Oliver Sacks, 82

Oliver Sacks Dies at 82; Neurologist and Author Explored the Brain’s Quirks
by Gregory Cowles, The New York Times, August 30, 2015

Oliver Sacks, Casting Light on the Interconnectedness of Life
by Michiko Kakutani, The New York Times, August 30, 2015

Interview with Korean dancer-shaman Hi-ah Park

At the initiation ceremony, the minyong was placed leading onto the upstage portion of the house as a bridge between the heaven and the earth. To test my psychic ability and to determine if I could identify the deities who had descended on me, my Godmother and her assistant shaman, who serves as a messenger, sat at the end of the minyong, in a sense ending in heaven. A straw mat was placed downstage. Each question asked by the head shaman was repeated by her assistant. Instead of answering the questions directly, I began dancing. Then, kneeling down on the straw mat, I answered the questions orally. The dance seemed to heighten the trance state so that my answer came without thinking as if I know everything already.

The first question was, “If you become a shaman, through which gate will you enter?”

I started singing in an occult nature, previously unknown to me. Again I danced until possessed and knelt down to wait for the next question.

--Hi-ah Park as interviewed by Lauren W. Deutsch

Read more at:

Meeting With Sanshin:
An Interview with Hiah Park, Lover of the Mountain God
by Lauren W. Deutsch, Kyoto Journal, 1993

For LA poet Eloise Klein Healy, a time to heal and reconnect

Eloise Klein Healy finds poetry in her recovery from encephalitis
by Patt Morrison, Los Angeles Times, January 8, 2014

Life changes for Latin jazz artist Dave Valentin, recovering from stroke

Latin Jazz Stalwart Struggles to Make Sweet Sounds Again
by David Gonzalez, The New York Times, January 5, 2014

Meet "Flo," New York City street photographer

Op-Docs: "Flo"
by Riley Hooper, The New York Times, October 21, 2013

Poetry as a therapeutic force

Finding Poetry in Cancer
by Tara Parker-Pope, The New York Times, February 4, 2013

"Ruff": Peggy Shaw rocks Dixon Place

Watching Peggy Shaw perform Ruff--her new one-woman show at Dixon Place for PS 122's COIL festival--offers an intimate, affecting lesson in empathy. A legend in queer, progressive theater, the much-beloved Shaw suffered a stroke in 2011. This hour-long show is her comeback--a marvelous one--and a way of sharing what it feels like to know that some memories and resources that made you what you are are now unretrievable.

What remains, as Shaw performs it, races by in a stream of consciousness and digressions that are Shaw's but quickly become the audience's, too. As if I'd had the stroke, I found myself struggling to retain the memory of specific words--explication, quips, tales, often amusing--while sartorial details and props (one of which, a brown-and-white wingtip men's shoe, I briefly held for Shaw), body language, facial expressions, shadowy video imagery, music and song easily zapped into my brain and hunkered down. In fact, Shirley Ellis's tongue-and-memory-twisting novelty hit from the 1960's, "The Name Game," became last night's earworm, finally dislodging this morning.

Shaw pivots from tender butch to stage-ruling rock star to slightly mystified stroke survivor who needs a trio of monitors to recall her intricate lines. The audience rides these rhythms and moods, grateful that we occasionally get to see those monitors, too--we sometimes need them--and even more grateful that Shaw has let us into her experience of loss.

Here's a 2010 video clip of Shaw talking about women's roles in theater.


One more thing, a special announcement from Dixon Place founder Ellie Covan: Shaw--who won PS 122's 2011 Ethyl Eichelberger Award--can now also boast that DP's theater has been named for her.

Directed by and co-written with Shaw's partner, Lois Weaver, Ruff runs through Saturday evening at Dixon Place. For a schedule of remaining shows and ticketing information, click here.

Dixon Place
161-A Chrystie Street (between Rivington and Delancey Streets), Manhattan
(map/directions)

Journey into "Blue"

Here's a gorgeous piece of writing on Derek Jarman's film, Blue, that I wanted to share with you. 

Proof of Life
by Matt Connolly, ReverseShot.com, Issue 32