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Showing posts with label Black Lives Matter. Show all posts
Showing posts with label Black Lives Matter. Show all posts

Sunday, May 31, 2020

Inconvenient Black bodies




Inconvenient Black bodies

by Eva Yaa Asantewaa


Our blood runs red through inconvenient bodies

that mattered when we were profitable chattel

sold, bought, traded like cattle.

We mattered when raped, forced to birth property.

We mattered when building the white man’s nation

from his soil to the skies.

We mattered when our blood ran red in southeast asia,

when it was our blood--not the white man’s,

back in his comfortable home.

We mattered when our brains, our creativity built industries.

We mattered when our own money built white wealth.

We mattered when our ballots built white power.

We build it still, which is how we manage to matter.

But we are inconvenient people,

troublesome bodies, bodies in the way of progress.

Mouths to feed.

Mouths crying, mouths questioning.

Mouths telling secrets.

We are

bodies taking up space,

holding down space desired by others.

Holding stories never meant to be heard.

Resisting names we did not and

do not choose.

Resisting definition by others.

Resisting obscurity.

Resisting obstruction.

So, we are

bodies in handcuffs.

in prisons, in the crosshairs,

at the crossroads,

under the knee

that snuffs out breath as we

make one last cry to ancestors:

gather us, please; please receive

our inconvenient spirits.

derek chauvin confidently pressed his knee

against george floyd's black neck

for nearly nine minutes, each second

precisely measured out with deadly power,

a procedure well-practiced, one might say,

meticulous in its execution,

effective in its dispatch

of one more Black

and inconvenient body.


(c)2020, Eva Yaa Asantewaa

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DISCLAIMER: In addition to my work on InfiniteBody, I serve, at Gibney, as Senior Director of Artist Development and Curation and Editorial Director. The postings on this site are my own and do not necessarily reflect the views, strategies or opinions of Gibney.

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Saturday, February 18, 2017

Re-membering Black lives with Taja Lindley



This Ain’t A Eulogy: A Ritual for Re-Membering (9:58) is a stunning film by Brooklyn-based visual and performance artist Taja Lindley, based on her solo healing performance ritual This Ain't A Eulogy (premiere: La MaMa's SQUIRTS, 2015). Co-directed with and edited by Ellen Maynard, the film was premiered on February 16 at the 5th Annual Black Artstory Month (Myrtle Avenue Brooklyn Partnership).

The film draws "parallels between discarded materials and the violent treatment of Black people in the United States," Lindley writes. "People in the African Diaspora have a long history of repurposing, remixing, and transforming oppressive systems into valuable cultural practices." Through the surreal, eye-catching artistry of her film, Lindley invites the viewer to "imagine how we can recycle the energy of protest, rage, and grief into creating a world where, indeed, Black Lives Matter."


Taja Lindley
Taja Lindley is a writer and artist based in Brooklyn, New York. She is the founder and Managing Member of Colored Girls Hustle, and a member of Echoing Ida and Harriet's Apothecary. Lindley considers herself a healer and an activist, creating socially engaged work that reflects and transforms audiences, shifts culture and moves people to action. She uses movement, text, installation, props, ritual, burlesque, and multi-media to create performances that are concerned with freedom, healing and pleasure. She is currently developing a body of work recycling and repurposing discarded materials. Her artwork has been featured at the Movement Research at Judson Church series, Brooklyn Arts Exchange (BAX), the Gallatin Arts Festival at New York University, WOW Café Theater, La Mama Theater, in living rooms, classrooms, conferences and public spaces. In 2014 she was a Create Change Fellow with the Laundromat Project and a participant in EMERGENYC, an artist activist program of the Hemispheric Institute of Performance and Politics at New York University. In 2015 she was a Fall space grantee at BAX. This summer (May-August 2017) she is an Artist in Residence at Dixon Place. Her writing has appeared in Rewire, EBONY, Feministe, Yes! Magazine and Salon. www.TajaLindley.com

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Thursday, April 9, 2015

It's open season: "People feel hunted."


Documentary filmmaker Rachel Lyon (left)
at screening of Hate Crimes in the Heartland at Harvard Law School
below: Tulsa, OK memorial for victims of the race riot of May 31, 1921
(Photos from http://www.hatecrimesheartland.com)


"What does it mean to be a Black body out loud?" asked dance artist Edisa Weeks at a recent Movement Research Studies Project forum.

One answer came as choreographer (and forum co-organizer) Whitney V. Hunter (Social Health Performance Club) lay like a crumpled corpse on the floor of a Gibney Dance studio and recalled the complexities of staging a #BlackLivesMatter "body count outline" intervention at Union Square Park when, as he discovered at the last minute, it was Greenmarket day.

In America, it's always Market Day--green or otherwise--and the artist/activist is challenged to complicate the easy, inebriating flow of that narrative. Rachel Lyon's Hate Crimes in the Heartland, screened last night as part of The New School's Creatively Speaking film series, is one film project that interrupts the same-old flow, dredges up history and connects the all-important dots. In April 2012, two white men went on a hunt through Tulsa, Oklahoma suburbs, shooting random Black people, killing three, critically injuring two others. Lyon's film looks beyond the "Good Friday Murders" and their aftermath to the city's post-World War I history of thriving Black businesses, white rage and tragedy.

Dealing with the Good Friday Murders, Lyon at first pelts the viewer with news media images and commentary too rapid to digest. However, her work becomes more effective--and moving--as she examines the story of the prominent, self-contained community of Greenwood ("Black Wall Street") Black people built in the wake of World War I.

On May 31, 1921, Tulsa's struggling whites, resenting Black success, rampaged through Greenwood, destroying 25 city blocks, leaving 300 people dead and 10,000 homeless. The shattered community still bears signs of decimation while white Tulsa rebounded and continues to flourish. Not a single person has ever been charged or faced justice for the genocide of 1921.

Lyon has been touring Hate Crimes in the Heartland around the US in an effort to bring awareness of this atrocity--certainly absent from my high school history books--and create opportunities for discussion of hate crimes, systemic racism, and strategies for empowerment.

Click here to order the film and consider hosting a screening in your home or community venue (discussion guide provided).

Friday, February 13, 2015

Black lives matter: Moving Spirits RESPOND

Moving Spirits to Enlightenment

a dance performance by Moving Spirits, Inc., 
Tamara Williams, choreographer, 
along with Jonathan Lassiter, Sydnie Mosley, André M. Zachery, 
A. Nia Austin-Edwards and other creative artists

Saturday, February 21, 3pm

Moving Spirits to Enlightenment is a dance event event paying homage to Mike Brown, Eric Garner, Akai Gurley, Tamir Rice, Ayana Jones, Rumain Brisbon and countless other black lives. Dance solos, quartets and trios will be divided between moments of audience participation and interaction as well as spoken word and poetry. Singing, chanting and additional vocals from the 1960s civil rights movement and the current civil rights movement will accompany the event. Moving Spirits to Enlightenment will also educate through the distribution of cards listing citizens’ rights and statistics about the militarization of police departments to keep the focus on police brutality and the betterment of black lives.
Smack Mellon
92 Plymouth Street (at Washington), Brooklyn
(directions)

Monday, December 15, 2014

Maria Bauman says: Come together to grieve and breathe.

photo by Whitney Browne
graphic design by Ashley Phillips

Dance artist, educator and activist Maria Bauman has created an event to support us in self- and community-care as we struggle in the movement for a just society. Please join us on the afternoon of December 31, 1-4pm, for Grieve & Breathe (followed by Solidarity Write-in) at Downtown Art. This is a free event. 

Bauman writes:
Just as pressuring our systems and institutions is key, our self-care and community-care must be part of this movement for justice and liberation. MBDance is offering an afternoon self- and community-care on December 31: 
1:00-2:00 MBDance starts the afternoon with a community-care circle of venting and discussion. The collective stress of navigating oppression and of holding grief creates high levels of cortisol in our bodies and can have us act out in ways that are unhealthy for ourselves and for our communities. We will take dedicated time to talk through our anger, sadness, action, and inaction around the two non-indictments and their larger context. A social worker who has a race analysis will be present to offer resources to anyone who feels he/she/they needs more than the community circle may be able to offer that day.
2:00-3:00 Then we will relieve tension, safely ease and lengthen our muscles, release stashed energy in the body, and take in the caring energy of the group through Partner Stretch & Tension Release. This is free of charge, all gender-inclusive, gender presentation-inclusive, age-inclusive, and body positive; people of all body types and levels of experience are welcome.
3:00-4:00 Afterward, we focus on community care by writing letters of condolence, support, and solidarity to Eric Garner's family: Mrs. Esaw Garner, five children, and three grandchildren. We have been in touch with Emerald Garner, one of the (adult) children; she has provided a mailing address for this purpose and the family welcomes this communication. Families can bring children to this last hour of the afternoon, as well. Crayons and paper will be provided in case children want to draw pictures to send to the Garner family, and MBDance will also provide letter-writing materials including addressed envelopes and stamps.
For updates and further information on Grieve & Breathe (followed by Solidarity Write-In), visit the event page on Facebook. Click here.

Downtown Art
61 East 4th Street (between 2nd Avenue and Bowery), Manhattan
(map/directions)

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