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Sunday, January 8, 2023

BODY AND SOUL: Maxine Montilus: To teach is to learn

Maxine Montilus (photo: ShocPhoto LLC)
 

A black woman with long dreadlocks is wearing a black sleeveless dress.  She is suspended in the air in a double attitude jump, with her left and right arms placed in fourth position with palms facing outward.  The background is blurred with shades of green and white colors.

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Maxine Montilus has served many roles in dance--performer, choreographer, administrator, writer, and educator. I asked her to focus this podcast episode on her experience and ideas as a passionate and imaginative dance teacher across ages and levels. It was a delight to listen to her, and I hope you will enjoy this, too!

Listen to her segment on Body and Soul podcast here.

Subscribe to Body and Soul for more.

Read below to learn more about Maxine.

Eva Yaa Asantewaa

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BIO: Maxine Montilus is a dance artist from Brooklyn, New York. As an educator, Maxine is currently a Visiting Professor in the Theatre and Dance department at Indiana University. She is also a principal facilitator and teaching artist with Camille A. Brown & Dancers’ EVERY BODY MOVE Community Engagement platform, and was recently an adjunct dance professor at both Hunter College and SUNY Old Wetsbury. She has also served as a teaching artist for Haiti Cultural Exchange, Caribbean Cultural Center Africa Diaspora Institute, and Opus Dance Theatre. From 2015-2018, she was a full-time dance teacher for the New York City Department of Education. Maxine has also served as an arts administrator in arts education, coordinating programs for public schools, studios and healthcare facilities at The Juilliard School, Marquis Studios and Dancewave. www.maxinemontilus.com/

Friday, January 6, 2023

BODY AND SOUL: devynn emory: dancing in the liminal

devynn emory on set for Grandmother Cindy, 2022 (photo: Reilly Horan)

emory with bronzed skin, dark black faded hair stands in their grandmother's warm fuzzy coat covered in polar bears looking directly at the camera while clasping their hands in anticipation of the performance beginning soon. behind them is a silver sterile table with bowls of medicine placed in preparation, their performer/collaborator Joseph M. Pierce (Cherokee Nation) and their cinematographer Jorge Cousineau. two figures draped in yellow fabric hold the space, representing devynn's ancestors.

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There's no reason to build a wall of labels around devynn emory and their work in this world and between worlds. They care for body, spirit, and community in a multitude of ways--from nursing to choreography, from mediumship to bodywork, from writing to work with death and grieving. This rich interweaving of skills and services sounds strange only in a society that deliberately separates body and soul and fails to respect the multiplicity of ways of knowing and healing. devynn, however, stays attuned to ancient ways and what the land teaches.

Listen to their segment on Body and Soul podcast here.

Subscribe to Body and Soul for more.

Read below to learn more about devynn.

Eva Yaa Asantewaa

 

devynn emory filming Cindy Sessions: LAND on the lands of the Serrano peoples

 

BIO: devynn emory is a choreographer/dance artist, dual-licensed bodyworker, ritual guide, medium and registered nurse- practicing in the fields of acute/critical care, hospice, COVID and integrative health. emory's performance company devynnemory/beastproductions finds the intersection of these fields, walking the edges of thresholds–drawing from their multiple in-between states of being, holding space for liminal bodies bridging multiple planes of transition, finding reciprocity practice as a constant decolonial practice. they are currently working on a trilogy centering medical mannequins holding the wisdom of end-of-life experiences. (deadbird + can anybody help me hold this body, 2021, Cindy Sessions: Grandmother Cindy + Cindy Sessions LOVE, LOSS, LAND 2022, boiling-rain tbd). emory is a research group fellow at danspace 2020-2023, a recipient of the Onassis Eureka award, an FCA emergency grant recipient, and an Art Matters Artist2Artist fellow. born on Lenape Land, emory is a reconnecting descendant of mixed Lenape/Blackfoot/settler ancestry. www.devynnemory.com

BODY AND SOUL: María de los Angeles Rodríguez Jiménez: Earth and Spirit

  
María de los Angeles Rodríguez Jiménez (photo: Lucas Cardoso)
 

I am wearing a white shirt, framed glasses, ultramarine blue pants, and a clipped-up casual hair updo, sitting inside of a cave. Picture is taken from inside of the cave, looking out into a green tropical landscape. I have in my hand a small cup with natural red ochre pigment dye (found from the same cave) and in the other a paintbrush, as I doodle on a rock. I am looking directly at the viewer/camera.

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I first learned about María de los Angeles Rodríguez Jiménez and her research when I was invited to an upcoming dance-and-ecology symposium presented by the New York Public Library's Jerome Robbins Dance Division (January 27; livestream February 3). I was immediately drawn to the direction of her interdisciplinary work which infuses performance with Afro-Atlantic spiritual traditions of reverence and care for the natural world. I was eager to learn more about Jiménez and share her ideas with you. I highly recommend the symposium which will also feature presentations by five other members of the 2022-2023 cohort of Dance Research Fellows--Juli Brandano, Rosemary Candelario, Lindsey Jones, Richard Move, and Rachna Nivas. Information and free RSVP for the in-person or livestreamed event here.

Listen to the Body and Soul podcast episode here.

Subscribe to Body and Soul for more.

Read below to learn more about María!

Eva Yaa Asantewaa


Jiménez in Ora Yêyê o (photo: Lucas Cardoso)

Location: Chapada Diamantina, Bahia, Brazil. Ora Yêyê o (performance still with mask ii), 2022. Duration 00:08:57

This performance is an homage to the orixá Oxúm of freshwater and femininity. Video still shows me wearing a knitted and crochet yellow and white mask looking to the right. Attached to the mask are beads made of eucalyptus seeds and black beans. I am inside of a small lake that has yellowish water wearing a white dress, the white dress looks yellow when submerged in the water. Image shows me sitting in the water with the mask at the center and the rest of the frame is the lake water and its reflections surrounding me.

BIO: María de los Angeles Rodríguez Jiménez is an interdisciplinary artist born in 1992 in Holguín, Cuba. She lives and works between Brooklyn, NY and Salvador, Bahia.She received her BFA from The Cooper Union for the Advancement of Science and Art in 2015 and MFA in Painting and Printmaking from Yale University in 2020. New York Public Library Jerome Robbins Dance Division Fellow, 2022-2023. Fulbright Research Fellow, Brazil, 2020–2022. https://www.mariadlarj.com/

Wednesday, January 4, 2023

BODY AND SOUL: Lisa La Touche: Tap 4 The People

Lisa La Touche (photo: Jeremy Fokkens)

 

Tap dancer Lisa La Touche is wearing a red cropped T-shirt with a Canadian brand "roots" logo and light blue denim shorts cropped just above the knee.  Lisa is focused on a rhythm with one legs crossing in front of her reaching for a particular step.  The room is a warehouse with light beige brick and a wooden surface underneath her.  Her tap shoes are a mix of light and dark caramel colors.

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I'm delighted to feature the wonderful tap artist and filmmaker Lisa La Touche as my next guest. Born in Canada and, for a time, residing in New York's Harlem, Lisa has traveled the world with her tap shoes--drumming the earth, finding community, and realizing the power of artistic legacy.

Listen to the podcast episode here.

Subscribe to Body and Soul for more. 

Read below to learn more about Lisa!

Eva Yaa Asantewaa


(photo: Joel Varjassy)

 Lisa is wearing a casual white denim dress with her arm crossed in front of her while looking at the horizon. She is outside in front of the Canadian Rocky Mountains with a train track behind her.  This is taken a moment before she begins to dance.

Lisa is wearing a black blouse and earth-green and greyish-brown leopard print leggings with dark and light caramel colored tap shoes. She is dancing on a wooden boardwalk with the city of Calgary's skyline behind her. She is in mid-action dancing with her hips twisted to one side, her arm reaching above her and her focus at her feet while reaching for a rhythm.

BIO: From both Alberta and New York, Lisa La Touche’s credits include: Broadway’s Shuffle Along, receiving the Fred Astaire Award and the Actor’s Equity Award for Outstanding Broadway Chorus, touring with the Savion Glover and the cast of STOMP. She is Founder of Tap Phonics, a tap dance based performance and production company. She is an educator/professor and co-curator of Dance Immersion’s Tap Dance Legacy Series with Travis Knights servicing black communities with free access to cultural history. She is also a filmmaker recently debuting TRAX encompassing her journey back to Alberta while discovering important local black history. http://www.lisalatouche.com

Friday, December 30, 2022

InfiniteBody Honor Roll 2022

 

InfiniteBody Honor Roll 2022


Eva Yaa Asantewaa

 

Beyoncé's Renaissance

Jenna Ortega in Wednesday (photo: Netflix)

 The inimitable Lizzo

 

 Well, hi, again! It's about damn time!

 

This post almost didn't happen because this blog almost stayed dormant. But now it's back--sort of. (Still sorting that out.) I've been quietly accumulating these items since the beginning of 2022--not for any kind of Best Of  list but, instead, just a record of my journey this year through arts and entertainment. You're mileage is bound to vary, but here's some of what I found interesting and enjoyed and only in the order, more or less, of my experience. Some, because it's likely I've forgotten to jot down a few things here or there. And, yes, there are a few items here that represent me doing serious catching up--like  ending the year binge-watching HBO's Treme--finally! So glad to connect with that great storytelling--and music!


What's on your list?



Denzel Washington and Frances McDormand in The Tragedy of Macbeth (Photo: Alison Rosa)


Naomi Ekperigin, The Standups, Netflix


Naomi Ekperigin, The Standups, Season 3 (Netflix), streaming from December 2021


The Art of Asking, audiobook written, read, and sung by Amanda Palmer, Hachette Audio, 2014

 

The Tragedy of Macbeth, directed by Joel Coen (Apple TV+), streaming from January 14

 

The Power of The Dog, directed by Jane Campion (Netflix), 2021

 

 


 
Caste: The Origins of Our Discontents, by Isabel Wilkerson, Random House, 2020

As We See It, created by Jason Katims (Amazon Prime), streaming from January 21

 

Season 4 of Ozark, created by Bill Dubuque and Mark Williams (Netflix), streaming from January 21

 

Brown Girls, by Daphne Palasi Andreades, Random House, 2022


Philippe Petit: Open Practice, Baryshnikov Arts Center, streaming February 7-21

 

14 Peaks, directed by Torquil Jones (Netflix), 2021


Taylor Tomlinson: Quarter-Life Crisis (Netflix), 2020


Taylor Tomlinson: Look at You (Netflix), 2022


Martyr's Fiction (rough cut), by Kayla Farris, 2022


Starstruck, by Rose Matafeo (HBO Max), streaming from 2021

 

 


Rothaniel, by Jerrod Carmichael (HBO Max), streaming from 2022

 

Soledad Barrio & Noche Flamenca, at The Joyce Theater, April 5-10


Women of the White Buffalo, directed by Deborah Anderson, various streaming services from April 12

 

"About Damn Time," (Special), by Lizzo

 


Keeley Hawes as Louisa Durrell in The Durrells in Corfu

Josh O'Connor as Larry Durrell in The Durrells in Corfu


The Durrells in Corfu (Amazon Prime) 


This is Us (Hulu)


Civil: Ben Crump, directed by Nadia Hallgren (Netflix)


Season One of Abbott Elementary, created by Quinta Brunson (Hulu), streaming from 2021

 

Summer of Soul, directed by Questlove (Hulu), from 2021


Heartstopper, created by Alice Oseman  (Netflix)


Season One of The White Lotus, directed by Mike White  (HBO Max)


Renaissance, by Beyoncé

 

 


 

The Sandman (Netflix), from 2022


Citizen Ashe, directed by Rex Miller (HBO Max), 2021


Belfast, directed by Kenneth Branagh (HBO Max), 2022

 

 

Vocalist Samara Joy
 
Viola Davis in The Woman King

 

 E. H. Duckworth, Moshood Olúṣọmọ Bámigbóyè Holding a Portrait Bust. Ìlọfà, Kwara State, Nigeria, ca. 1940. Danford Collection of West African Art and Artefacts, University of Birmingham, United Kingdom, BIRRC-D432-1. © Research and Cultural Collections, University of Birmingham

 

 
Linger Awhile by Samara Joy

The Woman King, directed by Gina Prince-Bythewood, 2022


Joseph Anton, by Salman Rushdie (Penguin Random House, 2012)                     


Didn't Nobody Give A Shit About What Happened to Carlotta, by James Hannaham (Little, Brown and Company, 2022)


Elvis, directed by Baz Luhrmann (HBO Max), 2022

 

Bámigbóyè: A Master Sculptor of the Yorùbá Tradition, Yale Art Gallery

 

 

Michelle Yeoh in Everything Everywhere All At Once

Everything Everywhere All at Once, directed by Daniel Kwan and Daniel Scheinert (Amazon Prime Video), 2022


Homegrown, (HBO Max), streaming from 2022


Descendant, directed by Margaret Browne (Netflix), streaming from 2022

 

The History of Empires, Witness Relocation/Dan Safer, La MaMa, October 27-November 6 

 

The American Manifest: Moving Chains by Charles Gaines, Governors Island (Click here to view my video clip of this astonishing installation.)

 

Xaviera Simmons: Crisis Makes a Book Club, Queens Museum


Wendell & Wild, directed by Henry Selick (Netflix), streaming from 2022


Spencer, directed by Pablo Larrain, 2021


The Crown, Season 5 (Netflix), streaming from 2022


Who We Are: A Chronicle of Racism in America, directed by Emily Kunstler and Sarah Kunstler (Netflix)


Wednesday, (Netflix), streaming from November 23

 

Emily The Criminal, directed by John Patton Ford, (Netflix), streaming from December 7 


She Who Wrote: Enheduanna and Women of Mesopotamia, ca. 3400–2000 B.C., The Morgan Library & Museum

 

 

Sabrina Imbler (photo: Marion Aguas)

How Far The Light Reaches: A Life in Ten Sea Creatures by Sabrina Imbler (Little, Brown and Company, 2022)

The Deep: Exploring Earth's Last Frontier, World Science Festival, streaming from December 22. And yes, I've hyperlinked this title for you because you absolutely have got to see it! Here's info:


For centuries, humans believed the deep sea was lifeless, but new technologies have revealed that this previously hidden realm is home to rich ecosystems, mineral treasures, and an astounding kaleidoscope of life. Oceanographer Dr. Vicki Ferrini, marine biologist Dr. Helen Scales, and explorer Victor Vescovo join Brian Greene for a journey to Earth’s final frontier where for the first time we are discovering what lies beneath the oceans.


 

Janelle Monae in Glass Onion: A Knives Out Mystery

Glass Onion: A Knives Out Mystery, directed by Rian Johnson (Netflix), streaming from December 23

 

Edward Hopper's New York, The Whitney Museum 


The Banshees of Inisherin, directed by Martin McDonagh (HBO Max), streaming from December 13


Juan Francisco Elso: Por América, El Museo del Barrio


Treme, created by David GlaSimon and Eric Overmyer (HBO), streaming from 2010

Saturday, December 17, 2022

Performer Kayla Farrish receives a 2022 Bessie!

Kayla Farrish
  

Big, big congrats to Kayla Farrish, Bessie recipient for Outstanding Performer!

Kayla Farrish in December 8th by Kayla Farrish in collaboration with Belinda McGuire, the Eva Yaa Asantewaa Solo for Solo Showing at Gibney

"For a tumble and waterfall of physicality and phrasing that at times takes one’s breath away, and at times quickens the blood. Farrish is in full control from start to finish, and is also able to offer vulnerability and heart through her performance."

The Bessies! 2022 New York Dance and Performance Awards

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Soledad Barrio with Antonio Granjero (photo: Jesse Rodkin)

Nai-Ni Chen in Truth Bound (photo: Sylvia Chiang)


 

New York, NY (December 16, 2022) – The NY Dance and Performance Awards, the Bessies, New York City’s premier dance awards honoring outstanding creative work in the field, announced tonight the 2022 award recipients at the 38th annual Bessie Awards. Porshia A. Derival, Executive Director of H+ | TOTEM Productions, hosted this year’s event, which was held at Chelsea Factory. A complete list of the 2022 awards follows below.

Derival welcomed artists and supporters of the New York dance community who gathered to celebrate the nominees and awardees. Bessie Awards were presented to artists for outstanding choreographer/creator, performer, sound design/music composition, visual design, outstanding revival, and breakout choreographer—an award that honors an artist who has made an exceptional leap in their career this past year. All of the awardees and nominated artists in these categories received a $500 honorarium, courtesy of a grant from the Doris Duke Charitable Foundation.

Tatiana Desardouin was honored with the 2022 Juried Bessie Award, which recognizes a choreographer who exhibits some of the most interesting and exciting ideas in dance in New York City today, and whose work deserves to be seen more outside the city. The award comes with touring support and other engagement opportunities from New York State DanceForce. The 2022 Bessies Jury of three acclaimed choreographers, LaTasha Barnes, Molissa Fenley, and Abby Zbikowski, selected Desardouin.

Emily L. Waters, a senior program associate in the Arts and Culture program at The Andrew W. Mellon Foundation, was honored with the 2022 Bessies Angel Award for her leadership and advocacy on behalf of dance.

Two previously announced awards were also presented. Choreographer and dancer Nai-Ni Chen was posthumously honored with the 2022 Lifetime Achievement in Dance Award. Christine Jowers, founding editor of The Dance Enthusiast, received the 2022 Award for Service to the Field of Dance.

The ceremony featured a performance of Nai-Ni Chen’s stunning Crosscurrent, performed by Rio Kikuchi and Esteban Santamaria. The evening also included an exhilarating pop-up performance by Passion Fruit Dance Company’s Tatiana Desardouin, with Mai Lê Hô, Lauriane Ogay, and Gyeun "Lobel" Jeong.

The Bessies also honored members of the dance community who passed away since the last Bessies ceremony. The In Memoriam section was presented by Sangeeta Ghosh Yesley and Paz Tanjuaquio.

Other presenters included Abdiel, Marija Abney, Michele Byrd-McPhee, PeiJu Chien-Pott, Natsha Diggs, maura nguyen donohue, Brinda Guha, Anabella Lenzu, Kyle Marshall, Nicky Paraiso, Tiffany Rea-Fisher, george emilio sanchez, Lucy Sexton, Philip Treviño, and André M. Zachery.

The 38th annual Bessie Awards was produced by H+ | TOTEM Productions.



THE 2022 NY DANCE AND PERFORMANCE AWARD RECIPIENTS AND CITATIONS: 


LIFETIME ACHIEVEMENT IN DANCE AWARD

 

Nai-Ni Chen

Nai-Ni Chen was a force in the dance community with her unique choreographic body of work that fuses Eastern cultural forms of Chinese dance and the Western world of modern dance. Her vision of the immigrant’s journey of crossing cultures and adapting to a new home provided endless inspirations and opportunities for creative expressions that enrich the human experience.

 

SERVICE TO THE FIELD OF DANCE AWARD

 

Christine Jowers

Jowers is an example of generosity, dedication, and commitment in service to the dance field. After her career as a dancer performing in England and the U.S., Jowers devoted herself to supporting dance artists, to writing about them with respect, truth, and love. In times when dance reviews and writers are almost extinct, when publications and dance journalists are disappearing, Jowers and The Dance Enthusiast value and care about dance criticism and documenting performances. She has and continues to ignite the dance community with passion, curiosity, and conversation.


BESSIES ANGEL AWARD

 

Emily L. Waters

Waters is being recognized for her advocacy of dance in times when artists need it the most; for ensuring dance is brought to the table as a former professional dancer; for being a trailblazer for dance in the philanthropic setting. 


OUTSTANDING CHOREOGRAPHER/CREATOR

 

Leslie Cuyjet

Blur at Open Call at The Shed

Intimate, vulnerable, bold, and enigmatic, this visceral piece is a quiet merging of Cuyjet’s inner worlds. With sequences of highly orchestrated, improvised structures that are exacting, charged, and in the present, Cuyjet creates a vast, living landscape.

 

Bill T. Jones, Janet Wong, and Bill T. Jones/Arnie Zane Company

Deep Blue Sea at Park Avenue Armory

For a visionary, large-scale work incorporating around 100 dancers and a nontraditional use of space and production elements, culminating in a creation both universal and deeply personal.

 

Anna Sperber

Bow Echo, presented by XØ Projects Inc and The Old American Can Factory

With keen attention to detail in choreographic structures that relate to the environment, Sperber creates a visual, exciting rooftop ritual with movement invention and materials that break the conventional expectations of an audience.

 

Raúl Tamez

Migrant Mother for Limón Dance Company at The Joyce Theater

For creating a tributary piece to the immense grief and emotional pain that migrant mothers endure. From technically complex choreography, using space and bodies to sculpt eye-catching negative and positive space, to the blended use of modern-day sound bites with music, this is a deeply somatic experience.


OUTSTANDING PERFORMER

 

Soledad Barrio

in Soledad Barrio & Noche Flamenca at The Joyce Theater

For stamping the fire and passion of flamenco into the heart of the observer, making everyone want to be from Spain. Barrio’s blended precision, rhythm, and expressiveness do not just move with the music, but sing back to it.


Kayla Farrish

 

Kayla Farrish

in December 8th by Kayla Farrish in collaboration with Belinda McGuire, the Eva Yaa Asantewaa Solo for Solo Showing at Gibney

For a tumble and waterfall of physicality and phrasing that at times takes one’s breath away, and at times quickens the blood. Farrish is in full control from start to finish, and is also able to offer vulnerability and heart through her performance.

 

Nikolai McKenzie Ben Rema

in A Jamaican Battyboy in America by Arthur Avilés at Hemispheric Institute at NYU and  BAAD!

For interpreting and adding to a revival with precision, poise, and evident generosity of spirit. McKenzie Ben Rema becomes at once a channel and a generating vessel with bold and mesmerizing dancing.

 

Antonio Ramos

in Puro Teatro by luciana achugar at The Chocolate Factory Theater

Ramos embraces achugar’s choreographic vision to create a living landscape where bodies are in the present, joyful, courageous, vulnerable, funny, connecting, and intersecting with one another. Ramos’s movements of improvised structures are exacting, highly-skilled, charged, and playful.

 

OUTSTANDING REVIVAL 

 

Set and Reset/Reset (2021)


Choreographed and co-directed by Abigail Yager, co-directed by Jamie Scott with assistance from Diane Madden, performed by Candoco Dance Company at the Brooklyn Academy of Music 

For a dynamic, fully embodied vision/revision of Trisha Brown’s Set and Reset (1983). Candoco dancers fully speak Brown’s vocabulary while also creating new ways to speak. With the fabric Brown laid out for them, the dancers create a vibrant tapestry that shimmers and moves with fluidity and grace. Beautiful and moving, the dancers leave the audience with much to rethink.


OUTSTANDING SOUND DESIGN / MUSIC COMPOSITION

 

Marc Álvarez (arrangement)

For Carmen by Johan Inger, performed by Compañía Nacional de Danza at The Joyce Theater

For remixing music using Bizet’s original composition with a contemporary twist. There is a seamless transition from classical to contemporary that makes the music one.

 

OUTSTANDING VISUAL DESIGN

 

New Affiliates (Set and Costume Design) – Ivi Diamantopoulou, Jaffer Kolb, and Rashaad Newsome Studio with Truman T. Brown Jr., Howie B., Kimberly Jones, and Randy Rosenthal

For Assembly by Rashaad Newsome at Park Avenue Armory

For an exciting multi-arts spectacle, a true celebration of African culture disseminated into current society supporting dance, music, and poetry through textiles and visual art. An impressive amalgamation of unsuspecting elements making a unified whole.

 

Princess Lockerooo (photo: Ben Hider)

  OUTSTANDING BREAKOUT CHOREOGRAPHER

 

Princess Lockerooo

For artistry that moves the audience from spectator to fellow performer quite seamlessly, teaching about dance culture in the process. Princess Lockeroo is a multifaceted artist who has always been fully dedicated to her craft and does not miss any details in creating a full, immersive experience for her audience.

 

2022 JURIED BESSIE AWARD

 

Tatiana Desardouin

Desardouin’s “groove,” embraces the relationship of time with an individual’s true nature. Each moment becomes fully realized and progresses forward to reveal the dancer's authentic self. Just as her “Passion Fruit Seeds” provide a sourceable root for individuals to create and sustain, she and her works are a galvanized source of inspiration and dopeness for the Street and Club dance community and everyone she encounters.

 

ABOUT THE BESSIES

The NY Dance and Performance Awards have saluted outstanding and groundbreaking creative work in the dance field in New York City for 38 years. Known as “The Bessies” in honor of the late revered dance teacher Bessie Schönberg, the awards were established in 1984 by David R. White at Dance Theater Workshop. They recognize outstanding work in choreography, performance, sound design/music composition, and visual design. Nominees are chosen by a selection committee composed of artists, presenters, producers, and writers. All those working in the dance field are invited to join the Bessies Membership as members and participate in annual discussions on the direction of the awards and nominate individuals to serve on the selection committee. For more information about The Bessies, visit www.bessies.org.         

The 2021–2022 Bessie Awards Selection Committee: Ronald K. Alexander, Maria Baranova Suzuki, Maria Bauman, Charles Vincent Burwell, Yvonne H. Chow, Yoshiko Chuma, Sangeeta Ghosh Yesley, Valerie Green, Anabella Lenzu, Gian Marco Riccardo Lo Forte, Tiffany Rea-Fisher, Elgie Gaynell Sherrod, Ivan Talijančić, and Philip Treviño.

The Bessies Steering Committee: Yvonne H. Chow, Stanford Makishi, maura nguyen donohue, Nicky Paraiso, Carla Peterson, Craig Peterson, Tiffany Rea-Fisher, george emilio sanchez, Paz Tanjuaquio (chair), Laurie Uprichard, and Charmaine Warren.

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