|Film short Revel in Your Body, directed by Katherine Helen Fisher,|
features a duet by disabled artists Alice Sheppard and Laurel Lawson.
It received its NYC premiere this month at Dance on Camera.
(USA, 2018; 5:18)
directed by Katherine Helen Fisher
|Top and bottom, left to right: Alice Sheppard and Laurel Lawson|
Center: Laurel Lawson
(photos: Jared Serfozo)
Here's a taste of the audio description (click) of dance and film artist Katherine Helen Fisher's exhilarating short featuring two dance superstars, Alice Sheppard and Laurel Lawson of the disabled arts troupe Kinetic Light.
Sheppard and Lawson's collaborative work have always represented, for me, innovation, expansiveness and possibility, powerful expressions of sensuality and joy. In just a little over five minutes, this film captures all of that and in abundance.
The music of composer Missy Mazzoli, deliciously vocalized in the film by Grammy-winning ensemble Roomful of Teeth, welcomes you, the observer, to a percolating and buoyant space. Shimmy Boyle's heady, slow-motion cinematography offers time to appreciate the spatial relationship of body to body, to enjoy the creamy flow of movement of two bodies in wheelchairs. It enters the hidden depths of time and works its way into your system, too.
From Fisher's Director's Statement:
REVEL IN YOUR BODY originated as a creative concept when the dancers shared online a slow-motion iPhone video of them jumping on a trampoline while strapped into their wheelchairs. This was AFTER being told by a well-known editorial photographer that the trampoline frequently used for other dancer photoshoots was off limits to them. This 'no' led these dancers to get their own damn trampoline and find another collaborator… me.See, it's that #GetOurOwnDamnTrampoline spirit that gets me every single time!
For further information on Revel in Your Body, including future screenings, click here.
DISCLAIMER: In addition to my work on InfiniteBody, I serve as Senior Curatorial Director of Gibney. The postings on this site are my own and do not necessarily reflect the views, strategies or opinions of Gibney.
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