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Showing posts with label Anabella Lenzu. Show all posts
Showing posts with label Anabella Lenzu. Show all posts

Thursday, May 31, 2018

Who is this body? Anabella Lenzu at La MaMa Moves!

Anabella Lenzu
(photos: Anabella Lenzu Dance)
"This is my body. The dance is coming from my body,
not the body of a 25-year-old."
--Lenzu in her post-show conversation with director Daniel Pettrow


What I most appreciate about Anabella Lenzu (Anabella Lenzu/Dance Drama), whom I have known since she took my dance writing course at New York Live Arts, is how fully she inhabits the moment. She's all there, a force of self-determination, and that serves her well in her vivid new solo, No more beautiful dances, a world premiere for La MaMa Moves!

It's a generous presence in which Lenzu--plunging headfirst into performance after a long time focused on making work for others--ramps up what it means to be a dancer. It means your body speaks for you; it is your art, one vulnerable to the judgment of others as well as your own, offered up for display and assessment. Lenzu aims to stay honest about all that. With the audience as witness, she desires to serve, too, as her own outside eye.

She marks thick lines in menstrual red around her feet and thighs, outlines she will then fill with the same color and with furious energy. She allows two live-streaming cameras--one from above, one from below--to snoop around every surface and crevice of her 42-year-old body. This reads a bit like feminism of the My Body, My Self kind, an effort to take look at herself, journal what she observes, understand and come to grips with the changes undergone with the years and after giving birth to her two kids.

With the help of director Daniel Pettrow and the mentors she will cite after the show, this "journal" has been distilled down to about 40 minutes. But it encompasses so much--all that can be seen and all that needs to be imagined upon reflection of the viewer's own history. It stretches across the walls of The Downstairs theater's waiting area where blown-up, drawing-enhanced selfies of the dancer have been hung. It includes Lenzu's sturdy, expressive movement, of course, and her husband Todd Carroll's video projections but also Lenzu's speaking and songs recalled from her Argentinian youth--all to recapture a grounding sense of a self almost lost here in a new land.

In her post-show chat with Pettrow and the audience, Lenzu answered the inevitable question about her title, No more beautiful dances, by calling it a warning: "This dog will bite you."

Oh, yeah, I get that. When I first read the title, I thought of it as: "No more beautiful dances...for YOU, MISSY!" I also could not help but hear a poignant question: "Am I no longer able to make beauty?"

But I think an audience member figured out something better, something true of Lenzu when he offered this:

"No more pretty dances. Ah, but beauty...!"

Costumes: Jennifer Johanos
Lighting design: Hao Bai

No more beautiful dances has a final performance tonight at 7pm. For information and tickets, click here.

La MaMa The Downstairs
66 East 4th Street (between 2nd Avenue and Bowery), Manhattan

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Tuesday, October 28, 2014

Bronx Museum welcomes dance artists in December

Among its many lively public programs in late fall, The Bronx Museum of the Arts will present three special dance-related events:

Anabella Lenzu
(photo courtesy of the artist)

Wednesday, December 3
5:30-7:30pm

Choreographer Anabella Lenzu reads from her book, Unveiling Motion and Emotion, exploring the importance of dance, community, choreography and pedagogy. FREE*

Christal Brown
(photo by Kimara Dixon)

Friday, December 5
6pm-10pm

First Fridays! presents Artful Health: Christal Brown and Bombazo Dance Co.

A night of dance at the Bronx Museum includes performances by contemporary dancer Christal Brown (recently reviewed here on InfiniteBody) and Bombazo Dance Co., a group fusing traditional Afro-Puerto Rican dance bomba with ballet and modern dance. The evening ends with a dance class taught by Bombazo's founder and artistic director, Milteri Tucker. FREE*


Wednesday, December 10
6:30-9pm

The museum's holiday party features Flamenco Vivo Carlota Santana II's Navidad Flamenca with music, carols and dance. FREE*

*Bronx Museum admission is free every day!

For more information on these and all Bronx Museum public programs through December 12, click here.

Bronx Museum
1040 Grand Concourse, Bronx
(map/directions)

Tuesday, April 9, 2013

Where in the world is Eva Yaa Asantewaa?

Eva Yaa Asantewaa (photo by Deborah Feller)
Well, back home in New York City, for one thing!

But also look for me at...

This. Witness Relocation's Eterniday at La MaMa. Info/tickets here.

Bebe Miller Company: A History--co-presented by 651 Arts and New York Live Arts at Brooklyn's Kumble Theater for the Performing Arts at LIU. I'll be moderating a "Stay Late" post-performance sit-down with Bebe and collaborators this Friday, April 12. For program and ticket information, click here and here.

I hope to attend Deirdre Towers' film screening and salute to the producers, artists and educators of the US flamenco community. Monday, April 15, 6pm, at Bruno Walter Auditorium, New York Public Library for the Performing Arts. ​For information on this free event and the library's exhibit, 100 Years of Flamenco in New York, click here.

My project-driven Writing on Dance 2013 takes off at New York Live Arts next Wednesday afternoon with a full house of new students. Also, I'll pretty much be living at New York Live Arts on Wednesday for the opening of that visionary series, Live Ideas: The Worlds of Oliver Sacks ("A five-day festival of arts and ideas exploring the mind-body connection through the works of the acclaimed neurologist"). My first WOD session will be sandwiched between the panel on "Disembodiedness: Body Image & Proprioperception" and the evening keynote with two of my heroes--Dr. Sacks and Bill T. Jones. And the following day, I cannot afford to miss "Minding the Dancing Body" with Jones, Miguel Gutierrez, Colin McGinn, Alva Noë and Gwen Welliver, followed by the performance of RE: Awakenings by Donna Uchizono Company. While that's probably all I'll get to, that's not all that's happening. For details on the full series of special events here.

Speaking of Writing on Dance: Last year, I was delighted to have the accomplished, Argentinian dance artist and educator Anabella Lenzu in my workshop, and she will be returning for this year's series. Anabella has just self-published a book about her life and career--Unveiling Motion and Emotion--which includes her forthright thoughts on dance education, dance community and more (as well as some striking photography by her husband, Todd Carroll). So, you'll also find me dipping into this, now and then. Presented in English and in Spanish, her writing is just like her: warm and sincere with an underlying tenacity born of a drive to become the best she can be, as artist and as communicator, in the service of dance and dancers. For information on her book, click here.

I look forward to Miami-based choreographer Rosie Herrera's New York premiere of Dining Alone at Baryshnikov Arts Center (a surreal work of "immersive dance theater," somehow involving food and an opera singer...hmmm). It's running April 18-19, and a new show has been added. Find out more here.

My Image and Psyche workshops on Tarot and psychic development continue at our wonderful East Village location. On Saturday, April 27 (Image and Psyche, Part 2), we'll experiment with dynamic layouts and the intriguingly varied, Trickster-ish reversed cards. On Saturday, May 4, I plan to repeat Part 1. For complete information and to register for a place in these fun and enlightening workshops, see my listings on Facebook for April 27 and May 4.

On May 21, artists Larissa Velez-Jackson, iele paloumpis, Katy Pyle and others at Lobby Talks (New York Live Arts--in the lobby, natch) for "Identity Matters: Persona and Politics," curated by Marissa L. Perel ("Choreographers, directors, and critics discuss contemporary issues in identity politics, and how these issues shape perceptions of persona and embodiment.") Free. Just show up for the 7:30 start time and grab a chair.

Oh, there's bound to be more. But--whew!--that's enough news for now. See you around town!

Sunday, February 10, 2013

Lenzu to unveil "Unveiling Motion and Emotion"

Dance artist and author Anabella Lenzu (photo (c) Todd Carroll)
Argentine-born choreographer Anabella Lenzu proudly presents her new book, Unveiling Motion and Emotion, at a special celebration at the Consulate General of Argentina.

Thursday, March 7 (6pm)
Exploring the importance of dance, community, choreography and dance pedagogy, Argentinean choreographer Anabella Lenzu celebrates 23 years of teaching dance in a book of her writings in Spanish and English. Having opened her own dance school at 18, Lenzu recounts her experiences teaching in South America, Europe, and the US, as well as publishing an arts magazine and creating repertory for her dance company. Lenzu's eloquent prose reveals reflections of a life devoted to dance performance and education. Photography by Todd Carroll fully documents the performances and provides a glimpse into the creative process. This book is an inspiration to dancers and teachers alike, and the first of its kind as a bilingual text on dance pedagogy. Set for international release in March 2013. 
The program will feature a reading, dance performance and photography by Todd Carroll. Refreshments will be served.

Admission is free, but seating is limited.
RSVP required: Click here.

Consulate General of Argentina
12 West 56 Street (between 5th and 6th Avenues), Manhattan
(map/directions)

Anabella Lenzu DanceDrama Web site

Saturday, June 2, 2012

Anabella Lenzu premieres "Sangre & Arena"

In Sangre & Arena (Blood & Sand), Argentine-born choreographer Anabella Lenzu proudly works from an aesthetic associated more with the "classical" modern dance of Humphrey, Limón and Graham than with the intents and strategies of New York's contemporary dance makers. And Lenzu's 40-minute trio, given its world premiere last evening at Duo Multicultural Arts Center, looks backward even farther than those pioneering antecedents. Inspired by Roman Mithraic myth and ritual, the work evokes ancient, cathartic rites employing masks of fearsome animal gods; arresting movement gestures; heightened sounds of swirling wind, hypnotic chimes and terrifying gongs; nature-emulating cycles of repetition; and a profusion of blood--or what frightened initiates might easily take for real blood--used to effect lasting transformation.

Fellow dancers Lauren Ohmer and Julia Lindpaintner join Lenzu--disclaimer: she is currently one of my writing students at New York Live Arts--on Duo's little stage in the intimate theater. Ohmer and Lindpaintner's bodies get wildly smeared with paint as their behavior becomes more abandoned. Lighting (by Stephen Petrilli) and the dancers' thrashing in vivid tempera create three-dimensional art come to life. Lindpaintner's robust sturdiness is impressive, but Ohmer's precise, electric shapes make her the most watchable of the three.

Anabella Lenzu/DanceDrama continues at Duo tonight at 8pm and with a 2pm matinee tomorrow. For information and tickets, click here.

Duo Multicultural Arts Center
62 East 4th Street (between Bowery and Second Avenue), Manhattan
(map/directions)

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