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Showing posts with label Meredith Monk. Show all posts
Showing posts with label Meredith Monk. Show all posts

Saturday, March 12, 2016

My Eiko journal: Part 6

Eiko's A Body in Places
Saturday, March 12 -- 3pm

Meredith Monk
marked the hour at 3pm
at St. Mark's Church
for Eiko's A Body in Places.
photos (c)2016, Eva Yaa Asantewaa
Eiko (left) with Meredith Monk
who taught us all a Japanese lullaby, The Red Dragon Fly
(c)2016, Eva Yaa Asantewaa

Come by today and this evening for the continuation of Danspace Project's commemoration of the Fukushima tragedy with an installation of William Johnston's powerful photographs and a performance offering by artists every hour on the hour through 9pm. For more information, click here.

******

Read My Eiko journal: 

Part 1
Part 2
Part 3
Part 4
Part 5

*****

Eiko's A Body in Places platform continues at Danspace Project and other venues through March 23. There's so much going on in this platform's programming, that Danspace Project is actually offering consultation with a docent to help you get your bearings. Really. For detailed information, click here.

Danspace Project
St. Mark's Church in-the-Bowery
131 East 10th Street (at Second Avenue), Manhattan
(map/directions)

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Friday, December 18, 2015

Your weekend must-see: Monk meets Waldman

Meredith Monk (left) and Anne Waldman
present their first collaboration.
(photo: Ian Douglas)

This week, Danspace Project hosts the first collaboration of two mages--Meredith Monk and Anne Waldman. That would be enough even without Pat Steir's paintings gushing fine, vibrant lines of vascular light from the altar wall. The evening--eighty minutes without intermission--is saturated by elemental sound, color, movement, intensity and mastery, crossing artificial barriers between word and body, song and image, human presence and the rest of nature.

Anne Waldman
(photo: Ian Douglas)

Waldman's opening set--Entanglement Variations, an incantation-in-progress--ensnares the listener. The spidery performer--part-rock star, part-downhome preacher, part-esoteric flimflam artist--stalks, distills, distorts and transmutes a motherload of words into fluid, musical sounds, clicking and hooting, gliding and hissing out her sticky, steely net. Monk, joined by ensemble members Katie Geissinger and Allison Sniffin and dancer Ellen Fisher, follows up with a five-song set including a work-in-progress, Cellular Songs, and makes the most of the sanctuary's warmth, dignity and sacred acoustics.

Meredith Monk
with Allison Sniffin (left) and Katie Geissinger (right),
members of Meredith Monk Vocal Ensemble
(photo: Ian Douglas)

Even without Fisher's expressive dancing (in Scared Song), it's possible to perceive the action of nerves, blood and breath inside Monk's vocal music. It feels sufficiently close to one's own internal moves and produces a near-immediate mirroring effect. Monk takes us wherever she likes, and the best of these journeys happens in between song (from impermanence), with its lyrics by Mieke van Hoek, her collaborator and companion, who passed in 2002. If there is anyone who can transport a listener, through sound, to that space "between the clouds and the night...between your hand and my hand...between the seed and the dirt," it is Meredith Monk.

Monk and Waldman
(photo: Ian Douglas)

The concluding set brings Monk and Waldman together in a juxtaposition of works and voices. The first piece--Wa-lie-oh/[Endangered] Living Thread--sounds forced, an unwieldy pattern, alternating Waldman's wilderness drift with Monk's more organized containment. But, once past that tentative beginning, they find a groove to share to the end of the night.

With sound by Ambrose Bye and lighting by Carol Mullins

Meredith Monk & Anne Waldman continues tonight and concludes  with Saturday's benefit performance for Danspace Project and The House Foundation for the Arts. As of last evening, tickets for Saturday were still available. Both evenings start at 8pm. For information, click here.

Danspace Project
St. Mark's Church in-the-Bowery
131 East 10th Street (at Second Avenue), Manhattan
(map/directions)

If you like what you're reading,
subscribe to InfiniteBody!

Tuesday, November 20, 2012

Happy 70th, Meredith Monk!

I'm wishing a grand, happy birthday to Meredith Monk who got the surprise of a charming little cake last evening at Danspace Project but really gave us all the most beautiful gift.

The special program, Pioneer Days, part of Danspace's PLATFORM 2012: Judson Now programming, included a screening of filmmaker Robert Withers' reconstruction of Monk's breakthrough 16 Millimeter Earrings Judson Memorial Church performance of 1966, filmed excerpts from the transcendent site-specific Songs of Ascension (2008), and reworked selections from pieces from the early '70s, constructing mosaics out of choice, unearthed shards from the past. The early Monk prepared the way for artists who now readily cross boundaries of genre and modalities and for audiences hungry for immersion in total experience and stimulation of all modes of perception.


Her art is more than voice, but even just her voice--or, rather, voices swooping, stretching, ululating, mewing, fluttering in rapid succession--can entice listeners to journey. Monk reminded us that her project is to heal the unnatural rifts between the arts unique to the modern Western approach and to counter our tendency to rely upon secondary experiences through cyberspace. Instead, she would have us engage with the "blood, guts and nerves" of live art where "we're all in the same space at the same time."

"Nothing can substitute for that," says this sage and shaman.

Wednesday, November 17, 2010

The M6: voices in the night

Last night, Roulette--which will soon depart Soho for a new home in downtown Brooklyn--hosted a lovely concert of excerpts and short vocal works-in-progress by Meredith Monk, performed by The M6. This sextet--including Sasha Bogdanowitsch, Sidney Chen, Emily Eagen, Holly Nadal, Toby Newman and Peter Sciscioli--dedicates itself to the continuation of Monk's musical legacy.

In a companionable repertoire for a rainy city night, the singers evoked for me the flow of sound across open space; the coursing of time; the massing, receding of energies in nature; the traditions of deep-rooted communities; the passing on, from heart to heart and generation to generation, of old lullabys and love songs.

Some pieces I especially enjoyed: Three Heavens and Hells (1993)--inspired by a Zen-like poem by Tennessee Reed, Ishmael Reed's daughter, then just 11--tapped into my nervous system with its intriguing, rhythmic repetition. In the "Hocket" duet from Facing North (1990), Sciscioli and the astonishing Eagen rapidly traded deep, sharp sounds--as round and as delicious as gumdrops--in a process similar to Eskimo throat singing. I thought of the call and response of a pair of bonded sandhill cranes. Chen's performance of the solo "Boat Man" from Volcano Songs (1994)--revealed character and gusto within sound integrated with physical movement. 

All in all, a sometimes joyous, sometimes deeply soothing evening!

Love Meredith Monk? Check this out:

 
at Le Poisson Rouge
158 Bleecker Street, Manhattan (directions)

Sunday, December 12 
Doors open 6:30PM; showtime 7:30pm

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