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Showing posts with label ecstatic dance. Show all posts
Showing posts with label ecstatic dance. Show all posts

Thursday, November 1, 2018

Forever hunger: Kimberly Bartosik at BAM Fisher

Joanna Kotze in Kimberly Bartosik's I hunger for you
(photo: Jim Coleman)

Lighting designer Roderick Murray's fluorescent tubes hang from the ceiling inside BAM Fisher's Fishman Space, colder and more severe than stalactites. Two dancers--Christian Allen and Lindsey Jones--step into the bare space of Kimberly Bartosik's I hunger for you. You can almost hear raptor wings, so forceful is the way they will lunge and beat and spin against the air. Arms lifting and rotated. Heavy breath audible. Heads and chins tilted upward. Torsos arching as they drop to a knee.

Burr Johnson, Dylan Crossman and Joanna Kotze--raptors, too, or perhaps angels, if angels have feet to strike mountainous earth--come in and churn and lash against the empty space as well. Back and forth, they cross it, overlapping in time and close pathways, until their labors clearly take a toll. Watching them, too, provides an initial sensation of exhilaration followed by exertion. When they stop--just stop and stand and shift inside and gasp--you feel the same internal wooziness, everything inside one's own body saying, "Hold up. Can we just settle back into order?"

I hunger for you plays with the risk of release--the kind of dropping of form and letting go that we experience in extremes of sensual and spiritual ecstasy--without guarantee of connection. Or guarantee that connection achieved will stay or will satisfy. A partner backs off or quietly quits the space entirely. The one remaining might freeze in a pose of hopelessness--arms wrenched forward from a torso bent as if in abject submission.

Much of the inspiration for the piece comes from the choreographer's religious upbringing, and it's interesting that she has cast her own child, Dahlia Bartosik-Murray, as a silent witness to some moments of Kotze's dancing as well as, later, a figure of release, coursing around the space like a wild filly.

Choreography: Kimberly Bartosik in collaboration with the dancers
Music: Sivan Jacobovitz, with arrangement by Kimberly Bartosik
Costume design: Harriet Jung
Sound Engineering: James Bigbee Garver
Dramaturgy: Melanie George

I hunger for you continues a sold-out run through Saturday with performances at 7:30pm. For information, click here.

Also, Friday's audience is welcome to an informal post-show discussion, facilitated by Melanie George with Bartosik and company in BAM Fisher's Lower Lobby.

BAM Fisher
321 Ashland Place, Brooklyn
(map/directions)

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DISCLAIMER: In addition to my work on InfiniteBody, I serve as Senior Curatorial Director of Gibney. The postings on this site are my own and do not necessarily reflect the views, strategies or opinions of Gibney.

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Tuesday, October 9, 2007

Sunday, August 26, 2007

Out of Body in the Lab

by Sandra Blakeslee, The New York Times, August 24, 2007

Using virtual-reality goggles, a camera and a stick, scientists have induced out-of-body experiences in healthy people.

Wednesday, August 15, 2007

Congress on Research in Dance (CORD) 40th Anniversary Conference


November 8-11
Barnard College, New York City

An interdisciplinary gathering of scholars and artists to explore dance's past, present and future through the critical prism of migration

Keynote Address • José Moya, Professor of History and Director of the Forum on Migration, Barnard College , Columbia University

Awards Luncheon • Honoring 2007 CORD Awardees Robert Farris Thompson (Outstanding Contribution to Dance Research), Susan Leigh Foster (Outstanding Leadership in Dance Research), George Dorris (Outstanding Service to Dance Research), and Outstanding Graduate Student Research Awardee

Performance • Choreographies of Migration Dance Concert featuring the José Limón Dance Company; Dana Tai Soon Burgess & Co.'s Tracings , an homage to the first Korean Americans, commissioned by the Smithsonian Asian Pacific American Program and the Kennedy Center; and a performance by New York-based choreographer and performance artist Sita Frederick.

Plenary • Dancing Diaspora in Brooklyn: Folk Feet Traditional Dancers discuss and demonstrate transnational dance forms, presented by Brooklyn Arts Council, Folk Arts

Film Screenings • Including Meredith Monk's Ellis Island

Over 100 Presentations • Papers, workshops, and lecture-demonstrations focused on the relationship between dance and im/migration.

Membership Meeting

Book & Media Exhibit

Click here for complete information.

Tuesday, July 31, 2007

Alessandra Belloni interview on Great Dance Podcast

clipped from greatdance.com
Alessandra Belloni
Visit Great Dance Podcast for my audio interview with dancer-musician Alessandra Belloni who specializes in the healing ritual dances and music of Southern Italy.

If you like what you hear, please leave a comment on the Great Dance Podcast page. I greatly appreciate your support. And remember to subscribe to Great Dance Podcast by clicking on the orange button.

Thanks!
Eva Yaa Asantewaa

Friday, July 27, 2007

Keeney says "Shake it!"

A busy summer has left me less time than usual for reading--no languorous lounging on the beach! However, one book I gladly made time for was Bradford Keeney's latest: Shaking Medicine: The Healing Power of Ecstatic Movement. The well-traveled and rather intense Dr. Keeney--I recall him well from a New York Open Center workshop years ago--combines extensive training in psychotherapy and the shamanism of indigenous cultures. His book details his discovery of the curious ritual practice of physical shaking for healing and transformation of consciousness that is a characteristic of traditions as geographically and culturally diverse as the Bushmen of the Kalahari and the Quakers of America.

Keeney has fully embraced this sacred body-based technology known to traditional peoples around the globe, and he has done so with evangelical certainty and glee. This fascinating book can only take you so far. If you're itching to know what's shaking and why, Keeney invites you to try it. You'll find a 40-minute CD of drumming for ecstatic movement tucked inside the back cover. (2007, Destiny Books. ISBN: 1-59477-149-9.)

Saturday, July 14, 2007

Already Fully Grown and Waiting

"What people are looking for is not...spiritual growth (your soul is already fully grown and waiting for you to notice it)."

Bradford Keeney, Ph.D. in Shaking Medicine: The Healing Power of Ecstatic Movement (2007, Destiny Books)

Thursday, July 5, 2007

Carol Gilligan & Gabrielle Roth: On Joy & Pleasure

Culture Project presents Carol Gilligan & Gabrielle Roth: On Joy & Pleasure as part of its Women Center Stage series. Dancer Gabrielle Roth and psychologist Carol Gilligan will converse about Gilligan's The Birth of Pleasure and Roth's explorations into ecstatic dance. Monday, July 9, 7pm. At Culture Project, 55 Mercer Street, Manhattan. Call 212-352-3101 or click here.

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