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Showing posts with label Body. Show all posts
Showing posts with label Body. Show all posts

Thursday, December 27, 2018

Zahava Griss: the sacred work of transforming white culture

A list of the skills Zahava Griss has amassed and roles they have played might fill this entire blog post--gender-transcendent dance artist, erotic ritualist, bodyworker, educator, coach, anti-racist activist and so much more. Recently, Griss contributed a chapter of perceptive writing to a new anthology of essays, Sacred Body Wisdom: Igniting the Flame of Our Divine Humanity, out soon from Flower of Life Press.


Their chapter, “Transforming the Culture of Whiteness in Dance and Sexuality Communities,” outlines ways in which white artists and activists like themselves can approach creative and social justice work--as well as the relationship with their own and others' bodies--with greater openness, awareness, respect and joy.

Sections of the essay deal with issues of white culture within ballet (where authoritarian traditions predispose dancers to follow rules and not speak up for themselves), within sexuality and within the complex challenges of community building across differences. Griss notes, "so many of the body-centered events and communities I have explored are mostly white people, white leadership and white culture." And, by that, Griss means “certain ways of communicating, an aesthetic of what is valued and acceptable, an unspoken way of framing what being a body is, what ‘safety’ is, what spirit is, what having a body means, what success or beauty means that is familiar to a dominant white culture...an often unconscious culture that has been created by those who came before us that does not acknowledge or reflect awareness and respect for people of color, who make up the majority of people on this beautiful earth.”

Griss continues, “I wrote this so we could better observe white culture, vision what we want to replace it with, clarify what diversity means to us personally, and take action to create the society we want to live in.”

Sacred Body Wisdom: Igniting the Flame of Our Divine Humanity will become available on Amazon.com on January 21. Learn more about it here. For more on Zahava Griss and their projects, visit www.EmbodyMoreLove.com.

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DISCLAIMER: In addition to my work on InfiniteBody, I serve as Senior Curatorial Director of Gibney. The postings on this site are my own and do not necessarily reflect the views, strategies or opinions of Gibney.

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Thursday, March 19, 2015

Adventurous voices: Odeya Nini and Gelsey Bell at Roulette

Odeya Nini
(photo courtesy of the artist)
Odeya Nini (l) and Gelsey Bell (r)
(photos courtesy of Odeya Nini)

When two barefoot wizards of vocal music sing you into sublimity, it's time to turn over for a nice, warm sleep. Unfortunately, last night, I had to leave Roulette, walk through the pre-spring chill and navigate the subway system. The charm of the final moments of A Solo Voice: Works by Odeya Nini and Gelsey Bell was, of necessity, followed by MTA charmlessness. But I will long remember singer-composers Nini (hailing from LA) and Bell (from around these parts) for their lovely efforts.

The collaborators presented a two-hour show with separate sets culminating in a jointly improvised piece, Spent Horizon, a kind of sonic woodland. Here their voices soared from opposite ends and levels of the theater, from balcony to stage, in birdlike call and response, overlapping and mingling, before the women slowly approached each other in an aisle, embraced and exchanged flyways as they drew apart.

This exploration of voice in trajectories of space is key to how Nini, in particular, wants us to understand vocal music. For her, as demonstrated in her 40-minute opening set, A Solo Voice, the moving body and the imaginative voice combine in a unified expression with elements of composition and improvisation. This carries the willing viewer and listener along through ethereal moments or ones that can pounce and grab and pierce. In other sections of this piece, Nini fills space with rich sampled sounds smoothly flowing into one another--some of this: bleating sheep, a creaking door, a whistler, gurgling water and what might have been eggs frying--and whirly tubes that simultaneously sing at varying pitches and make visible shapes in the air.

Bell's set, including four pieces before Spent Horizon, is cagey and fierce. Her combinations of vocal sounds can sound irrational with lines suddenly strangled or lyrics--briefly surfacing from her primal surround--that reveal disturbing histories. You come to suspect that even her melodic Now It Catches the Gleam of the might harbor something questionable underneath its honey-sweet and quiet, quiet, ever quieter repetitions. Those repetitions are a bit maddening. I'm thinking, Lullabye? Not so much. And, sure enough, there it is in Bell's program notes:
"Now It Catches the Gleam of the" was developed from my work with Gregory Whitehead on his radio piece Dimly Seen, which will air in May. Dimly Seen focuses on current American torture practices and uses the text of Francis Scott Key that was set in "The Star-Spangled Banner."
Click here to download Odeya Nini's debut CD, Vougheauxyice (Voice), released last April. Gelsey Bell's albums can be found here.

Monday, March 31, 2014

This Spring, look sideways with choreographer Pavel Zuštiak


A workshop with Pavel Zuštiak
Artistic Director of Palissimo

designed for choreographers, dancers, actors, 
artists working with body as medium

at Abrons Arts Center

Tuesday-Friday, Apr 22-25, 12-3pm 
(NOTE: Wednesday, April 23 12:30-3:30pm)

Fee: $180 ($120 if booked before April 1)

“You cannot change something unless you know what you are doing.” -- Moshe Feldenkrais
How to start? What is material? How to use improvisation /scoring? What to set? What to leave open?

The objective of this workshop is to set participants free from the notion of originality as something that did not exist before. It will introduce ways of getting away from the planned, comfortable and familiar in dance making. Four three-hour sessions are meant to unveil and develop existing ideas and motions brought to the class by participants, and help them address some of the questions regarding their own creative process.

The workshop focuses on developing conscious presence while improvising in performance; connecting technique to composition and improving skills in this area; exploring tools useful in developing and crafting the work. Attention will be given to creating structures for dance; generating movement material, editing and deconstructing it; relationships between composition and improvisation; and introducing elements of chance. Each session starts with a guided physical warm up that opens the senses, stirs up imagination and heightens physical and mental awareness and exploration of body systems that then leads to exploration and ultimately to composition.
For complete information, click here.

To register, click here. (NOTE: April 1 is the deadline for a $60 discount on the regular $180 fee!)

Abrons Arts Center
466 Grand Street (at Pitt Street), Manhattan
(map/directions)

Monday, October 14, 2013

Kimerer La Mothe, Ph.D.: Dancing is radical

To Dance Is a Radical Act
The practice of dancing is vital to our survival as humans on earth.
by Kimerer LaMothe, Ph.D., Psychology Today, November 29, 2011

Part Two: To Dance Is (More than Just) a Radical Act
What one who dances knows about nature in us and around us
by Kimerer LaMothe, Ph.D., Psychology Today, December 31, 2011

Sunday, May 26, 2013

"Touching Into Text" workshop with Marissa Perel

presents

Marissa Perel
"Touching Into Text"

Saturdays, June 1 and June 8, 1-3pm

Description
This class will combine somatic awareness with reading to create an embodied approach to understanding language. For each class a short selection of text will be presented for reading and discussion. Through exercises that draw from various somatic practices, and experiments made up by the instructor and participants, the class will play with ways of feeling language; bringing words and their meanings into an intimate experiential sphere.
There is room in this class for contemplation, finding an individual pathway for movement and speech, and for giving space to the often daunting mind-body split. It’s possible that we will get emotional about language, that we will love or not love how some texts feel, and that we will invent radical interpretations of what we read. We will investigate who we are as bodies that are simultaneously reading and being read by others.
There is no level of ability, skill or virtuosity required for this class, except real investment in writing, reading, and taking your own body and the bodies of others seriously. Being able to listen to your body as it is reading and experimenting, and being sensitive to the processes of your peers is highly valued here. The desired outcome of this class is that participants find possibilities for integrating language and movement in their artistic processes.
The first hour of class will be a short meditation and relaxation exercise, followed by reading and discussion of the selected text. In the second hour of class, participants will find their own space in the room to investigate the text somatically, with exercises provided by the instructor and the participants. For the last hour, we will debrief on our investigations, and individually present our discoveries.
There will be guest facilitators and lecturers on specific class days coming from diverse fields of art, writing, cultural theory and criticism, poetry, music, science and healing arts practices who will either provide the selected texts, or lead discussions or experiments.
Texts will include selections from such writers as Gertrude Stein, Claire Bishop, Jack Halberstam, Dodie Bellamy, CA Conrad, David Wojnarowicz, Theresa Hak Kyung Cha, Camille Roy, Kim Jones, Yvonne Rainer, Amelia Jones, Peggy Phelan, Lucy Lippard, Laurie Weeks, Judith Butler, Helene Cixous, Roland Barthes, Carole Maso, kari edwards, Jill Johnston, Faith Wilding, Avital Ronell.
Marissa Perel bio:
I am an artist, writer, independent curator and editor whose work spans performance, video, installation, visual text, poetry and criticism. Recent work has been presented at Danspace Project, Golden gallery, Movement Research at Judson Memorial Church, and Ontological-Hysteric Theater. I was co-curator of Movement Research Festival 2012: Push It. Real. Good, and co-editor of Critical Correspondence, for which I co-curated two Judson 50th Anniversary events at Judson Church and the New Museum. I write the column “Gimme Shelter: Performance Now” on the Art21 blog, and am a contributor to P-Club. B.A. Naropa University, M.F.A School of the Art Institute of Chicago.
marissaperel.com
thebodyofmarissaperel.blogspot.com
art21 blog
Admission: $8 per class

St. Nick's Alliance / Arts@Renaissance
2 Kingsland Avenue (at Maspeth Avenue), Garden Level, Brooklyn
L train to Graham Avenue (map/directions)

Thursday, March 11, 2010

Blake: body and soul

The body is the soul as perceived by the five senses.

William Blake

Peter Campus: an appreciation

Peter Campus--Image and Self
by Bill Viola, Art in America, February 2010

The artist Bill Viola brings his knowledge of digital technology and Buddhism to this appreciation of the work of Peter Campus.

Tuesday, September 22, 2009

Back to the source

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Embryological Foundations of Movement:
An Embodied Approach

with Bonnie Bainbridge Cohen

November 17-23, New York City

It is during our embryological development that our body begins creating its form. As tissues and structures develop, some remain with us, some are transformed into other structures and some fade into the background, no longer existing or recognizable as the original structure. As with all development, though the original processes are no longer with us, they have left us with deep-rooted patterns and templates that affect our movement, mind and spirit. In exploring the embryological developmental process, we discover the primal roots of our structure, perception, respondability and presence. The understanding and integration of these aspects of development give us a doorway into:

· Inner and outer processes (self and other) the embryonic disk and development of the front body (endoderm), back body (ectoderm) and middle body (mesoderm)

· Development of our central vertical axis (notocord)

· Development of the autonomic fluid rhythm

· Development of our organs and glands

· Development of our fluid system

· Development of the autonomic and somatic pathways of our nervous system

· The ground for cellular unity and cellular breathing

This workshop is for movers, dancers, yoga practitioners, bodyworkers, and those from other body-mind disciplines interested in unraveling the mystery of embryological development as it relates to cellular consciousness, movement, mind and spirit.

No prior experience with Body-Mind Centering® is necessary.

Location: Chelsea Studios, 151 West 26th St (between 6th and 7th Avenues)

Fee: $750

To register or get more information:

BodyMind Centering
info@bodymindcentering.com · (413) 256-8615

Saturday, October 11, 2008

Luciana Achugar update: Body and Soul podcast

Bessie Award-winning choreographer Luciana Achugar brings a new work--"The Sublime is Us"--to a studio space at Dance Theater Workshop, beginning October 21.

Program notes--http://infinitebody.blogspot.com. Guest info at http://www.lachugar.org and http://www.dtw.org. (c)2008, Eva Yaa
Asantewaa

MP3 File

Program Notes: Upcoming on "Body and Soul"

My next guest--Bessie Award-winning choreographer Luciana Achugar--will be bringing a new work--The Sublime is Us--to a studio at Dance Theater Workshop this month. It was a pleasure to catch up with her. We last spoke in late January while this piece was in development and Achugar was preparing to revisit an older work, Franny and Zooey, for Sugar Salon, a program highlighting work by women choreographers. The Sublime is Us promises to offer what Achugar does best--invite watchers into an intimate space of expanded awareness, connection and meaning, grounded in the intelligence of the body.

Dance Theater Workshop ticketing
October 21-25, October 28-November 1 (7:30pm)
October 24, 25, 31, November 1 (9:30pm)
Post-Show Talk: Wednesday, October 22 with Levi Gonzalez
Coffee and Conversation Pre-Show talk: Thursday, October 23 at 6:30pm with Victoria Anderson Davies
Friday Night Toast October 24

Luciana Achugar is an Uruguayan choreographer based in Brooklyn. She moved to New York in 1995 after graduating from Cal Arts. In NY she worked as a dancer with several influential choreographers including Maria Hassabi, Chameckilerner and John Jasperse. From 1999 to 2003, she worked in a close collaborative relationship with choreographer Levi Gonzalez and has been doing her own independent work since 2002.

Achugar has created five independent works and will premiere her sixth project--The Sublime is Us--at Dance Theatre Workshop in October 2008. Her work has been presented in NY at Movement Research’s MELT Festival; the Ensemble Studio Theatre; The Latino American Dance: Not Festival Project; CANADA Gallery; Klaus von Nichtssagend Gallery; La MaMa; Abrons Arts Center; Danspace Project and Dance Theatre Workshop; in Cambridge Massachusets at the Green Studios and in Uruguay at the Festival Iberoamericano de Danza and the Centro Cultural de España. In September 2007 she received a BESSIE Award as Creator/Choreographer for her first full evening-length piece Exhausting Love at Danspace Project which premiered in November 2006.

Luciana Achugar is a 2008 New York Foundation for the Arts fellow in Choreography. She was a 2007 Choreography Fellow of the Maggie Allesee National Center for Choreography at Florida State University and a Sugar Salon Artist, a program developed by WAX in partnership with the Barnard College Department of Dance. She was a 2001-2002 and 2002-2003 Movement Research Artist-in-Residence and has been in Residencies at Barnard College, Bennington College, DTW’s Outer/Space Program, the LEX-Dance Summer Residency, MANCC at FSU and at the Daghdha Dance Company in Limerick, Ireland. Her work has received support from the Meet the Composer Fund; the Puffin Foundation; The Leonard and Sophie Davis Fund; and from public funds from the Manhattan Community Arts Fund, supported by the NYC Department of Cultural Affairs and administered by the LMCC.

Wednesday, October 1, 2008

The Body and its Image roundtable

The Philoctetes Center for the Multidisciplinary Study of Imagination
at the New York Psychoanalytic Institute
(Edward Nersessian and Francis Levy, Directors)

invites you to a Roundtable
Saturday, October 4, 2008 at 3:30pm

The Philoctetes Center
247 East 82nd Street
(Phone: 646-422-0544; email: info@philoctetes.org)

Events at Philoctetes are free and open to the public. Seating is on a first come basis.

The Body and its Image

Over the past decade there has been a moral panic about inappropriate body size. Anorexia nervosa and obesity have become touchstones for discussions of social and personal failure, of the supremacy of genetics over human choice, of the global expansion of normative ideas of the body—indeed, for virtually all discussions about what has gone wrong in our contemporary world. Meanwhile, artistic representations offer another vision of what it means to inhabit a body. This panel will examine the interlocked questions of the meanings attached today to bodily difference and representation, and the role that these debates play in our psychological and physical well-being.

Marina Abramovic has been a pioneer of performance as a visual art form since beginning her career in Belgrade in the early 1970s. The body has always been both her subject and medium. She has explored her physical and mental limits in works that ritualize the simple actions of everyday life. From 1975–88, Abramovic collaborated with the German artist Ulay, addressing the nature of duality. Since returning to solo performances in 1989, she has presented her work at major institutions in the US and Europe, including the Centre Georges Pompidou in Paris and the Neue National Galerie in Berlin. She has also participated in many large-scale international exhibitions, including the Venice Biennale and Documenta VI, VII, and IX in Kassel, Germany. Recent performances include "House with Ocean View" at New York's Sean Kelly Gallery and "7 Easy Pieces" at the Guggenheim Museum. Among her upcoming projects are a retrospective at MoMA and a theatre piece directed by Robert Wilson that will premier in 2011.

Paul Campos is Professor of Law at the University of Colorado and a syndicated columnist for the Scripps Howard News Service. He has written widely about the legal, medical, and social consequences of narrow definitions of what constitutes a "normal body." He is the author of The Obesity Myth. His work on this subject has been featured in Scientific American, The New York Times, The New Republic, The Los Angeles Times, and many other publications.

Sander Gilman (moderator) is a Distinguished Professor of the Liberal Arts and Sciences and Professor of Psychiatry at Emory University, where he is the Director of the Program in Psychoanalysis and the Health Sciences Humanities Initiative. A cultural and literary historian, he is the author or editor of eighty books. His Oxford lectures, Multiculturalism and the Jews, appeared in 2006. His most recent edited volume, Diets and Dieting: A Cultural Encyclopedia, appeared in 2007. He has held professorships in humanities and medicine at Cornell University, the University of Chicago and the University of Illinois at Chicago. He has also served as the Visiting Historical Scholar at the National Library of Medicine in Bethesda; as a fellow at Stanford's Center for Advanced Study in the Behavioral Sciences; as a Berlin prize fellow at the American Academy in Berlin; and as the Weidenfeld Visiting Professor of European Comparative Literature at Oxford University.

Marcel Kinsbourne is a behavioral neurologist and Professor of Psychology at the New School. Educated at Oxford University, he has held professorships at Duke University and the University of Toronto. His research interests center on problems in neuropsychology and child development. He has published in excess of 400 medical and scientific articles and authored or edited eight books, including The Asymmetrical Function of the Brain, The Unity and the Diversity of the Human Brain, and Consciousness: The Brain's Private Psychological Field.

Julie Atlas Muz, Miss Exotic World and Miss Coney Island 2006, is a choreographer, actor and artist based in New York City. Muz was included in the Whitney Biennial 2004 and has performed her work all over the world. Her alter ego, Mr. Pussy was a main attraction at a show she co-curated with Kembra Pfahler at Dietch Projects, entitled Womanizer. She recently co-created and performed a new erotic version of "Beauty and the Beast" with Mat Fraser, a UK based artist with Thalidomide, at Dadafest in Liverpool.

Sabine Wilhelm is Associate Professor of Psychology at the Harvard Medical School. She is Director of the Obsessive-Compulsive Disorder and Related Disorders Program and Director of the Cognitive-Behavior Therapy Program at Massachusetts General Hospital and Harvard Medical School. Dr. Wilhelm is internationally recognized as a leading researcher on Body Dysmorphic Disorder, a distressing preoccupation with an imagined defect in one’s appearance. She currently is the principal investigator of two studies investigating treatments for the disorder funded by the National Institute of Mental Health. She wrote the book, Feeling Good About the Way You Look: A Program for Overcoming Body Image Problems and has many other publications. Dr. Wilhelm serves on several editorial boards and regularly provides continuing education workshops nationally and internationally.

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The mission of the Philoctetes Center is to foster the study of imagination — funding research, organizing roundtable discussions, offering courses and programs open to the public. The Center publishes a newsletter, Dialog, and is developing a web-based clearing house on work related to imagination. The Center also publishes a journal, Philoctetes. Visit The Philoctetes Center web site for more information.

Friday, February 8, 2008

Becoming Intimate with the Body: Awareness in Stillness and Motion

I'm happy to pass along the following announcement for one my Body and Soul podcast interviewees, Nadine Helstroffer. To hear my interview with Nadine, click here.

--Eva

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New York Insight Meditation Center presents a day-long retreat with Nadine Helstroffer and Sandra Weinberg--Becoming Intimate with the Body: Awareness in Stillness and Motion.

Saturday, February 16, 10am–5 pm
Fee: $40
28 West 27th Street, 10th floor, Manhattan
Phone: 212-213-4802
E-mail: nyinsight@earthlink.net

This day is an opportunity to enjoy getting to know yourself in your body. As we tune into the spaciousness inside and outside the body, we come closer to our true nature. Building on the foundation of mindfulness practice, we will engage in a joyful and challenging form of inquiry in both stillness and movement. We will shift our awareness from concepts about the body to the arising and falling of each moment to moment experience. The four postures of body--sitting, standing, moving, and lying down--will be the place of exploration of our grasping and letting go.

NADINE HELSTROFFER

A Buddhist practitioner and a New York-based dancer-choreographer, Nadine Helstroffer has directed workshops in France, Canada, Korea, and the United States. In 1998 she founded the Resonance Body workshop, which explores the link between meditation and movement. She has been presenting her workshop at the Zen Center of New York City, the New School University and Bowling Green State University, Ohio. Vajra Realm, a dance pilgrimage with Nadine filmed in Central Tibet, was released in January 2007 and distributed by WGBH Boston/PBS as a special feature on the DVD Vajra Sky Over Tibet by John Bush. In collaboration with John, she is preparing the feature-length dance art film Schimmer, a meditation on impermanence.

SANDRA WEINBERG

Sandra Weinberg is a co-founder, member of the Teachers Council, and Board of Directors of NYI. She has studied and practiced mindfulness meditation for over 25 years and is a graduate of the first Spirit Rock Community Dharma Leaders Program. Sandra has taught insight meditation at NYI, the New York Open Center, City University of New York and elsewhere. She is a psychotherapist in private practice in New York City.

Sunday, December 16, 2007

Camille A. Brown

In September, I visited with Camille A. Brown, who had recently made a huge impression as the choreographer and performer of her solo, The Evolution of A Secured Feminine, on a program of choreography by Black women called This Woman's Work. We talked about the steady evolution of her remarkable career. She has won rave reviews for her appearances with Ronald K. Brown/Evidence, and now she has premiered a delightful and well-received ensemble piece with the Alvin Ailey American Dance Theater, one of the world's most celebrated dance troupes, during its 2007 season at City Center. Camille is a young artistic star on the rise.

For information on the Ailey season at City Center, visit www.alvinailey.org.

Subscribe to Body and Soul podcast at http://magickaleva.hipcast.com/rss/bodyandsoul.xml.

MP3 File

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