|Left-to-right: Amanda Castro, Arielle Rosales|
and Brinda Guha of Soles of Duende
(photo: Spinkick Pictures)
Can We Dance Here?
Soles of Duende
December 7-8, 14-15 and 20-21
I'm not sure I follow the progression of existence to seeking permission to gaining trust to arriving at freedom alluded to in program notes for Can We Dance Here? Something about the "Transtheoretical Stages of Change" as the underpinning of the story this new dance wants to tell. But while I'm not hip to all that, I do know the three grounded, skillful and vivacious dancers of Soles of Duende--Amanda Castro, Arielle Rosales and Brinda Guha, 2018 Artists in Residence at Dixon Place--make a compelling argument for the power of women and the joy of women making really big sound together. Six pounding feet rattled the floor beneath our chairs like a tremblor. Anyone placing their bar drinks on that floor surely risked a spill.
Supported by the live music of Anjna Swarminathan (violin), Frank Malloy IV (drum) and JADALAREIGN (DJ), Castro brings tap; Rosales, flamenco; Guha, Kathak, all with great conviction that these three percussive dance forms belong in conversation. Can We Dance Here? is the perfect package for that exchange of life force--no more than an hour in length, superbly focused in structure, its staging of trios, duos and solos tight as a drum.
I caught the next-to-last evening of a show that has been running on weekends since December 7. So, you have one more shot--tonight. Can We Dance Here? is an offbeat holiday-season treat, but a treat it is.
Can We Dance Here? runs at 7:30pm. For information and tickets, click here.
171 Chrystie Street, Manhattan
DISCLAIMER: In addition to my work on InfiniteBody, I serve as Senior Curatorial Director of Gibney. The postings on this site are my own and do not necessarily reflect the views, strategies or opinions of Gibney.
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