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Showing posts with label Marya Warshaw. Show all posts
Showing posts with label Marya Warshaw. Show all posts

Tuesday, February 7, 2017

Sanctuary: George Emilio Sanchez and BAX's Marya Warshaw on upholding free speech


First Amendment Sanctuary Spaces is an initiative that aims to create a network of performance and cultural spaces, as well as places of worship, that pledge to uphold the foundational elements of the U.S. Constitution’s First Amendment at a time when enforcement of these fundamental constitutional guarantees is not assured.

A statement from
George Emilio Sanchez
writer, performer, director, educator
and the creator of the First Amendment Sanctuary Spaces project

Almost overnight, we have found ourselves in a threatening time with little light. Almost overnight, ways of life, the questions of citizenry, the avenues by which people identify who they are and where they come from, our racial and gender identities, and the reality of the 1% v. the 99%, have suddenly arisen to become the signifiers for "authentic" Americans.  As a way to move forward, to continue to create, to find ways to connect one story to another, one person to another, to meet indifference, fear, and ignorance at the crossroads, this initiative, First Amendment Sanctuary Spaces, offers one alternative to create a narrative that brings stories, cultures, faiths and people together under the umbrella we call the Constitution.

The First Amendment articulates the foundational elements essential to any free and open society.  The arts and expression, a free and open press, and the exercise of religious beliefs, all are key ingredients of a democratic society.  Each strand of this quilt, the arts, the press and religion, individually and collectively, function to create the practice of freedom.  All are essential to the life and soul of this country.  But they are all in jeopardy under El Trumpo's administration.  We have awoken to a dark time with little light.  But this project aims to be pro-active, to be one step ahead, as we carve a way forward where we can affirm our place in this country.  Frederick Douglass, who has been cited by our president to be doing amazing things, once said, "Power concedes nothing without a demand.  It never has and it never will."  Rights, and subsequently our freedom, are not passively given to people.  Laws are meaningless without the passion and fervor to make the word flesh.  The challenges every one of us faces individually, or as members of the myriad communities we find kinship and solace with, stare us in the face today.  But dark times are also the windows of opportunity we can take up to bring us the light we demand.  Through the arts, we can nurture the strength and commitment of affirming who we are in the face of these challenges.  The arts are the human-made gifts that can bring us joy, can throw us to the depths of our fears, and still ignite celebrations and declarations of how the nuances of our commonality present us with years and years of newfound understanding.  The arts are the ultimate form of non-violent resistance that express the eloquence of the human spirit.

This network is committed to upholding the tenets of the first amendment.  We are sanctuaries that will protect and keep safe the freedom of speech, of the press, of the people to peaceably to assemble, and to petition the government for a redress of grievances.  In perpetuity, which colloquially means....to keep on keeping on!
For more information on First Amendment Sanctuary Spaces and to find out how you or your organization can participate, visit the Facebook page here.

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Friday, February 27, 2015

Mariangela López opens new season at Gibney Dance

Mariangela López in El Regreso
(photo: Oskar Landi)

In her new solo, El Regreso--commissioned by and presented at Gibney Dance: Agnes Varis Performing Arts Center--Mariangela López starts out lying prone on the floor, head and upper back obscured in a tangle of brightly-colored costumes recognizable from two of her earlier works. She's wearing her history, encased in it, perhaps worn down by it, with only the small of her back and legs in fuschia tights visible. She remains still for a very long time until music rouses her. As she gradual stretches and unfolds limbs and fabrics, she displays gnarly textures and layers. Most dramatically, she wraps her head in these cloths of many colors, starting to evoke, for me, sculptor (and flamboyant self-sculptor) Chakaia Booker who I remember seeing walking city streets adorned in one or another mammoth headdress constructed of disparate cloths.

López sculpts herself like Booker and like a Kabuki artist, taking her time. For a while, you cannot see her eyes for the headwrap, and then you do. Through shifts in energy behind her gaze--glazed at first, then alert, sparkling--she lets the audience detect the minute changes that transform a pile of discards into a container of intelligence, even imperious nobility, before slipping into other states of being and tokens of sensory experience. Having divested herself of her costumes, she might lash the floor with them, striking quite close to our feet, or attack the bunched up fabric with canine ferocity. Or she might create a broad circle with the costumes, calmly fussing over that circle's curvature. For some reason, it must be perfect. She pinches it here and there, smooths it out.

In El Regreso (The Return), I see an artist at work on herself and her materials, never at rest, pulled by past and by future.

ACCIDENTAL MOVEMENT/Mariangela López continues through Saturday, February 28 with performances at 7:30pm. On Friday, February 27, stay for a post-show talk with López facilitated by Marya Warshaw. For information and tickets, click here.

The inaugural Making Space spring season continues at Gibney through June 27. Click here for the complete schedule.

Gibney Dance: Agnes Varis
Performing Arts Center
280 Broadway (enter at 53A Chambers Street), Manhattan
(map/directions)

Wednesday, March 28, 2012

Interviewing Marya Warshaw for the NYPL [UPDATE]

Eva with Marya Warshaw of BAX
at New York Public Libary for the Performing Arts
(photo: Susan L. Kraft)

It was a tremendous honor to conduct an oral history interview with Marya Warshaw, Executive Director/Artistic Director of BAX (Brooklyn Arts Exchange) and Bessie Award-winner, over the past two weeks.

Warshaw and I were invited by Susan L. Kraft, Oral History Project Coordinator at the Jerome Robbins Dance Division, New York Public Library for the Performing Arts. All of that's a mouthful, I know, but what you really need to know about Kraft is that she's one of the most organized, considerate and gracious people around. So it was a joy to work with her and with assistant archivist Cassie Mey (better known as one of New York's fantastic dancers) in planning and achieving this important project. Kraft and Mey took excellent care of us, and we were given everything we needed to be comfortable and make a recording with fine sound quality.

Warshaw, herself, made it all very easy. I was amazed by her complete presence and openness as, for close to four hours over two recording sessions, she traced milestones of her personal and professional journey in the context of significant changes in our society, city neighborhoods and arts communities. I got a very clear sense of the life influences, values and strengths that make her an essential leader in Brooklyn and for our entire city.

It's critically important that the contributions of our artists and arts leaders be remembered and be accessible to future artists, scholars and the public. Now you will be able to listen to Marya Warshaw as I did and, I hope, be similarly inspired.

For more information about using the archives of the NYPL's Jerome Robbins Dance Division, click here.

UPDATE: To read Susan L. Kraft's NYPL blog post about this project, click here.

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