On March 22, at NYU's Skirball Center for the Performing Arts, New York International Ballet Competition (NYIBC) will celebrate the life and achievements of Ilona Copen, late Founder and Executive Director Emerita. The evening will feature performances by dancers from American Ballet Theatre, Alvin Ailey American Dance Theater, Dance Theatre of Harlem Ensemble, Joffrey Ballet, Limón Dance Company, New Jersey Ballet and North Carolina Dance Theatre, including several NYIBC alumni, followed by a Dinner/Dance.
A highlight of the event will be the presentation of the first Ilona Copen Award to Jean-Pierre Bonnefoux and Patricia McBride, in honor of their contributions to the lives and artistry of young dancers, and to the world of dance in general. The Award will be presented by Virginia Johnson, Artistic Director of Dance Theatre of Harlem.
Click here for more information on this event and ticketing.
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| Patricia McBride and Jean-Pierre Bonnefoux (photo courtesy of NYIBC) |
Jean-Pierre Bonnefoux was born in France and began his dance training at the age of 10 at the School of the Paris Opera Ballet. At age 14 he joined the company, and by age 21 was named Danseur Etoile. Bonnefoux danced with the Bolshoi and Kirov Ballets before being invited by George Balanchine to dance with New York City Ballet. After 10 years with NYCB, Bonnefoux joined the School of Music at Indiana University as chairman and artistic director of the ballet department. Since 1983 he has been the artistic director of the ballet company and school at the Chautauqua Institution in Chautauqua NY. In 1996 he joined North Carolina Dance Theatre as artistic director and was named president in 2003. He and his wife, Patricia McBride, have added new works to NCDT's repertoire, have attracted talented dancers from all over the world, and championed the effort to build a new facility for the company. In June of 2010, NCDT opened the Patricia McBride & Jean-Pierre Bonnefoux Center for Dance.
Patricia McBride began her ballet training in her hometown of Teaneck NJ, before receiving a scholarship to the School of American Ballet. Within a year of joining the company, she danced a solo in The Figure in the Carpet, created for her by Balanchine. McBride attained the rank of soloist in 1960 and by 1961, at age 18, she became the youngest principal dancer in NYCB. She spent 3 decades with the company, and created leading roles in many memorable ballets, including Harlequinade, Tarantella, the "Rubies" section of Jewels, Brahms-Schoenberg Quartet, A Midsummer Night's Dream, The Steadfast Tin Soldier, Coppelia, Union Jack, Who Cares?, and Vienna Waltzes. Jerome Robbins choreographed principal roles for her in his Dances at a Gathering, In the Night, The Goldberg Variations, Dybbuk, Opus 19 and The Four Seasons. Her years of performing under Balanchine's direction have gained her the expertise necessary to restage many of his master works. McBride has been associate artistic director of NCDT since 1996 and also serves as a master teacher at NC Dance Theatre School of Dance and Chautauqua Ballet's School of Dance. She is married to Jean-Pierre Bonnefoux and they have two children.
New York International Ballet Competition
Educating, mentoring and providing performance and career advancement opportunities since 1984.
Founded by Ilona Copen and Igor Youskevitch
New York International Ballet Competition (NYIBC) is a three-week intensive professional training, performance and artistic education program for forty-eight talented young dancers from countries around the world, all of whom receive full scholarships. NYIBC nurtures promising dancers aged 17 to 24 from all ethnicities, providing them with an exceptional opportunity to completely focus on training to perform at their highest artistic level. The contemporary duet form and the classical pas de deux are the core of the repertory NYIBC participants learn from world renowned coaches under high standards of fairness. In addition, NYIBC attracts hiring artistic directors and choreographers who are confident that a dancer who has been mentored and trained at NYIBC can endure the rhythm of work and life in a ballet company. Beyond having access to extraordinary performance and career advancement opportunities, during their time at NYIBC the dancers form a versatile international company in which lifelong associations are born.
For more information, visit the NYIBC website.
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