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Showing posts with label Mazz Swift. Show all posts
Showing posts with label Mazz Swift. Show all posts

Saturday, February 3, 2018

Happiness: Kumagai and Watanabe at Asia Society

Left: Kazunori (Kazu) Kumagai
(photo: Maiko Miyagawa)
Right: Kaoru Watanabe
(photo: Yuki Kokubo)


Bessie-winning tap dancer Kazunori Kumagai (2006) is likely better known to my InfiniteBody readership than is composer-musician Kaoru Watanabe, but these two major artists merged forces last night at Asia Society's First Friday, presented with Japan Foundation. Kumagai (aka Kazu) brought two friends he has partnered with in recent years--Sabrina Clery, an engaging, heartful vocalist, and renowned veteran bassist, Alex Blake. Watanabe, percussionist and flutist, was accompanied by colleagues whose work similarly spans cultures and genres--violinist Mazz Swift and percussionist Satoshi Takeishi.

We were treated to an exemplary performance by Kumagai who, over time, demonstrated finer and finer control of his sounds and speed of delivery. Assured technique, yes, but he also learned, from Black funkmeister mentors, to keep heart and soul in place. And sass, too, like those slices of shoe against wood, so like skate blades marking ice. His inward concentration--pitched forward, drilling the floor, eyes on his work--this time reminded me less of Gregory Hines, with whom he has been compared, than Savion Glover. He appears less interested in looking pretty than sounding awesome, getting results, holding his own with rhythmic powerhouses like Blake (in their dynamic Blue Moses duet) and Watanabe (in the stormy and ecstatic Amazing Grace finale, performed with all hands on deck).

This gig with Watanabe marked Kumagai's (and, likely, tap's) Asia Society debut. A huge audience received it all warmly, and I hope that means we can expect future Watanabe/Kumagai collaborations and return visits.

Asia Society's First Friday is celebrated from 6pm to 9pm on the first Friday of the month with free museum admission, exhibition tours, refreshments, late night shopping at AsiaStore and more. The next will be held on March 2. Asia Society also hosts LGBT Connections Night at Leo Bar each night on third Fridays. For more information on all of these events, click here.


Currently on view at Asia Society:

In Focus: An Assembly of Gods

Through March 25, 2018

An in-depth look at a large Chinese pantheon painting
from the early nineteenth century

Masterpieces from the Asia Society Museum Collection

Through March 25, 2018

A selection of the finest artworks
from the renowned Asia Society Museum Collection

For more information, click here.

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Saturday, March 27, 2010

Souls intact

To even attempt to invoke the complex genius of Nina Simone might require an entire stage filled with badass women, and that's exactly how things went down last night at Aaron Davis Hall. Presented by Harlem Stage, the renowned Black Rock Coalition Orchestra gave the final performance of its Nina Simone Tribute, featuring numerous female singers and a versatile musical ensemble covering nearly two dozen songs written or interpreted by the extraordinary musical diva and activist who left us in 2003.

Standouts included Angela Johnson's mellifluous piano work and vocal phrasing, where we could grasp every nuance of thought and feeling in Black is the Color of My True Love's Hair and Brown Baby; Joi's frisky I'm Gonna Leave You with its driving rhythm that sounds exactly like a strong woman getting the hell on outta there; anything that Imani Uzuri turned her fierce voice to, absolutely anything, from the romping Backlash Blues to the softly pitying Fodder to the raging anger of Peaches in Four Women; the bravado of Toli Nameless's triple-threat celebration of See-Line Woman in song, dance and trumpet-playing.

Tamar-kali sizzled--what confidence and clout!--in the torch song Tell Me More, a five-alarm I Put A Spell On You, and a slow-drag Feelin' Good. Her voice is dark smoke crossed with flutely sinuosity. Mazz Swift, besides her duties in the lovely string quartet, offered up Lilac Wine with mesmerizing sensitivity. LaTasha N. Nevada Diggs's Pirate Jenny glowed with toxic charm.

There was much, much more, and I wish there could be much, much more. Harlem Stage, bring each and every one of them back without delay!

Other great vocalists from this show are also online:

Lisala
Somi
Maya Azucena

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