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| Damon Green performs at Danspace Project in Working on Better Versions of Prayers: Volume 1 by Chicago dancemaker J'Sun Howard (photo: Ian Douglas) |
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| Ricarrdo Valentine, above, and below with Orlando Zane Hunter, Jr. of Brother(hood) Dance! in how to survive a plague (photos: Ian Douglas) |
Demonstrations, marches, sit-ins/die-ins/love-ins, rallies, prayer: are there alternatives to these forms of protest that we can employ to generate positive change?
For his presentation at Danspace Project, Chicago's J'Sun Howard asks this question and offers a possible answer in a trio for Black queer men entitled Working On Better Versions of Prayers: Version 1. Is Howard's result actually a better version of prayer? Of protest? That's never clear but, choreographically, this dance is easy on the eyes.
Dancers D. Banks, Damon Green and Will Harris mark off an uncluttered space in which, from the start, we can focus on the lyrical fluidity of their movement--a flowing reach and unfurling, a cursive squiggling and twirling and twining that, while accelerating or embracing flourishes of basketball or hip hop or voguing or West African movement, never loses control or its through line. Howard writes with an aesthetically conservative hand. He is a lover of beauty and of the beauty in these dancers, presenting them subtly, sympathetically and with utopian vision--the world he wants to see.
One moment alone appears disruptive--a dancer's brief, frustrated interaction with part of the decor and his partner's intervention. This second dancer's role presents interesting questions: Is he helping his mate? Or is he restraining him? And then, near Howard's conclusion, comes the mystery figure (Green) emerging with face obscured, head enveloped in a leafy bush strung with Christmas lights--a remarkable, if cryptic, image.
In a “reverential gesture to lost ancestral artistic dreams,” Hunter and Valentine seek to venerate the Black African bodies that were exiled from the urgency of care and shunned by their communities and government [during the HIV/AIDS pandemic].Orlando Zane Hunter, Jr and Ricarrdo Valentine--the Black gay couple who are Brother(hood) Dance!--now have built how to survive a plague, a popular feature of Danspace’s Platform 2016: Lost & Found, into a work of enhanced, operatic proportions. Their aesthetics call for so much sensory engagement--and, yes, overload--you might expect the generous sights and sounds to be joined by offerings of food and libations. No such luck. But we did get to sample the aromatherapeutic artistry by Nicole Wilkins. I thought I caught a waft of something minty at one point, and then something else, pleasant enough but unidentifiable.
Ultimately, the sexy and ecstatic ritual of how to survive a plague is, I think, an invitation to take what we need by way of self-care. In that context, what works for one, in one moment, might not work for another, and many things will compete for your attention. You will find exuberant dance (with superb technique, always) overlapped with poetry and humor and glorious singing and visuals and kooky-fun costuming and booming voiceovers and, for a precious few, a chance to get up and shake your body. Trickster Eshu and Mother Kali share and dance this Carnaval, neither exactly shy and retiring types. I thank these deities--and more--for the audacity of Hunter and Valentine and look forward to whatever they bring us next.
Vocals: Starr Busby
Costume design: Shane Ballard
Lighting Design: Carol Mullins
Shared Evening: Brother(hood) Dance! & J'Sun Howard continues tonight and tomorrow at Danspace Project with performances at 8pm. For information and tickets, click here.
SPECIAL NOTE:
Nicole Wilkins recommends arriving hydrated for the best possible experience [of the aromoatherapy]; water will also be available during the show. If you have any questions or concerns please call the Danspace Project office at (212) 674.8112.Danspace Project
St. Mark's Church-in-the-Bowery
131 East 10th Street (at Second Avenue), Manhattan
(map/directions)
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