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Showing posts with label Boston. Show all posts
Showing posts with label Boston. Show all posts

Monday, October 26, 2020

New documentary explores the art of Crutchmaster Bill Shannon

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COMING UP IN NOVEMBER!

CRUTCH, a documentary about the life and artistry of dancer Bill Shannon, will stream its world premiere through DOC NYC on November 11 and be accessible through November 19. A project of award-winning directors Sachi Cunningham and Chandler Evans (aka Vayabobo), the film follows the development of Shannon in his native Pittsburgh as an energetic youngster with a passion for skateboarding, hip hop and basking in the gaze of whatever audience he could find. His diagnosis with Legg-Calvé-Perthes disease--a degenerative condition of the hip--complicated but did not stop his trajectory as a performer. Instead, with crutches that alleviate the pain of walking and dancing, he built a unique movement technique and began experimenting with ways in which performers and audiences interact and how disabled and non-disabled people relate to one another.

CRUTCH is an introduction to Shannon's origin story and family life, his personality and creative process. I recall being immediately smitten with this dancer so sparked by the pulse, intensity and joy of the streets. That might have been in the early 2000s. I have not seen his work since his 2010 excursion through Lower Manhattan, Traffic: A Transit-Specific Performance, with his audience following and viewing him from inside a bus. In the intervening years, New York City's dance presenters and critics have grown more familiar with the spectrum of disability artistry, and this makes me hope that the worth of Shannon's skill and ideas will be better understood today than they were nearly twenty years ago.

CRUTCH (USA, 2020) 

SEE CRUTCH at DOC NYC, November 11-19

Instagram: @crutchdoc
Twitter: https://twitter.com/crutchdoc
IMDb: https://pro.imdb.com/title/tt4441460

 

Ellice Patterson of Abilities Dance Boston (photo:

 AND THIS THURSDAY NIGHT!

Dancer-choreographer Ellice Patterson's troupe, Abilities Dance Boston, which includes performers with and without disabilities, uses dance as a tool to tell stories, process emotions and promote intersectional disability rights with an emphasis on artists of color and queer artists.

Celebrity Series of Boston will stream Abilities Dance Boston's concert (with audio descriptions) this Thursday, October 29 at 8pm EST

Tickets for the digital concert are free with your RSVP here.

 
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DISCLAIMER: In addition to my work on InfiniteBody, I serve, at Gibney, as Senior Director of Artist Development and Curation and Editorial Director. The postings on this site are my own and do not necessarily reflect the views, strategies or opinions of Gibney.

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Thursday, November 15, 2012

What makes (a) Kelley Donovan dance?

What makes Kelley Donovan dance? And what makes a Kelley Donovan dance? Find out a little of that below, and find out more on Friday, December 7, when Kelley Donovan & Dancers presents Entwined--an evening-length dance exploring connection and interdependence--at Gibney Dance Center.

From Kelley Donovan's Entwined (2012) Photo by Randall Collura
This new work has a greater emphasis on partnering and relationship, exploring the gray area between the extremes of purely classical modern dance and theatrical narrative. I am very interested, through this work, in exploring how abstract dance can be expressive. I am also interested in the musical qualities of the moving body, and in the energy the individual performer projects whether tentative, aggressive or somewhere in between and finding sounds that emphasize that person's energy so you see them as an individual. I am curious about the progression of that energy and how that can create a sort of organic or visceral movement narrative that emerges within the work simply from the range of dynamics and shifts of dynamics as the work progresses. -- Kelley Donovan
http://kddcompany.files.wordpress.com/2009/10/donovan-dancers_041.jpg
from Kelley Donovan's Made of Paper (2010) Photo by Di Zhang
I am most interested in dance that expresses the intimate self through movement, ranging from soft fluidity to athletic physicality. A non-linear series of images and serpentine movement gathers strength in its accumulation of details, gestures and exchanges of energy with one another. -- Kelley Donovan
Among other notable dance critics, Boston-based Marcia B. Siegel (The Phoenix) hailed an earlier work by Donovan: 
The piece transcended the ordinary… Donovan's movement…is lush and lyrical. Few choreographers today have such a clear sense of space and continuity.
Kelley Donovan & Dances in Entwined
Friday, December 7 (7:30pm)
For information, click here or call 617-388-3247.
 

Gibney Dance Center
890 Broadway (at 19th Street), Manhattan (5th Floor)

(map/directions)

Tuesday, October 11, 2011

Friday, March 5, 2010

Dance writers plus!

a novel by New York dance blogger Tonya Plank (Swan Lake Samba Girl)

Swallow, which I've just started reading, hooks you from the opening pages with its breathless urgency and captures what it's like to live in NY now, with money worries and ambition and myriad obligations breathing down your neck, and none of it written in cutesy chick-lit'ry. So give it a try.

--James Wolcott, Vanity Fair Online

available on Amazon


Who Knows One

a book of poems by Boston dance critic Debra Cash

The poems based on stories, language and associations connected to the Passover Haggadah are especially powerful. They do what art is supposed to do: give us a new way to see. Her insights are sometimes provocative, sometimes wistful, sometimes even angry, but they are also always wise. These poems will deepen and broaden the experience of Passover for Jews for generations to come. “Who Knows One” is just breathtaking, and deserves a place in the canon.

--Anita Diamant, author of The Red Tent and Day After Night

available here

Thursday, April 23, 2009

The future of dance blogging?

Here's an interesting--and, I think, necessary--back-and-forth about the shifting/drifting role(s) of the dance critic/blogger/"criticist"/whatever in these times (Times?).

The future will not be monetized
by Thomas Garvey, The Hub Review, April 20, 2009

Debra Cash replies here.

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