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Showing posts with label Pioneers Go East Collective. Show all posts
Showing posts with label Pioneers Go East Collective. Show all posts

Friday, December 15, 2017

Your Christmas alternative: "Gemini Stars/Scorpio Stars"

 Daniel Diaz (above) and Fleur Voorn on video (below)
in Gemini Stars/Scorpio Stars
(photos: Theo Cote)


Pull up a chair, sip some white wine and kick back with Gemini Stars/Scorpio Stars, your all-queer Christmas fête from writer/director Gian Marco Lo Forte and the Pioneers Go East Collective at La MaMa/The Downstairs. This 70-minute music-theater show dips into YouTube's vlogging trend to explore LGBTQ identity, culture, struggles, triumphs and the joy--and sheer relief--of being surrounded by family-of-choice at holiday time.

Our technology grows slicker by the minute, but humans remain a species eager to tell and consume stories--a truth manifest in phenomena like StoryCorpsThe Moth and YouTube vlogs. Gemini Stars//Scorpio Stars features personal stories contributed and shared by its performers--Daniel Diaz, Jess Barbagallo, Fleur Voorn, Michaela Reggio, Niko Tsocanos and Ryan Leach, all live; Julia Dobner-Pereira and Chloe Li Piazza on video. Not all of its tales land with equal effectiveness. But there is often charm, humor and poignancy enhanced by spirited, if easy-going, presentation along with music, movement and decor.

Best of the batch: The hilarious Diaz has vivid recall of meeting a hunky firefighter near the muumuu racks in the musty basement of a vintage clothing store; Barbagallo and Reggio amusingly and affectionately reflect on a road trip that sounds like their relationship in microcosm. And you probably shouldn't miss the tender ballad performed by musical guest Ombro de Oro and dedicated to one "Blanca Ivanka."

Perversely, all of this made me flash back to those Andy Williams  Christmas tv shows in the 1960s. You remember Williams, right? Smooth-singing Republican who, nevertheless, championed Bobby Kennedy and George McGovern? Whose politics corroded with age--foe of Obama ("a Marxist!"), fan of Limbaugh and Beck? I'm trying to imagine what might have been--some alternative much like Gemini Stars/Scorpio Stars.

Gemini Stars/Scorpio Stars continues through December 17 with performances tonight and Saturday at 7pm and on Sunday at 2pm. For information and tickets, click here.

La MaMa (The Downstairs)
66 East 4th Street (between 2nd Avenue and Bowery), Manhattan
(map/directions)

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Saturday, December 19, 2015

Closing tomorrow: "Hildegard (vision)" at La MaMa

Multi-talented Marina Celander is the elegance central to Hildegard (vision), a curious interdisciplinary work running now through Sunday at La MaMa. Directed by Gian Marco Lo Forte with writing by Abby Felder and music by John Sully (Pioneers Go East Collective), the hour-long piece aims to offer insight into the physiological and emotional experiences of medieval German composer, scientist and mystic Hildegard von Bingen whose migraines triggered futuristic visions.

The immediacy of setting--a row of audience seats surround performers on three sides of the narrow, rectangular, brick-lined theater--provides the sensation of a dream externalized. Colors and textures feel intimate to viewers; the attractive, live green of the abbess's plants, the gleaming clear or dark amber glass of science beakers and bottles, are particularly striking visual elements. The space contains, all at once, everything it needs, collapsing the separation between one point in history and another era. We watch Hildegard, with assistant and same-sex lover Richardis von Stade, potting and tending the plants as they converse just as we clearly see centuries ahead to the commonplace of men and women side by side in their labs.

"We are vessels. We are women. How can we transcend so many barriers?" Celander asks shortly before von Stade (Nehprii Amenii) pulls out a videocam from out of somewhere and trains it on her abbess's face. The subtle interactions between these two--the dynamics of Celander's faint but detectable withdrawal, her self-containment, and Amenii's confused, quiet discomfort--drew me into the work. Regrettably, the text--in it plainness and in telling us what we likely already know--lacks the poetic vision to soar with Hildegard's celestial artistry.

Hildegard (vision) has two more performances: tonight at 7:30pm and Sunday at 2pm. Seating is limited. For information and tickets, click here.

La MaMa: First Floor Theatre
74a East 4th Street (between 2nd and 3rd Avenue), Manhattan
(map/directions)

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