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Showing posts with label Andy Horwitz. Show all posts
Showing posts with label Andy Horwitz. Show all posts

Tuesday, April 3, 2012

Culturebot’s got the EPHEMERAL EVIDENCE

Arturo Vidich, Sarah A.O. Rosner and Witness Relocation's Dan Safer, Kaz Phillips Safer and Mike Mikos are just a handful of the hardrockers involved in EPHEMERAL EVIDENCE, Culturebot's multifaceted extravaganza at Exit Art.

Ephemeral Evidence consists of a series of collaborative explorations between writers and performing artists to investigate the relationship between practice and skill in performance-making, object-making and context. We propose an experiment in which objects are created directly from the result of the performing artist’s practice--their skilled application of learned techniques. Does the object, existing as residue of the ephemeral event, gain meaning as document or value object in itself? Both? How does the critical dialogue around the performance process and object inform our perception and valuation of the art?

The installations will be durational throughout the day with culminating performances at 5PM.  

Read more here.

Tuesday, April 17-Saturday, April 21

Exit Art
475 Tenth Avenue (at 36th Street), Manhattan
(directions/map)

Thursday, March 15, 2012

Prepare for "Le Grand Continental"

This just in from Andy Horwitz, curator, River to River Festival:
Dear Colleagues,
As you probably know, I curate and produce the River To River Festival, Lower Manhattan’s largest, free, multidisciplinary summer arts festival. This summer the River To River Festival, together with The Joyce Theater, will be presenting the U.S. premiere of Le Grand Continental by Montréal-based choreographer Sylvain Émard at the South Street Seaport. This exciting performance brings together 200+ participants of all ages, ethnicities and backgrounds – dancers and non-dancers alike – to perform a contemporary re-imagining of a traditional festive line dance. The piece has been performed in Montreal and Mexico City, and in each case the dancers have formed a community unto themselves. We look forward to bringing together a diverse and dynamic group of New Yorkers from all five boroughs to show off what makes our city so great! And we need your help.
We want our call for participants to reach as far and wide as possible and we’d be thrilled if you could help us spread the word. We are looking for people of all ages, ethnicities, orientations and backgrounds, with or without formal dance training – all they need to have is a creative spirit and a sense of fun and adventure! We will be holding information and recruitment sessions on April 4th and 5th. Rehearsals will be two nights a week from April 25th–June 19th with performances June 22-24 on Pier 17 at the South Street Seaport.  Attached is a PDF with all info which we'd love for you to forward to your friends, family, audiences, email lists, Facebook pages, Twitter, etc.–whatever and wherever you feel comfortable–we’d really appreciate it. This is going to be a fun and fantastic project and we look forward to bringing together a great group of people.
Get the info session sign-up form here.

Visit our Facebook event page here.

View videos:

from Montreal
http://www.fta.qc.ca/en/shows/2011/le-continental-xl

http://www.sylvainemard.com/en/creations/le-grand-continental/

from Mexico
http://www.festival.org.mx/fmx/evento.php?i=120

http://fmx-festivaldemexico.blogspot.com/2011/03/el-gran-continental-el-poder-social-de.html
If you have questions, please feel free to email Production Assistant Santino Lo at slo@lmcc.net.
Thanks and all best,
Andy Horwitz

Wednesday, October 5, 2011

Artists, Pier 45 needs you!

Here's an opportunity to get in on the ground floor--well, whatever a pier has, that is...do they have ground floors?--of proposed programming for the lovely isle of Manhattan's West coast. Check it out, courtesy of our friends at Culturebot:

Program the Pier! Artist and Ideas Wanted!
by Andy Horwitz, Culturebot, October 5, 2011

Wednesday, September 28, 2011

Sally Silvers really takes the "Prize"

Andy Horwitz of Culturebot said it all: You really can't beat the lineup of choreographers and theater directors involved with this new project--A Prize Every Time--created by the sage Sally Silvers:

Choreographers: Monica Bill Barnes, Jane Comfort, Pat Catterson, Terry Creach, Wally Cardona, Douglas Dunn, Maura Donohue, Keely Garfield, Neil Greenberg, Patricia Hoffbauer, Sarah East Johnson, Pooh Kaye, Jonathan Kinzel, Bebe Miller, Rosalind Newman, Sarah Skaggs, Gus Solomon, Jr., Muna Tseng, Arturo Vidich and Bill Young

Directors: John Jesurun, Young Jean Lee, Matthew Maguire, Theresa Buchheister, Damien Gray, Dan Safer, Gayle Stahlhuth, Tony Torn, George Emilio Sanchez, Scott Lyons and Jeffrey Jones and others

Hooray!  Read on about A Prize Every Time at Roulette October 12–16.

Sunday, October 24, 2010

What "Matters" most

Dark Matters at Montclair and THEM at PS122
by Andy Horwitz, Culturebot, October 24, 2010

Tuesday, September 14, 2010

Andy Horwitz breaks it down

When it comes to the controversial Ann Liv Young, Culturebot's Andy Horwitz doubts there's any there there. Read on...!

The Silly Consensus
by Andy Horwitz, Culturebot, September 8, 2010

Thursday, August 5, 2010

Williams and a touch of Eire

Detail of Irish Hunger Memorial, Battery Park City 
(c)2010, Eva Yaa Asantewaa

Everyone knows that when you follow a faerie or other ethereal denizen of the Nether World into its otherworldly space, you risk never coming back. Everyone knows that, right? You've all read the old tales, heard the legends? So why follow one of these creatures into the decidely un-Manhattan terrain of the Irish Hunger Memorial at Battery Park City--and under a blazing hot sun to boot? Yet batches of people have been willing to do precisely that for choreographer Christopher Williams all this week and will do so again today at 12:30pm.





















The Voyage of Garbhglas
(excerpt)
by Christopher Williams
all photos (c)2010, Eva Yaa Asantewaa


And now I will risk shocking you all by saying that, in this instance, I strongly agree with Times man Alastair Macaulay, who wrote: "You want Mr. Williams's work to be wonderful because it's so wacky."

Maybe something more than that, Alastair. I'd like Williams's work to be more effective because I like the course of his searching and talented mind, and I'm tickled by his idiosyncratic, determinedly retro trend in all things theatrical. He's a different kind of fellow. But I'll agree that the results, in terms of choreography and storytelling, can leave me unsatisfied.

Sydney Skybetter in The Voyage of Garbhglas

Sopranos Amanda Gregory and Amanda Kelly
all photos (c)2010, Eva Yaa Asantewaa

Detail from Irish Hunger Memorial inner wall

There's also the issue of the memorial's inner wall... 
Walking through that tunnel is not exactly an experience of wackiness. The memorial is a wondrous site--a collaboration by artist Brian Tolle, landscape architect Gail Wittwer-Laird and 1110 Architect--and is genuinely made up of stone, soil and vegetation from The Old Sod. Williams's production utilizes this for visual effect but feels not just flimsy as art but also disconnected from the larger meaning of the memorial itself.

The Voyage of Garbhlas (excerpt)
Today at 12:30pm -- free
Irish Hunger Memorial
Vesey Street and North End Avenue, Battery Park City, Manhattan

Tuesday, July 13, 2010

Shemy's "2 kilos of sea"

UPDATE: Since the rain forced Shemy to cancel a few performances last week, she's adding two more this Wednesday--12:30pm and 5pm.



***

The John Street United Methodist Church--a city landmark, nestled among lower Manhattan's financial-district towers--is the home of the country's oldest Methodist congregation, established in 1766. (The current building was erected in 1841.) Its people are proud of their history of service to the city--from the Revolutionary War to the Depression to 9/11. And now, its tiny outdoors courtyard is serving art, playing host to a Sitelines project that features Deganit Shemy and Company (continuing today through Thursday).

Israeli-born Shemy inserts her seven dancers into this confined, austere setting, turning it into a theater of sorts in which soft, human flesh conforms to (and messes with) rigid structure and takes on mechanical behavior. You become aware of the vulnerability of bare feet in a narrow patch of wood chips and on thin carpets of Astroturf. But the dancers, dressed in tacky polyester vintage-store clothing,  seem blasted beyond vulnerability--trapped in dissociated or pathologically elated states of mind.


Shemy--remember her Arena and its similarly driven, dissociated, often brutal women athletes?--has an endless well of invention of this sort of stuff. She puts it to use, once again, in this site-specific piece, 2 kilos of sea. Her dancers--the excellent Denisa Musilova, Savina Theodorou, Erika Eichelberger, Nicholas Bruder, Christina Robson, Leah Nelson and Michael Ingle--turn the courtyard into the most grotesque musical jewelry box or Swiss clock ever. Jim Dawson's soundscape gets under your skin.


Mysterious, fragmented, deeply weird and sometimes perplexing, 2 kilos of sea might send some Wall Street area workers back from lunch break with queasy stomachs.

Take your own chances, today through Thursday, at 12:30pm and 5pm; Thursday, only at 12:30. Free!

A co-presentation of the River to River Festival and the Lower Manhattan Cultural Council.

Directions

Located at 44 John Street, John Street United Methodist Church is 1.5 blocks east of Broadway between Nassau and William Streets.

Subway: Broadway/Nassau (A & C lines) and Fulton Street (2, 3, 4, and 5 lines). John Street is one block south of Fulton Street.

Bus service: #15 to John Street, #6 to Fulton Street, or The Downtown Connection to South Street Seaport and Fulton Street

Friday, June 5, 2009

Talk about new media

NOTE: Start time corrected: 7:30pm

Come to Dance Theater Workshop's Lobby TALKS on Tuesday, June 9 (7:30pm), a free event open to all. In The New Media of Dance (not in performance), organizer Chase Granoff and a host of new media types will delve into new issues raised by the dynamic intersection of dance, dance criticism and cyberspace.

Panelists will include Caleb Custer, Director of Marketing, Cedar Lake Contemporary Ballet; Marlon Barrios Solano, creator of dance-tech.net and DANCE TECH/The Program; Andy Horwitz, Founder and Editor, Culturebot.org; Claudia La Rocco, Performance critic, WNYC's Art.Cult blog; Kristin Sloan, Founder, The Winger, Director, New Media, New York City Ballet; Ryan Tracy, Counter Critic; and yours truly!

I hope to see you there!

Dance Theater Workshop
219 West 19th Street (7th-8th Avenues), Manhattan

Thursday, March 20, 2008

Learn how to avoid annoying people like me

Find out how when Andy Horwitz teaches his seminar on Press Materials & Press People at The Field (Tuesday, Mar 25, 6:30-9pm) He promises to reveal the keys to successful approaches to the press, including feedback on participants' materials. Bless his heart!

Get more details here.

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