Search This Blog

Showing posts with label Yoko Shioya. Show all posts
Showing posts with label Yoko Shioya. Show all posts

Thursday, December 20, 2018

The Bessies to honor Japan Society's Yoko Shioya

Yoko Shioya, Artistic Director of Japan Society will receive
a Bessie: the 2019 Presenter Award for Outstanding Curation.

The Bessies organization (New York Dance and Performance Awards) has announced the recipient of its 2019 Presenter Award for Outstanding Curation--Yoko Shioya, Artistic Director of Japan Society. “Yoko has been an amazing force for good in the New York dance world, curating with a bold and discerning eye and bringing important work across cultures,” said Bessies Executive Director Lucy Sexton. “I am so pleased she is being honored with this award.” And I agree!

Celebrate with Shioya at the Bessies Presenters Gathering on Sunday, January 6 (5pm to 7pm) at La MaMa La Galleria. Free and open to all! RSVP here.

La MaMa La Galleria
47 Great Jones Street (between Bowery and Lafayette), Manhattan
(map/directions)

BIO
Yoko Shioya became artistic director of Japan Society in 2006, overseeing the organization’s performing arts and film departments. Since assuming the position of Director of Performing Arts in 2003, she has enlarged the scale and number of commissions for the creation of new works related to Japanese culture by non-Japanese artists, and increased the number of tours of Japan Society-produced works throughout North America. Shioya also launched new initiatives, including co-producing commissioned work by international artists with presenting organizations in Japan, presenting works from East Asian countries, and establishing artists’ residency projects in New York City. Known in Japan as a writer and researcher on the public and private arts support systems in the U.S. and Japan, Shioya has been invited to speak at numerous symposia and lectures and on TV programs presented by the Agency for Cultural Affairs of the Japanese government, Keidanren, the Academy of Cultural Economics, and the Japan Council of Performers’ Organizations, among others. She has been a regular contributor to arts columns on performing arts and exhibitions for the Asahi newspaper, and has served as a committee member and selection panelist for numerous programs, including the Bessie Awards, Rolex Mentor and Protegé International Program, and the Toyota Choreography Awards. Shioya holds BAs in musicology and dance history from Tokyo National University of the Arts.
About the Presenter Award for Outstanding Curating
Established in 2017, the Bessies Presenter Award for Outstanding Curating recognizes a presenter or curator of work performed in the New York City area. It is presented to an individual or curatorial team whose work has had a palpable impact on artists, audiences, or the dance and performance field in general. While the award can recognize sustained achievement in curating or presenting over time, it can equally recognize a particular project, festival, or season that occurred in the past year. Visiting or guest curators, as well as full-time curators and presenters, are eligible. The recipient is chosen jointly by the Bessies Selection and Bessies Steering Committees. The first Presenter Award (in 2017) went to Judy Hussie-Taylor, Executive Director and Chief Curator of Danspace Project, for her curation of A Body in Places, Danspace Project Platform 2016 by Eiko Otake. The second awardee (in 2018) was Joseph V. Melillo, Executive Producer of the Brooklyn Academy of Music, for his championing of dance on the stages of BAM.

******

DISCLAIMER: In addition to my work on InfiniteBody, I serve as Senior Curatorial Director of Gibney. The postings on this site are my own and do not necessarily reflect the views, strategies or opinions of Gibney.

******

Subscribe in a reader

Saturday, December 5, 2009

Jeremy Wade: Cute, then not so cute

Director-choreographer Jeremy Wade concludes There is No End to More--performed by Jared Gradinger of Berlin's Constanza Macras/Dorky Park troupe--at Japan Society tonight. So, people, there really is an end to No End. Try, try, try to get in.

This production--and Gradinger's demanding, non-stop solo--hit me with the force of a thousand-thousand stars. If that sounds like a wild exaggeration, let it. It should give you a sense of the intensity of the manga-fabulous text dreamed up by writer Marcos Rosales with Gradinger and Wade, the increasingly maniacal, nightmare visuals by illustrator Hiroki Otsuka and video artist Veith Michel, and Brendan Dougherty's breathtaking sonic design.

Moving in the jerky, grotesque style that Wade, a Bessie Award winner, has made his trademark, Gradinger depicts a nerdy figure trapped in an overheated mental bubble filled with obsessive fantasies and fanciful artifacts of Japanese kawaii ("cute") pop culture. Gradinger believes he is "wearing a three-piece suit--and a cape."  He is "being chased, chased by...I don't know what!" As kawaii commercialism spins out of control, fantasy slips into sad realism which, in turn, becomes sinister phantasmagoria. This work is rich, visceral, unforgettable.

And enough cannot be said about the creative imagination--that sheer, defiant, leap-of-faith agility--of Yoko Shioya, Japan Society's perceptive artistic director. Following hunches, she commissioned this work from the Berlin-based Wade and brought it to New York, sight unseen. She tends to do this kind of thing, and bless her.

Information and ticketing or 212-715-1258

Tuesday, December 25, 2007

Yoko Shioya, Artistic Director, Japan Society

Last summer, as Japan Society celebrated its centennial, I spoke with artistic director, Yoko Shioya, at the Society’s beautiful center on East 47th Street in Manhattan. She shared her thoughts on the far-ranging influence of contemporary Japanese performing arts and on the origins and significance of butoh.

Update: Japan Society will present its annual Contemporary Dance Showcase (January 11-12, 2008), featuring cutting-edge dance from Japan and, for the first time, East Asia. For more information, visit http://www.japansociety.org/dance_topic.

Subscribe to Body and Soul podcast at http://magickaleva.hipcast.com/rss/bodyandsoul.xml.

(c)2007, Eva Yaa Asantewaa

MP3 File

Saturday, July 14, 2007

Turning Japanese

Artistic Director Yoko Shioya discusses Japan Society's fall season and city-wide centennial celebration ("Turning Japanese"), the origins and meaning of butoh, and more on Great Dance Podcast -- hosted by Eva Yaa Asantewaa and produced by Doug Fox.

Copyright notice

Copyright © 2007-2023 Eva Yaa Asantewaa
All Rights Reserved

Popular Posts

Labels