Much ado about...something

by Eva Yaa Asantewaa

Curator and artiste provocateur Tere O’Connor has given the City That Always Seems to Need One More Dance Festival a new festival in which choreographers start off with nothing–no concept, no music, no whatever–and come up with...something. (Funny, I thought that was the way it usually worked. In creativity, isn’t there always that moment right before the initial, germinating idea emerges?) This week and next, DTW’s showing The Nothing Festival (www.dtw.org for details and tickets) with work by Douglas Dunn, HIJACK, Sam Kim and Dean Moss (April 18-21) and Luciana Achugar, Walter Dundervill, Jon Kinzel and Susan Rethorst (April 25-28). On Saturday, April 21, DTW will host a panel discussion with O’Connor and the choreographers (1-4pm).

Opening night’s lineup included:

–the interminable but harmless and attractively danced Zorn’s Lemma, in which Dunn makes like a senescent, disoriented speedskater surrounded by fairies wearing wonderful Mimi Gross costumes,

–Colin Rusch and Angelina Jolie, in which the Minneapolis duo Kristin Van Loon and Arwen Wilder (aka HIJACK), two clever, technically-gifted women who regularly subvert all of that, get a lot of mileage out of and put a lot of mileage into a very different form of social studies class,

--Sam Kim’s Cult, a tedious duet for the choreographer and her collaborator Justine Lynch in which these two–check out that hair, those scary fake nails–appear to be having the sleep-over party from hell, and

–States and Resemblance, a work-in-progress (collaborators/performers: Dean Moss, Ryutaro Mishima and Restu Kusumaningrum) that is such an accomplished, elegant piece of art at this point that you have to ask what the heck more they think they need to do to it. Yeah. Seeing this one dance again is all I want to do right now.

(c)2007, Eva Yaa Asantewaa