Taylor, Stanford Makishi, Carla Peterson, Laurie Uprichard, and Martin Wechsler.

The Bessie Awards Selection Committee consists of Nolini Barretto, Diana Byer, Kim Chan, H.T. Chen, Blondell Cummings, Nancy Dalva, Andrew Dinwiddie, Maura Donohue, Simon Dove, Boo Froebel, Laurel George, Caleb Hammons, Zhenesse Heinemann, Iréne Hultman, Robert LaFosse, Matthew Lyons, Nicole Macotsis, Caridad Martinez, Harold Norris, Nicky Paraiso, Mathew Pokoik, Susan Reiter, Rokafella, Walter Rutledge, Sue Samuels, Philip Sandstrom, Gus Solomons Jr., Sally Sommer, Risa Steinberg, Carrie Stern, Kay Takeda, David Thomson, Muna Tseng, Kay Turner, Tony Waag, Edisa Weeks, Ryan Wenzel, Adrienne Westwood, and Elizabeth Zimmer.


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ABOUT THE BESSIES

The NY Dance and Performance Awards have saluted outstanding and groundbreaking creative work in the dance field in New York City for 31 years. Known as “The Bessies” in honor of revered dance teacher Bessie Schönberg, the awards were established in 1984 by David White at Dance Theater Workshop. They recognize exceptional work in choreography, performance, music composition, and visual design. Nominees are chosen by a 39-member selection committee comprised of artists, presenters, producers, and writers. All those working in the dance field are invited to join the NY Dance and Performance League, as members participate in annual discussions on the direction of the awards and nominate members to serve on the selection committee. www.bessies.org

Wednesday, July 16, 2014

Bessie nominations announced; dance awards 30th anniversary toasted

I greatly regret not being able to attend this year's Bessie Awards press conference. But here's all the info you'll need to know. See you on Monday, October 20 at the great Apollo!

*****

The New York Dance and Performance Awards (The Bessies), NYC’s premier dance awards honoring outstanding creative work in the field, celebrates a milestone 30th anniversary this year. Today, the 36 nominees for the 2013-14 season were announced at a press conference by members of The Bessies Selection Committee. The nominations (listed below) were selected by an independent committee of 40 dance industry professionals. Produced in partnership with Dance/NYC, Bessie Award categories include Outstanding Performer, Outstanding Production, Outstanding Visual Design, Outstanding Music Composition or Sound Design and Outstanding Revival.

The 30th Annual Bessie Awards, termed by The New York Times as “the dance world’s version of the Academy Awards,” will take place on Monday, October 20, 2014 at 8:00 p.m. at the legendary Apollo Theater in New York City. The 2014 ceremony will mark The Bessie Awards’ fourth year at the Apollo Theater.

One 2014 award was also presented at the press conference: The fourth annual Outstanding Emerging Choreographer Award. Previous recipients include Beth Gill (2011), Rashaun Mitchell (2012) and Joanna Kotze (2013). This year, the committee’s vote was tied and selected two of the nominees to receive the Outstanding Emerging Choreographer Award.  The first recipient, Jessica Lang, was recognized for the elegant works created for her newly formed company of dancers at the Joyce Theater in her transition from freelance choreographer to artistic director. Additionally, Jen Rosenblit was recognized for a Natural dance, performed at The Kitchen, for a confident voice investigating the fluidity of identity, the pulse of time, and the nature of what it is to dance.

The Juried Bessie Award Committee, a jury of three acclaimed choreographers responsible for deciding on a single work or choreographer that exhibits interesting and exciting ideas in dance in New York City, was also announced.  This award will provide the honored dance maker to theaters outside of the city for future touring and residencies, providing the tools to move forward in their creation. The 2014 Bessie Jury is Tere O’Connor, Annie-B Parson and Eduardo Vilaro.

The 2014 Bessie Awards Steering Committee, responsible for setting policy and providing oversight of the Bessie Awards throughout the year, is comprised of Arthur Aviles, Cora Cahan, Beverly D’Anne, Lane Harwell, Judy Hussie-Taylor, Carla Peterson, Laurie Uprichard, Martin Wechsler and Wendy Whelan.

The 2013-2014 Bessie Award Nominating Committee consists of Nolini Barretto, Barbara Bryan, Kim Chan, H.T. Chen, Blondell Cummings, Nancy Dalva, Simon Dove, Maura Donohue, Joan Finkelstein, Laurel George, Zhenesse Heinemann, Virginia Johnson, Robert LaFosse, Matthew Lyons, Nicole Macotsis, Caridad Martinez, Sarah Maxfield, Salley May, Harold Norris, Nicky Paraiso, Morgan von prelle Pecelli, PhD., Susan Reiter, Rokafella, Walter Rutledge, Philip Sandstrom, Sally Silvers, Sue Samuels, Elka Samuels Smith, Gus Solomons Jr., Muna Tseng, Kay Turner, Marya Warshaw, Edisa Weeks, Ryan Wenzel, Jay Wegman, Adrienne Westwood, Marya Wethers and Elizabeth Zimmer.

Outstanding Performer

Maggie Cloud
in Passagen by Pam Tanowitz

Sean Donovan
in the work of Witness Relocation, Jane Comfort, Faye Driscoll, and others

Julia Hausermann
in Disabled Theater by Jerome Bel and Theater HORA

Sean Jackson
in Rhythm in Motion by Lisa LaTouche

Mickey Mahar
in the work of Miguel Gutierrez, Adrienne Truscott, Ryan McNamara, and Gillian Walsh

Angela "Angel" McNeal
For her hip hop battle improvisations at Harlem Stage E-Moves 15 Battle

Sara Mearns
New York City Ballet

Aakash Odedra
in Get on the Good Foot, organized and shaped by Otis Rasheed as part of A Celebration in Dance at the Apollo Theater

Tiler Peck
New York City Ballet

Rebecca Serrell-Cyr
in Fire Underground by Donna Uchizono

Linda Celeste Sims
Alvin Ailey American Dance Theater

Stuart Singer
in Within Between by John Jasperse

Outstanding Music Composition/Sound Design

Complete, with guitarist Giuliano Modarelli
for Exit/Exist choreographed by Gregory Maqoma

G. Lucas Crane
for This Was the End created by Mallory Catlett

Steven Taylor
for Aubade choreographed by Douglas Dunn

Nicholas Young
for his inventive tap 'percussion platforms' in Rhythm in Motion

Outstanding Revival

Dark Swan
by Nora Chipaumire
The Joyce

Myth or Meth (or Maybe Moscow?)
by Radiohole
Tom Murrin Full Moon Performance Festival at La MaMa

State of Heads
by Donna Uchizono
New York Live Arts

Bach Partita
by Twyla Tharp
American Ballet Theatre

Outstanding Production

Asase Yaa African American Dance Theatre
Djembe in the New Millenium
Kumble Theater for the Performing Arts

Camille A. Brown
MR. TOL E. RAncE
Kumble Theater for the Performing Arts

Mallory Catlett
This Was the End
The Chocolate Factory

Liz Gerring
Glacier
Montclair State University

Maria Hassabi
Premiere
The Kitchen

John Jasperse
Within Between
New York Live Arts

Anne Teresa de Keersmaeker
En Atendant/Cesena
Brooklyn Academy of Music

Akram Khan
Desh
Rose Theater, Jazz at Lincoln Center

Sarah Michelson
4
Whitney Museum of American Art

MIMULUS Cia de Danca
Dolores
The Joyce

Okwui Okpokwasili
Bronx Gothic
Danspace

Aki Sasamoto
Sunny in the Furnace
The Kitchen

Outstanding Visual Design

Thomas Dunn
for New Work for the Desert by Beth Gill

Patricia Forelle with Jenny Mui, Avram Finkelstein, and Kathy Morganroth of YMX by Yellowman; and Nicholas Vermeer, Olivia Barr, and William Ward of NYC Resistor
for Vectors, Mary, and Snow by Brooklyn Ballet

Peter Ksander, Olivera Gajic, Ryan Holsopple, Chris Kuhl, and Keith Skretch
for This Was the End by Mallory Catlett

Tim Yip
for Desh by Akram Khan

Outstanding Emerging Choreographer

Rashida Bumbray
for The Little Red Rooster in a Red House
Harlem Stages E-Moves 15

Jessica Lang
For the formation of her own company and its inaugural season
The Joyce

Jen Rosenblit
for a Natural dance
The Kitchen

Gillian Walsh
for Grinding and Equations: Two Duets at Abrons
Abrons Arts Center

ABOUT THE BESSIES

Produced in partnership with Dance/NYC, the NY Dance and Performance Awards have saluted outstanding and groundbreaking creative work by independent dance artists in NYC for 30 years. Known as “The Bessies” in honor of revered dance teacher Bessie Schoenberg, the awards were established in 1984 by David White at Dance Theater Workshop. They recognize exceptional work in choreography, performance, music composition and visual design. Nominees are chosen by a 40-member selection committee, comprised of artists, presenters, producers, and writers. All those working in the dance field are invited to join the NY Dance and Performance League, as members participate in annual discussions on the direction of the awards and nominate members to serve on the selection committee. This year’s 30th Anniversary Bessie Awards will be held at The Apollo on Monday October 20, 2014.

Tuesday, October 8, 2013

And now...The 2013 Bessies!

Co-hosts Gus Solomons Jr.
and Martine van Hamel
(c)2013, Eva Yaa Asantewaa
Awards presenter Renee Robinson
(c)2013, Eva Yaa Asantewaa
Nominee Vicky Shick
(c)2013, Eva Yaa Asantewaa
From my vantage point as a now-outsider, the restored and refreshed Bessie Awards organization appears to be hitting its stride. This year, the New York Dance and Performance Awards (affectionately known as The Bessies) deserves its own award for exemplary professional flair. Also, its goal of increasing the range and diversity of its nominees and winners is starting to feel like the New Normal. The atmosphere at The Apollo Theater last evening was great fun--good people, marvelous talent, a sense of light and hope in difficult times. I love my city, and I love that dance is such a fierce and exhilarating part of it.
Nominee Aaron Mattocks
(c)2013, Eva Yaa Asantewaa
Nominee Donna Uchizono
(c)2013, Eva Yaa Asantewaa
Broadway's Donna McKechnie
(c)2013, Eva Yaa Asantewaa
Lifetime Achievement Award winner Luigi,
the legendary master teacher of jazz dance,
greets his former student, McKechnie
(c)2013, Eva Yaa Asantewaa
Award presenters Meredith Monk
and Rajika Puri
(c)2013, Eva Yaa Asantewaa
Nominees Marty Beller and Ephrat Asherie
(c)2013, Eva Yaa Asantewaa
The 29th Annual 
New York Dance and Performance Awards

Bessie winner Darrell Jones
c)2013, Eva Yaa Asantewaa
Previously announced awards

Outstanding Emerging Choreographer: Joanna Kotze
Juried Bessie Award: Darrell Jones
Outstanding Service to the Field of Dance: Nancy Reynolds
Lifetime Achievement Award: Louis “Luigi” Faccuito

Announced at the ceremony

Outstanding Production: Michael Keegan-Dolan’s Rian for Fabulous Beast Dance Theatre at Lincoln Center’s White Lights Festival, for a dance of life-affirming joy that featured an extraordinary group of dancers from Nigeria, Indonesia and Europe.
Joanna Haigood's site-specific Paseo celebrated
the pride, joy and traditions of South Bronx neighborhoods
(Outstanding Production of a work stretching the boundaries of a traditional form)
(c)2013, Eva Yaa Asantewaa
Also for Outstanding Production: Joanna Haigood’s Paseo at Dancing in the Streets & Casita Maria Center for Arts, for taking the audience on a celebratory passage through Bronx cultural life set to the Latin beats that originated in these neighborhoods.
L to r: Tom Pearson, Jennine Willett and Zach Morris
of that popular and winning team, Third Rail Projects.
Their immersive theater production, Then She Fell,
has been a critical and audience favorite.
(c)2013, Eva Yaa Asantewaa
Also for Outstanding Production: Zach Morris, Tom Pearson and Jennine Willett’s Then She Fell for Third Rail Projects at Arts@Rennaissance and Kingsland Ward at St. Johns, for using dance and fractured text to create a dreamscape as compelling and disorienting as Alice in Wonderland’s original journey.

Also for Outstanding Production: Liz Santoro’s Watch It at Museum of Arts and Design, for blurring art and life by placing the audience in a space from which they viewed New York street life, choreography by chance and choice.

Outstanding Revival: Bill T. Jones’ D-Man in the Waters for the Bill T. Jones/Arnie Zane Dance Company at the Joyce Theater for returning to a work of great joy born of a time of great loss and bringing its fierce fight for life to a new generation.

Outstanding Performance: Sebastien Ramirez and Honji Wang in their duet AP15 at the Breakin’ Convention at the Apollo Theater. This electric duet, rooted in hip hop, explored the space between the lover and the loved with delicacy, passion and agility.

Also for Outstanding Performance: Charles “Lil Buck” Riley and Ron “Prime Tyme” Myles at Poisson Rouge. This duo inhabited the space where street styles become stage artistry, catching rhythms with intricate footwork, slides, toe stands, rippling torsos and sudden freezes.

Also for Outstanding Performance: Jaro Vinarsky in Pavel Palissimo’s Bastard at La MaMa Moves! Dance Festival. A coiled bolt of energy capable of captivating stillness and explosive physicality, he made every moment harrowing, sharp and urgent.
ABT's outstanding principal dancer Herman Cornejo
pauses on the Bessies red carpet
(c)2013, Eva Yaa Asantewaa
Also for Outstanding Performance: Herman Cornejo of American Ballet Theater. He combines an astonishing technical ability with an unaffected purity of movement in the works of choreographers Alexei Ratmansky, Mark Morris and Twyla Tharp.

Also for Oustanding Performance: Shantala Shivalingappa for her Shiva Ganga, for embodying the god Shiva and the spirit of the River Ganges in one riveting performance, a vibrant athletic battle of life force.

Outstanding Sound Design: Ant Hampton and Tim Etchells for The Quiet Volume at Performance Space 122 and PEN World Voices Festival. For their use of intimately whispered text in a work in libraries across the city and for a score which heightened the experience in a space at once public and private.

Outstanding Visual Design: Fleur Elise Noble for her 2 Dimensional Life of Her at Under the Radar Festival at the Public Theater. She used detailed projections onto simple paper cut-outs to create a complex, playful, visually compelling world.

ABOUT THE BESSIES
Produced in partnership with Dance/NYC, the NY Dance and Performance Awards have saluted outstanding and groundbreaking creative work by independent dance artists in NYC for 29 years. Known as “The Bessie” in honor of revered dance teacher Bessie Schoenberg, the awards were established in 1983 by David White at Dance Theater Workshop. They recognize exceptional work in choreography, performance, music composition and visual design. A 40-member Selection Committee comprised of artists, presenters, producers, and writers choose nominees. All those working in the dance field are invited to join the NY Dance and Performance League—members participate in annual discussions on the direction of the awards and nominate members to serve on the Selection Committee.

Saturday, September 7, 2013

Dance historian Nancy Reynolds receives Bessie for Service to the Field

Nancy Reynolds interviews Edward Villella
(George Balanchine Foundation video archives)

The New York Dance and Performance Awards (The Bessies) announced another award in advance of its October 7 awards ceremony. Dance historian Nancy Reynolds has received the 2013 award for Outstanding Service to the Field of Dance.
Nancy Reynolds, former New York City Ballet dancer, will be honored for profoundly altering and enriching the field of dance preservation and archival research. Reynolds currently serves as Director of Research at the George Balanchine Foundation, where she manages the Balanchine video archives, giving new life to his works by filming former ballet stars coaching Balanchine’s work on current dancers—an invaluable resource for educational institutions. This groundbreaking project, started in 1994, is a masterful conservation for future generations of dancers, often recreating dances that have been lost. To date more than 50 sessions have been filmed – accessible at more than seventy libraries around the world, including the New York Public Library for the Performing Arts.
Reynolds has simultaneously published authoritative dance history books such as No Fixed Points, a nine-hundred page history of Western dance in the twentieth century, and Repertory in Review, a history of City Ballet’s repertory from 1935–1976. She edited Lincoln Kirstein’s book Movement and Metaphor and contributed to the International Encyclopedia of Dance. She directed research for Choreography by George Balanchine: A Catalogue of Works. Each of her books is considered an essential addition to any serious dance lover’s library.
The 2013 Bessies will be presented on Monday, October 7 (8pm) at Harlem's historic Apollo Theater.

For a list of the 2013 Bessies nominees and winners, click here.

For program and ticket information for the awards ceremony, click here.

Saturday, February 16, 2013

Women of color in charge: seminar, panel on arts administration

The Apollo Theater Education Program will present a seminar and career panel--Behind the Scenes: Women of Color in the Arts on Monday, March 11.

Seminar: 4:30pm
Panel discussion: 6:30pm

Free to the public. Reservations required: Click here.
The Apollo's annual Women's History Month celebration features a panel of women of color who work behind the scenes in performing arts administration. A pre-panel seminar on cultural diversity in marketing and public relations for the performing arts will be facilitated by Donna Walker-Kuhne.
Presented in collaboration with Women of Color in the Arts (WOCA)

Tuesday, October 16, 2012

CollectiveDWNM at the Bessies: Photos!

Thanks to CollectiveDWNM Leadership Circle interns Hayley Muth (who coordinated our live-tweeting project), Donna Mason, Dale Amanda O'Reilly and Garnet Henderson for your work at the 2012 Bessie Awards at The Apollo! Check out a couple of Donna's great photos of some of us on our site here.

Who won Bessies?

http://dancenyc.org/images/Screen%20Shot%202012-09-27%20at%2012_50_14%20PM.png

2012 New York Dance and Performance Awards (Bessies)

presented at The Apollo Theater
and hosted by Elizabeth Streb
October 15, 2012

Outstanding Production ("in large capacity venues--over 400 seats")

Event by Merce Cunningham
Park Avenue Armory

Outstanding Performer ("in large capacity venues--over 400 seats")

Silas Riener in Split Sides by Merce Cunningham
Brooklyn Academy of Music

Outstanding Production ("stretching the boundaries of a culturally specific form")

La Edad de Oro by Israel Galván
The Joyce Theater

Outstanding Performer ("stretching the boundaries of a culturally specific form")

Dormeshia Sumbry-Edwards "for sustained achievement in performance and her work with Jason Samuels Smith at The Joyce Theater"

Outstanding Production ("performed in a small capacity theater--under 400 seats")

Antigone Sr./Twenty Looks or Paris is Burning at the Judson Church by Trajal Harrell
New York Live Arts

Outstanding Performer ("performed in a small capacity theater--under 400 seats")

Omagbitse Omagbemi "for sustained achievement in the woks of Keely Garfield, Ralph Lemon, David Gordon, Urban Bush Women, and many others"

Outstanding Production ("in the context of the expanding field of contemporary arts, dance, and performance practice")

The Thank-you Bar by Emily Johnson
New York Live Arts

Outstanding Performer ("in the context of the expanding field of contemporary arts, dance, and performance practice")

Nicolle Mannarino in Devotion Study #1 by Sarah Michelson
The Whitney Museum

Outstanding Revived Work

The Shining by Yvonne Meier, presented by New York Live Arts
The Invisible Dog Art Center

Outstanding Visual Design

Doris Dziersk, set design for Blessed by Meg Stuart
New York Live Arts

Outstanding Sound Design or Composition

Flamme Kapaya and band for more more more...future by Faustin Linkyekula, The French Institute's Crossing the Line Festival
The Kitchen

Outstanding Emerging Choreographer

Rashaun Mitchell for NOX
Danspace Project

2012 Juried Bessie Award recipient

Souleymane Badolo
Awarded by 2012 Jury: Lar Lubovitch, Yvonne Rainer and Jawole Willa Jo Zollar

2012 Bessie Award for Lifetime Achievement in Dance

Paul Taylor

2012 Bessie Award for Service to the Field of Dance

Alice Tierstein

***

Become a member of the New York Dance and Performance League. Email the bessies@gmail.com to find out how.

Saturday, October 13, 2012

CollectiveDWNM tweets The Bessies!

Going to the Bessies Awards at The Apollo on Monday?

Look for Collective for Dance Writing and New Media's tables at the exits. Come by and say hi--and more! We're live tweeting and you can, too.

Please help us share this news!

Official Bessies hashtag: #TheBessies

For complete Bessies information, click here.

For more fun like this, join CollectiveDWNM as a member or intern! We're at collectivedwnm.com.

Friday, September 28, 2012

It's almost Bessies' time! See you there!

 produced in partnership with Dance/NYC

Monday, October 15
 
2012 Host: Elizabeth Streb

Presenters include Marina Abramovic, luciana achugar, Ron Brown, Brenda Bufalino, Archie Burnett, Bebe Neuwirth, Charles Reinhart, David Thomson, and Wendy Whelan, among others.

Paul Taylor will receive the 2012 Bessie Award for Lifetime Achievement in Dance, and Alice Teirstein will be honored with 2012 Bessie Award for Service to the Field of Dance.

The ceremony will also feature live performances by the Trisha Brown Company, recipient of last year’s Bessie for Lifetime Achievement, and Souleymane Badolo, the 2012 recipient of the Juried Bessie Award, known for his contemporary interpretations of traditional African dance. 

Doors open: 7pm
Award ceremony: 8pm

Food and drink available in the theater

Tickets $10 
Available at the Apollo box office and at www.apollotheater.org

Click here for more information on the 2012 Bessies and the pre-show benefit cocktail reception and after-party. 

The Apollo Theater  253 West 125th Street, Manhattan (directions)

Wednesday, July 18, 2012

Bessie Awards 2012 press conference (AUDIO)

Lucy Sexton, Director
Lane Harwell, Chair, Bessies Steering Committee
2012 Press Conference at French Institute Alliance Française
Wednesday, July 18

To listen to an mp3 of the complete Bessies press conference, click here. [40:32]

Highlights
Opening performance by hip hop dancers Noel Rodriguez and Noah Cabrera from KR3TS, the company of 2011 Bessie winner Violet Galagarza
Juried Bessie Award to choreographer Souleymane Badolo by the 2012 jury--choreographers Lar Lubovitch, Yvonne Rainer and Jawole Willa Jo Zollar. Badolo will be presented by Nazareth Dance Festival, an inaugural Bessies partner. In addition, a new Bessies partner, DanceForce, a statewide network of dance activists dedicated to linking artists and communities across New York State, will help to generate residencies, performances and educational events around the state for Badolo.
The Bessies will return to Harlem's historic Apollo Theater on Monday, October 15 at 8pm. "How could we not have the Bessies back at the Apollo?" asked Mikki Sheppard, the theater's Executive Producer. "We intend for them to be there forever!" Sheppard also announced that Bessie winner Badolo has already been engaged to present a major work at the Apollo in October 2013.
Click the audio link above to hear announcements of nominees for each of the following categories:
Outstanding Production (of a work performed in a larger capacity venue of more than 400 seats)
Outstanding Production (of a work that stretches the boundaries of a traditional or culturally specific form)
Outstanding Production (of a work performed in a smaller capacity venue of less than 400 seats)
Outstanding Production (of a work not technically considered dance but happening in and influencing dance in New York)
Outstanding Revived Work
Outstanding Visual Design
Outstanding Sound Design or Composition
Outstanding Emerging Choreographer
Outstanding Performer (of a work performed in a larger capacity venue of more than 400 seats)
Outstanding Performer (of a work that stretches the boundaries of a traditional or culturally specific form)
Outstanding Performer (of a work performed in a smaller capacity venue of less than 400 seats)
Outstanding Performer (of a work not technically considered dance but happening in and influencing dance in New York)

The Bessies: The New York Dance and Performance Awards,
produced in partnership with Dance/NYC
For further information, click here.

Monday, December 12, 2011

Asuka!

So, tell me, how does this sound?
  • live music by Arturo O’Farrill & the Afro Latin Jazz Orchestra...
  • a dance homage to salsa legend Celia Cruz...
  • and more dances to the music of the Buena Vista Social Club and Tito Puente

at The Apollo Theater
December 17 (2pm and 8pm)

Catch the world premiere of Asuka, Eduardo Vilaro's first work for Ballet Hispanico since becoming Artistic Director.

Get all the details--and tickets, too--right here.

Tuesday, October 25, 2011

Yay, Bessies winners! [UPDATED]

Wow...

I've gotta run out early for my day-long teaching gig out in Bayside, but I'll have something to say about the Bessies at the Apollo by tomorrow. So much fun!

Congratulations, everyone! Have a great day!

UPDATE: Read my Bessies commentary--"What brings joy"--at http://infinitebody.blogspot.com/2011/10/what-brings-joy.html.

Wednesday, July 20, 2011

Let's hear it for the Bessies!

Last year, our awards ceremony sold out, and that's a final answer to whether the community wanted these awards to come back. They did. They have. And we're here!

--Lucy Sexton
I'm psyched about the revitalized New York Dance and Performance Awards, now unmistakably back by popular demand and the enormous effort of dedicated organizations and individuals. The "Bessies"--produced by Lucy Sexton and overseen by a steering committee chaired by Dance/NYC's Lane Harwell--deserve our full support as they unfold a new era of inclusiveness and diversity. And that inclusiveness and renewed energy certainly was vividly heralded by hip hop queen Rockafella and her multicultural crew, toasting The Bessies's July 18 press conference with a blistering opening dance act.

Some news from The Bessies:
  • Downtown is heading uptown. Way uptown. The 2011 Awards Ceremony will be held at the landmark, world-beloved Apollo Theater, thanks to a new, ongoing partnership announced by the Apollo's Executive Producer, Mikki Shepard. (Ms. Shepard is also chair of the Board of Directors of the Mertz Gilmore Foundation, a major supporter of The Bessies, and she was a co-founder of 651 Arts.) Put Monday, October 24, 8pm, on your calendar. See you uptown!
  • The new Juried Bessie Award, given to a choreographer selected by a jury of top-flight peers, will include touring opportunities for "the most exciting, most interesting work presented in New York during that year," as explained by steering committee member Reggie Wilson. The Bessies's first partner in this initiative will be Nazareth College Arts Center Dance Festival (Rochester, NY). Choreographers Elizabeth Streb, Ralph Lemon and David Gordon will serve as its first team of jurors.
  • For the first time, The Bessies Selection Committee has announced finalists under consideration for nine newly-reconfigured awards (selected by a variety of subcommittees):
Outstanding Production (of a work performed in a larger capacity venue of more than 400 seats):
Thirteen Diversions--Christopher Wheeldon--American Ballet Theatre, Metropolitan Opera House
Quartet--Merce Cunningham--Merce Cunningham Dance Company, The Joyce Theater
The Bright Stream--Alexei Ratmansky--American Ballet Theatre, Metropolitan Opera House
Outstanding Production (of a work that stretches the boundaries of a traditional or culturally specific form):
Remembering Jimmy and Three to One--Michelle Dorrance, Danspace Project
Los Muñequitos de Matanzas with Max Pollak and Barbaro Ramos, Symphony Space
Caribbean Soul Dancers--Ismael Otero, Salsa Congress, Hilton Hotel
Outstanding Production (of a work performed in a smaller capacity venue of less than 400 seats):
Them--Ishmael Houston-Jones, Performance Space 122
Etudes for an Astronaut--Lance Gries, La MaMa Moves! Dance Festival
Nameless Forest--Dean Moss in collaboration with Sungmyung Chun, The Kitchen
Outstanding Production (of a work not technically considered dance but happening in and influencing the dance community):
Selective Memory--Brian Rogers and Madeline Best, The Chocolate Factory
Lili Handel--Ivo Dimchev, La MaMa
Montgomery Park, or Opulence--Karinne Keithley, Incubator Arts Project
Outstanding Visual Design:
Walter Dundervill for Aesthetic Destiny 1: Candy Mountain (choreographed by Dundervill, performed at Dance Theater Workshop)
Patricia Forelle for La Folia (1700/2011) (choreographed by Raoul Auger/Lynn Parkerson as part of From Baroque to Hip Hop performed at the Performance Space at the Schermerhorn)
Bjorn Amelan, Robert Wierzel, and Janet Wong for Fondly Do We Hope...Fervently Do We Pray (choreographed by Bill T. Jones, performed at the Rose Theater)
Outstanding Sound Design or Composition:
Stephen Vitiello (in collaboration with Patrick DeWit, drumming segment) for Nameless Forest (choreographed by Dean Moss in collaboration with Sungmyung Chun at The Kitchen)
Jon Moniaci for Electric Midwife (choreographed by Beth Gill, performed at The Chocolate Factory)
Rodrigo Marçal for ID: Entidades (choreographed by Sonia Destri, performed at City Center)
Savion Glover for SoLe Sanctuary (choreographed by Savion Glover, performed at The Joyce)
Outstanding Emerging Choreographer:
Souleymane Badolo
Beth Gill
Bouchra Ouizguen
Justin Peck
Outstanding Individual Performance:
Camille A. Brown in The Evolution of a Secured Feminine (choreographed by Camille A. Brown)
Rebecca Serell Cyr in beginning of something (choreographed by RoseAnne Spradlin)
Caleb Teicher in A Shared Evening (choreographed by Michelle Dorrance and Dormeshia Sumbry-Edwards)
Marcelo Gomes in Giselle (performed by American Ballet Theatre)
Sustained Achievement in Performance:
Rashaun Mitchell in the work of the Merce Cunningham Dance Company
David Thomson in the work of various choreographers including this season's performance in Muna Tseng's STELLA
Wendy Whelan in the work of the New York City Ballet
To keep up with Bessies news, visit this page and/or connect with the Bessies on Facebook.

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