Search This Blog

Showing posts with label arts advocacy. Show all posts
Showing posts with label arts advocacy. Show all posts

Tuesday, February 28, 2017

ART MATTERS NOW




ART MATTERS NOW

Since word first leaked that Donald J. Trump wants to gut the National Endowments of the Arts and the Humanities, along with the Corporation for Public Broadcasting, many commentators have focused on the economic impact of the arts on communities, cities and the nation as a whole. Statistics argue for the arts as a contributor to American prosperity. The arts give far more than what they take in government support. The arts, we repeatedly hear, drive economic development and employment on the local level and represent this nation before the world as one dedicated to innovation and excellence.

As a writer, and one devoted to the arts, I’m grateful for any persuasive advocacy. However, with so much energy invested in painting the arts’ material benefits--linking their worth to monetary usefulness and relative low maintenance--we tend to ignore the full extent of good that the arts provide any society. These benefits happen to be desperately needed right now as we face the ascendancy of Trump and his nationalist, white supremacist regime.

The Arts as Story

The arts seek ways--ever new and as ancient as humanity itself--to articulate and preserve the story of individual lives as well as diverse communities, cultures and nations. They remind us where we’ve come from, who we are, what we most value, what we have built, to what stars we aspire. For each of us and for all of us, they give abundant sustenance for the Hero’s Journey.

The Arts as Guide

The arts inform how we choose to live our lives, how we relate to our inner selves as well as to the world around us, how we engage with hard problems and join our many individual talents to solve them. They show us where we slipped up in the past so that we need not repeat these errors or, if we do, we can recognize them as such and choose differently next time. They stimulate our intuition and creative potential. They give us ideals to reach for, consolation when we fall short and energy to try again and again and again.

The Arts as Healer

The arts have consistently demonstrated outstanding power to heal--in body, mind, heart and soul--those who study and work through them as well as those who witness and receive them. In a nation with historic unhealed trauma, unacknowledged anger and deep, deep layers of denial, the arts offer ways to surface and express pain, to empathize and align others who suffer, to gather what each and all of us will need to cleanse our wounds and grow strong in the broken places.

The Arts as Change

The arts have the ability, if willed and well utilized, to speak truth to power. They are rousing instigators that can help us question and dismantle rather than accept injustice. Through their example, we see our situation more clearly as they capture reality in mirrors that may be playful and surprising, personally life-changing and revolutionary on a grander scale. They serve the creation of the world we desire.

The Arts as Joy

The arts bring joy by radically dispersing the hateful lies and shame thrown upon individuals and whole communities of people. They awaken a healthy sense of roots, of awe, of agency and the capacity for freedom and pleasure. They restore us to our true selves.

Of course, all of these sacred roles speak to the reason the arts have long been undervalued, even held suspect, in a society caught up in mass commercialism, escapism, fear of the Other and conservative fear of creativity itself. A minority of the US electorate has now empowered an insecure, vindictive man threatened and enraged not only by a free, newly revitalized press but by artists who dare criticize his policies and refuse to normalize his election and its aftermath.

There has never been a more crucial time for our people to affirm and activate the arts--and support artists engaged with the ancient and evergreen roles of Storyteller, Guide, Healer and Agent of Change and Joy. There’s more at stake than jobs and the tourist dollar. There’s a nation’s soul to be rescued.


(photo: D. Feller)














Eva Yaa Asantewaa
InfiniteBody


Free email subscription
to InfiniteBody
Click here!

Thursday, February 18, 2016

Hooray! We've got another NTMT panel in the works!

Friends, I have a blessed life. Not a perfect life but blessed. And one of the strongest blessings is being almost constantly surrounded by artists and getting to experience and think about their work. It has been a saving grace in times of personal and societal struggle. I have learned so much from artists, and that is one reason I love the opportunity to invite artists to speak at my Not The Master's Tools panels at Gibney Dance Center so that they can share what they know. Last evening's session, our third, was HIGH ENERGY, and I thank Ali Rosa-Salas, Dan Safer, Maria Bauman and Jack Ferver for their forthright and motivating contributions. Thanks also to Craig Thomas Peterson, Margaret Tudor and Nora Alami at Gibney for their welcome and support.

If you haven't yet attended a NTMT panel, know that we already have another one in the works. You will get a lot from listening to these artists.

Save Tuesday, April 5 (6-8pm)!

All of the artists on my wishlist for this panel have said yes, and I can barely wait to bring them to you. So hold April 5, tell your friends and colleagues and watch for the announcement and RSVP link. Thanks!

If you like what you're reading,
subscribe to InfiniteBody!

Monday, February 15, 2016

Join us on Wednesday for "Not The Master's Tools Part III"

Ali Rosa-Salas
Jack Ferver


Maria Bauman
Dan Safer

We're all expecting you! So, join us this Wednesday, February 17 (6-8pm) for the third edition of Not The Master's Tools at Gibney Dance: Agnes Varis Performing Arts Center.

I'm excited to be moderating a new panel including:

Maria Bauman
Jack Ferver
Ali Rosa-Salas
and
Dan Safer

sharing their experiences, discoveries, alternative strategies and philosophies as artists, arts advocates and activists in New York.

If you've joined us for previous editions of NTMT at Gibney, you know how full and valuable these discussions have been. Please don't miss your opportunity to meet and learn from our speakers, and bring your own thoughts and questions for our Q&A period.

NTMT is FREE. Please pass this announcement along to your friends and colleagues in dance and performance.


We look forward to seeing you!

280 Broadway (enter at 53A Chambers Street), Manhattan
(map/directions)

If you like what you're reading,
subscribe to InfiniteBody!

Thursday, January 7, 2016

Save the date--February 17--for "Not The Master's Tools"

Ali Rosa-Salas
Jack Ferver


Maria Bauman

Great news!

Join us on Wednesday, February 17 (6-8pm) for the third edition of Not The Master's Tools at Gibney Dance: Agnes Varis Performing Arts Center.

I'm excited to be moderating a new panel including:

Maria Bauman
Jack Ferver
Ali Rosa-Salas
and
Dan Safer

sharing their experiences, discoveries, alternative strategies and philosophies as artists, arts advocates and activists in New York.

Dan Safer

If you've joined us for previous editions of NTMT at Gibney, you know how full and valuable these discussions have been. Please don't miss your opportunity to meet and learn from our speakers, and bring your own thoughts and questions for our Q&A period.

NTMT is FREE. Please pass this announcement along to your friends and colleagues in dance and performance.


We look forward to seeing you!

280 Broadway (enter at 53A Chambers Street), Manhattan
(map/directions)

If you like what you're reading,
subscribe to InfiniteBody!

Wednesday, December 3, 2014

Cathy Edwards: new ED, New England Foundation for the Arts

Cathy Edwards
(Photo: Judy Sirota Rosenthal)
NEFA NAMES CATHY EDWARDS AS EXECUTIVE DIRECTOR

Lawrence J. Simpson, board chair of the New England Foundation for the Arts, announced that Cathy Edwards will join the organization as executive director, beginning late January, 2015.

Ms. Edwards comes to NEFA from the International Festival of Arts & Ideas in New Haven, CT, where she has served as director of programming since 2006. She has also served as the artistic director of the Time-Based Art Festival at PICA in Portland, OR. Previously, she was artistic director of Dance Theater Workshop in New York City, and co-director of Movement Research in New York City. 

“We are excited to have Cathy bring her thinking, energy and experience to NEFA,” said NEFA board chair Larry Simpson. “She brings deep knowledge about the field and the challenges and opportunities ahead for NEFA, and has a history with the organization via her service as a program advisor and panelist. I want to thank the entire search committee, chaired by board vice chair Andrew Cornell and including interim co-executive directors Laura Paul and Jane Preston, for their service during this time.”

Edwards has served on numerous grant-giving and funding panels in addition to NEFA’s, including the National Endowment for the Arts, the New York Foundation for the Arts, Connecticut Culture and Tourism, United States Artists, the Japan Foundation, the Mid-Atlantic Arts Foundation and Creative Capital.  She serves on the boards of the Association of Performing Arts Presenters and Movement Research, where she is currently board chair. She holds a BA in Humanities from Yale College.

"I have known NEFA for many years – as a grantee of both national and regional programs, a presenter in New England, and as a program advisor,” noted Edwards. “I will work passionately to advance NEFA’s mission with the dedicated and knowledgeable staff and board at NEFA.  The artistic core of today’s creative communities is increasingly fragile, and NEFA stands out by developing funding and advocacy platforms that provide artists with resources to create, and cultural organizations with resources to bring artistic experiences to the public.”

About NEFA

NEFA builds connections among artists, arts organizations, and funders, powering the arts to energize communities in New England, the nation, and the world. NEFA is a nonprofit that operates in partnership with the National Endowment for the Arts and the New England state arts agencies, with additional funding from foundations, corporations, individuals and other government agencies.

NEFA’s work is accomplished through grantmaking, services, and initiatives which strengthen and advance the national arts infrastructure. For more information, please visit www.nefa.org or call 617.951.0010.

Thursday, November 27, 2014

Petition in support of Dance/USA's Philadelphia branch

Dear William Penn Foundation Board of Directors,
We, the dance community of Philadelphia, write you in response to the sudden dissolution of Dance/UP resulting from the discontinuation of its William Penn Foundation funding. This vital service organization, thanks to seven years of your support, has become indispensably woven into the fabric of Philadelphia dance. In order to ensure the continuation of crucial programming developed by Dance/UP we are making a heartfelt request that the William Penn Foundation provide six months of transitional funding, making it possible to migrate Dance/UP’s programs to the stewardship of other organizations.  
Read more and sign the petition here.

Announcement of closing of Dance/USA's Philadelphia branch: Read here.

Monday, March 3, 2014

Danspace Project to honor the late arts advocate Elizabeth H. Berger

Elizabeth Berger (1960-2013)

Danspace Project's Board of Directors 
invites you to

Elizabeth H. Berger Tribute

Monday, March 10, 7-8pm

Danspace Project at St. Mark's Church
131 East 10th Street at Second Avenue, Manhattan
Please join us at Danspace Project on March 10 at 7pm as we recognize the life of Elizabeth H. Berger (1960-2013) and her dedication to and love of the arts community. The tribute will celebrate her profound impact on the arts in New York City as a board member, advisor and lobbyist for numerous arts organizations, including more than a decade of service as a Danspace Project Board Member from 1990-2002, serving as Board President for eight of those years.
To honor Liz, the Danspace Project Board of Directors is establishing the Elizabeth H. Berger Fund, which will support choreographers and dancers as they create new work. We encourage you to remember Liz by contributing to this new fund.
The evening will feature tributes by family and friends and short performances by Ishmael Houston-Jones, John Kelly, and a screening of THREE (1998) directed by Isaac Julien with choreography by Ralph Lemon and Bebe Miller. A reception will follow.
To RSVP (if you have not already) and request more information, please contact Peggy Cheng at peggy@danspaceproject.org or 212-674-3838.

Wednesday, December 11, 2013

NYU to host panel on "Circus: from Egypt to Éloize"

Duncan Wall
Author of The Ordinary Acrobat

Duncan Wall of the US advocacy group Circus Now, Suzi Winson of Long Island City's Circus Warehouse and their colleagues from the field are way cool. Here's a chance to hear all about the roots of circus and its contemporary flourishing and innovations from the experts.

Thursday, December 12, 6:30pm

Click here for details.

La Maison Française
New York University
16 Washington Mews (at University Place), Manhattan
212-998-8750

Friday, November 22, 2013

Sage Cowles, dancer/philanthropist, 88

Sage Cowles, civic activist and arts patron, dies at 88
by Graydon RoyceStarTribune, November 21, 2013
Sage Cowles, a former dancer who matured as a key Twin Cities philanthropist, died Thursday. Cowles, 88, advocated for the arts and the value of physical development in education. She and her late husband, John Jr., supported the Guthrie Theater, Walker Art Center and the local dance community — which named its annual awards program after her. (read more)

Friday, October 4, 2013

State of NYC Dance 2013 report from Dance/NYC

The study you are about to read does more to reveal the activity, economics, and workforce of New York City dance makers than any prior Dance/NYC research. For the first time, it tracks dance trends in the New York State Cultural Data Project (CDP) over time, showing us where the art form has gone and may be headed. By integrating a sample of local dance makers sponsored by Fractured Atlas, it speaks in more inclusive terms about our evolving creative ecology.
Study findings underscore the value of nonprofit groups in the CDP study sample as contributors and ambassadors for our City, with thousands of performances locally and on tour, millions in paid attendance, and $251 million in aggregate expenditures. Findings also demonstrate the industry’s resourcefulness in attracting diverse revenue streams—public, private, and earned—and its efficiency in putting resources to use in making dance, with 83% of dance makers’ expenditures going to programs.
--from the report introduction by Lane Harwell, Executive Director, Dance/NYC

To read the full report or highlights, click the following links:

Wednesday, July 31, 2013

CSI's Paul Nagle on the mayoral candidate forum on education, arts and culture

Paul Nagle, Executive Director of Cultural Strategies Initiatives (CSI), shared his own take on--and ultimate frustration with--last night's mayoral candidate forum.

Read Nagle's post--"But Seriously Folks"--here.

NYC mayoral candidates interviewed on education and arts policies

WNYC's Leonard Lopate (left) and Kurt Andersen, moderators
(c)2013, Eva Yaa Asantewaa 
Perhaps a month ago, I wondered if any of the current candidates for Mayor of the City of New York had positions on arts policy. As a supporter of Bill de Blasio, a progressive Democrat, I checked his Web site first and then looked at a few others. I didn't find anything. So, I got in touch with Dance/NYC Executive Director Lane Harwell. Harwell said, Hang on: There's a forum in the works.

And now, in no special order, a list of things I learned from last night's Mayoral Candidates forum on The Future of Education, Arts and Culture in New York City at Teachers College, Columbia University:

1. Most mayoral candidates, some of whom have backgrounds related to the educational system, seem on safer, firmer ground when the discussion is posited as "the future of education including the role of the arts in education," not "the future of arts and artists in New York." Which might be why, this event--billed as a forum on the arts when I first learned of it--became one largely addressing arts in our schools.

Lopate and Andersen
(c)2013, Eva Yaa Asantewaa 
2. Leonard Lopate (The Leonard Lopate Show) and Kurt Andersen (Studio 360) possess Herculean stamina and, in the case of Lopate, the sting of a wasp. Mindful of how someone I know always refers to the radio host as "boring," I was amused to hear Lopate ask provocative (and provoking) zingers and give these politicians and wannabes a verbal smack when he didn't care for their replies. Let's get Lopate to follow these guys around and zap 'em each time they equivocate--which should keep him busy.

City Council President Christine Quinn
(c)2013, Eva Yaa Asantewaa
3. The speed-dating format featured about fifteen minutes with each candidate being grilled by moderators but taking no questions from the audience. Surprisingly, these quick takes provided valuable impressions of each of these men and women, if not in-depth, detailed information about their potential arts policies. Democratic front-runner Christine Quinn, for instance, offered a snapshot of her notoriously aggressive personality by being the only person to employ sports lingo, and weirdly so--"We want to put arts on the offensive in the budget"--and use the expression "when I am Mayor," while managing to evade commitment to any specific solutions short of extending the school day by a couple of hours to add literacy-through-arts programming. Giuliani-backed Joe Lhota not only turned on his reputed charm and humor but also parted company with his former boss, criticizing how Giuliani's administration sidelined arts education. All went nicely until Lopate brought up Lhota's role in the Chris Ofili/Brooklyn Museum incident. "I learned a lot," said Lhota. "I made a mistake."
Staten Island's Rev. Erick Salgado
(c)2013, Eva Yaa Asantewaa
4. Fringe candidates you never heard of might not have a chance in hell, but they sometimes bring information and perspectives that broaden the discussion in a useful way. It fell to an actual working artist--poet and painter Abiodun Laurel-Smith, aka Abiodun Oladewa, Abbey or Smithie--to remind the moderators that artists don't necessarily exist just to entertain or even to educate in any kind of a socially-approved way. "You have to go to the people and find what the real art is," said the Oxford graduate. "Fine artists have an edge," and what they do will not always align with politicians' interests. CUNY professor and Green Party candidate Anthony Gronowicz--one of the few speakers to insist on the provision of more spaces in which artists can do their work--also noted the effect of the NYPD's stop-and-frisk policy on students from communities of color. After encounters with the police, "my students come to class shattered," he said. "How can they paint? How can they write?"

George McDonald, 
Founder and President of The Doe Fund
(c)2013, Eva Yaa Asantewaa
5. Then again, not every also-ran-to-be brought experiences and insights of value. George McDonald, founder and president of The Doe Fund--an organization serving the homeless, the formerly incarcerated and people with substance abuse histories--got off on the wrong foot with both moderators and audience by strangely rambling on about houses he owns. Andersen finally cut him off: "Congratulations on owning all this fantastic real estate on Long Island." Matters did not improve as McDonald swiftly went on to hail Bloomberg as an improvement over Giuliani, claiming that Bloomberg's willingness to hold meetings with Black people made New York a less racist place. McDonald put forth his idea for solving the trouble that both the arts and education face in our times: "New York City employees must pay for their health insurance." The topic of public school test scores brought to mind a family member's situation: "Not all students test well," he said. "My grandson, for instance." Andersen could not ignore this transgression, dryly replying, "You've just embarrassed your grandson." Clueless but ever optimistic, McDonald lobbied for our votes--or, at least, our willingness to tap our Republican friends--and ended with a cheery, "I'm conservative with your money and liberal with your rights!"

The Rev. Erick Salgado argued for community-based nonprofits having access to school buildings after hours. This made me wonder if he was talking about churches utilizing space in schools--a controversy--but, as noted before, the audience could ask no questions. Salgado went on to sidestep the topic of arts in education, finally saying he supports the idea of it. Clearly, though, he has no ideas for the integration of the arts and education but seems laser-focused on charter schools and tax breaks for parents who utilize them. John Catsimatidis, the Gristedes and Red Apple mogul, passionately took on the current administration's preoccupation with "bike lanes and building hills on Governors Island." Although he agreed with Andersen's suggestion that every school should have a full-time arts teacher, his main solution to the education dilemma seemed to concede to failure: Why must every student go through an academic program?  Let's offer them trade schools, instead, as a pathway to the middle class. Citing his immigrant family's experience, he said, "Let's teach people how to earn a living. You know what people are looking for? They're looking for hope. I made it, and you can make it, too."


Bill de Blasio, NYC Public Advocate
(c)2013, Eva Yaa Asantewaa

Joe Lhota, ex-MTA chair/CEO
(c)2013, Eva Yaa Asantewaa




6. Bill de Blasio needs someone to light a fire under his ass. Seriously. I can understand that he's being a realist and reasonable about the looming challenge the next mayor will face as he or she simultaneously deals with renegotiating multiple union contracts. Committing to an ambitious increase in arts funding across all five boroughs--such as promoted by One Percent for Culture, a co-presenter of this forum--might be foolhardy, but that doesn't mean that you shouldn't come to an event like this prepared for the excellent opportunity to rev people up about why this issue matters to you, what you value and hold dear, what you're willing to fight for. Instead, de Blasio argued that he did not want to pander to us. Okay, no pandering, but Bill, give us something! Maybe the media largely ignore his campaign because--short of the noble, if quickly forgettable, act of getting arrested at a protest while other candidates slinked away--there's no real excitement there. But to give my favored candidate a break, at least he knows how to treat family. Referring to public speaking and noting his son Dante's presence in the front row, he took a moment to laud the teenager's talents as a speaker. Maybe Dante should run for mayor.

John Liu, Comptroller of the City of New York
Above and below (c)2013, Eva Yaa Asantewaa


7. Politics is a far nerdier profession than I'd ever imagined. Bill Thompson--another basically cautious soul--revealed that, as a child, he'd had "a love affair with dinosaurs." Quinn, quickly rounding on the moderators, defended the right of science to be considered culture: "Ask the Museum of Natural History!" John Liu, after critiquing the Board of Education's reliance on expensive consultants, and after laying out boilerplate, sounds-good stuff about nurturing talent in small community groups and immigrant neighborhoods--joked that he's "an actuary--that's an accountant minus the personality." The only certified comic on hand--Randy Credico--might consider updating his shtick. A Louis Armstrong impression in 2013? Really?
Jack Hidary, Founder and Chairman of Samba Energy
(c)2013, Eva Yaa Asantewaa
8. "Twenty years ago, I studied art and painting in this building," said Democrat Jack Hidary, an energy and Internet entrepreneur. He spoke those words with pride and a refreshing sense of living connection to the issue on the table. He ticked off benefits of the arts: economic development, revival of neighborhoods, increased tourism, investment in students and in teachers. Through a public-private partnership, he said, the 1% target is achievable. He vowed to get there and to forge partnerships between arts institutions and the 300 New York City schools that do not have these valuable links. He spoke of creating shared collaborative space for artists in neighborhoods of all five boroughs. Citing the dramatic drop in arts in education funding from $65 per student (ten years ago) to the current $2 per student, he argued that he would seek restoration of that money over a period of two years.

"Art," he said, "is core and part and parcel" of the educational experience. It should not be relegated to after-school activities. He exhorted New York to "teach for the real world, not the test," a world of industries seeking innovative people. "Get the kids participating in teams and on real projects," he said. "We're not in the 18th Century anymore. We're in a century that values teamwork, problem solving and creativity."

Sal Albanese, former City Council member
(c)2013, Eva Yaa Asantewaa
Other candidates appearing--or not:

Sal Albanese, former City Council member: Uses words like "synergy" and "holistic." Does not advocate an art tax but thinks that One Percent for Culture's call for an increase in city arts spending to a full 1% of the budget "makes a lot of sense." He would work in concert with the unions to modernize the city's pension plan--"a clunker"--along the lines of the Toronto system. He would partner with insurance companies to bring down healthcare costs. He is not against tax breaks for arts organizations. His campaign does not accept money from developers, lobbyists or anyone doing business with the city. He wants to set up pediatric wellness centers--one in each borough--to deal with the root causes of many issues our children face.

Ceceilia Berkowitz, accountant and academic: last in the forum lineup, and the less said, the better about her bizarre presentation in front of two probably exhausted moderators and a nearly-empty hall

Hilda Broady-Fernandez: not present

Adolfo Carrión, former Bronx Borough President (2001-2009) and Deputy Assistant and Director of the White House Office of Urban Affairs: Arrived as the forum progressed, sat in the front row for a short while, then got up and left.

Neil Grimaldi, Assistant District Attorney (Bronx County) and Special Narcotics Prosecutor, background in high school and grammar school teaching: not present

Walter Iwachiw, registered nurse: not present

James McMillan, famed Rent Is Too Damn High Party candidate and Viet Nam vet: not present

Carl Person, attorney: not present

And last, certainly not least...

Anthony Weiner: No, neither Weiner nor his alter ego, Carlos Danger, had time for this forum. New York Times columnist Maureen Dowd ("Quit is the Way to Roll," July 31) explained the whereabouts of the embattled warrior and most of the media, too.
At an event Tuesday evening in Times Square with advocates for New Yorkers with disabilities, the 48-year-old seemed tired, slight and young as he was thronged by the fierce Hydra-headed press beast. He looked as if he were running on raw will.
He apologized for being late, saying something about the “time-space continuum.”
Weiner tried to focus on the issues at hand, like wheelchair-accessible cabs. The auditorium was mostly empty, except for reporters following Weiner to see if he was going to drop out or admit that he had sexted recently.
*****

Forum co-presenters:

One Percent for Culture

Teachers College, Columbia University

Young Audiences New York


Friday, December 7, 2012

Open Letter from Collective for Dance Writing and New Media

Open Letter
from Collective for Dance Writing and New Media

Dear friends,

We want to inform you that we, the members of CollectiveDWNM's Executive Committee, have made the tough decision to disband.

Although we strongly believe in CollectiveDWNM's vision and mission--statements derived from numerous discussions with members of the dance and dance writing communities--we regret that we have been unable to motivate active community commitment to the effort of stabilizing and developing a grassroots, activist organization to advocate for dance writers.

Over several months, we have suffered the loss of many members of our Executive Committee and Leadership Circle (internship program) to increasingly busy lives. We have had to step back and assess the sad fact that we lack the personnel and resources necessary for even the most basic steps toward our goals.

After distributing honoraria to guest speakers from our "Writing on Tap" forum at American Tap Dance Center and our Open House at the Gibney Dance Center, we are left with a small amount of funds from admissions and membership fees. We will contribute these funds to a community organization.

A few of us hope to reschedule, on an independent basis, a couple of the events postponed due to Hurricane Sandy or planned for the future, and we will keep you posted on these developments. If you can, please come and enjoy them!

We wish you a marvelous holiday season and a New Year of peace and renewal!

All the best,

Eva Yaa Asantewaa
with Hayley Muth and Dale Amanda O'Reilly
Executive Committee
Collective for Dance Writing and New Media
collectivedwnm.com

Copyright notice

Copyright © 2007-2023 Eva Yaa Asantewaa
All Rights Reserved

Popular Posts

Labels