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Showing posts with label Anna Sperber. Show all posts
Showing posts with label Anna Sperber. Show all posts

Thursday, March 29, 2018

Making space sing: Anna Sperber at The Chocolate Factory

Anna Sperber in Wealth From The Salt Seas
(photo: Brian Rogers)


The costumes for Anna Sperber's Wealth From The Salt Seas--a duet with vocalist/musician Gelsey Bell--display at least two variations on a theme of chocolate brown. (Sperber's pants, hard to make out in the lighting, might be of a hue between dull dark brown and charcoal.)  More than a possible sly reference to the work's venue, The Chocolate Factory Theater, the color has immediate effect--low-key and calming, earthy without being overly sensuous or overbearing, not stark like black. This, as it turns out, is a deep-brown dance.

It's appropriate for the choreographer who might easily go unnoticed when making her quiet, unremarkable first entrance with dark-brown hair pulled back from a scrubbed, serene face. She's just suddenly there, settled in place for a moment.

Sperber eventually drifts from one corner to another, positioning herself at one or another end of a row of viewers, slowly tracing hands over her face and neck and around her waist and hips. Her awareness is internal; you can feel that as easily as you feel the weight and slight friction of hands on skin and fabric.

Sperber's enigmatic, repetitive actions bring attention to the margins of the space and gather stillness and silence there like a gift. You might notice the difference this makes and think: Have I ever looked at performance space--or a performance--in quite this way?

Bell's entrance introduces sound--a voice that momentarily heightens in volume and shrillness. The sound score for the hour-long dance is produced by recorded and live voicings; the impact of feet on the floor; the strange effect of crouching and howling into the corner between two walls; the haunting bells played by the women as they bend their faces to them; and the reverberation of metallic sheets rattled and filling the air between Sperber and Bell as if, like whales, they signaled each other across an expanse of sea.

Curious props appear--a long, thick cable that Sperber manipulates; the odd-looking bells cast in blackish metal; a tarp of golden plastic; small, wooden scaffolds at either diagonal end of the space where the women climb and store their equipment. Curious, too, those moments when you swear you just saw one or the other dancer but she's suddenly out of sight, then she reappears as if nothing out of the ordinary happened.

Wealth From The Salt Seas continues through Saturday, March 31 with performances at 8pm. For information and tickets, click here.

The Chocolate Factory Theater
5-49 49th Avenue, Long Island City
(map/directions)

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Friday, September 10, 2010

Sperber's "Naomi" @Brazil

Naomi is a handsome site-specific work that drills into its site on an almost cellular level. In 2005, choreographer Anna Sperber founded Brazil, the Bushwick studio in which this quintet plays out. Collaborating with lighting mage Joe Lavasseur, she brings out dramatic beauty in this humble loft space.

As the opening night audience squeezed into two tightly-spaced rows of folding chairs along one side of the studio, I suddenly had an unbidden, cheerful thought–that this is a place in which good things happen in this time of so many bad things. Where this thought came from–or why it arrived--I cannot guess. But Naomi is, in any case, a good thing.

Outside the room’s windows, a silken banner rustled in a strong breeze. Streetlights and lights from aircraft and nearby buildings added to an overall sense of embracing brightness and warmth. Sperber used this, opening the work with the studio’s lights out and keeping things that way for a long while, relying upon the external lights to silhouette her dancers--Julie Alexander, Natalie Green, Jennifer Lafferty, Tara Lorenzen and Rebecca Serrell Cyr--as they entered and circumnavigated the studio. Over 40 minutes, they defined a territory, patrolled it, energized it, complicated it, glamorized it, ritualized it, reflected it, haunted it.

Sperber continually brought the outside in–from the gorgeous wet glow of a neighboring building’s facade to the sudden flush of sound from an opened window. She drew our attention beyond the confines of the space, even having dancers gaze outside or extend themselves outside the windows. Add her seredipitous and marvelous collaboration with Bushwick to the credits for Levasseur, Nate Wooley (whose music helped animate Brazil) and FACADE/FASAD (whose costumes, at times, catch the light just so).

Seating is very limited and, according to Sperber's Web site as of this morning, tickets remain only for tonight’s 9:30pm show. Click here now for information and reservations.

Brazil
1182 Flushing Avenue
Bushwick, Brooklyn
Jefferson Street station on the L (complete directions; map)

Thursday, September 25, 2008

First steps in Dance@DMAC

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Michelangelo Alasa brings big dance to small places--well, to his Duo Multicultural Arts Center on East 4th Street--with this incandescent lineup of "downtown" dancer-choreographers in what he hopes will be an regular presentation at DMAC. Check it out on Wednesday or Thursday, October 8-9 (8pm).

Ticketing at SmartTix.com

Information at DMAC

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