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Showing posts with label Afro-Cuban. Show all posts
Showing posts with label Afro-Cuban. Show all posts

Saturday, December 3, 2016

Afro-Caribbean legacy: Visit "La Sirene" this weekend



The Afro-Cuban Lukumi Arts--founded in 2008 as "an open and growing collective of artists, orisha/palo priests and practitioners, singers, dancers, percussionists, MCs and producers"--presents La Sirene: Rutas de Azucar at Brooklyn's JACK performance space now through tomorrow evening. Dedicated to the Black mermaid water deity who protected Haitian sugarcane workers on their way to Cuba, the 90-minute program is an immersive experience created by a thriving network of multi-talented, accomplished artists dedicated to the continuing relevance of Afro-Atlantic history and spiritual culture especially in our time of renewed resistance to oppression.

For four days, singer/performer Jadele McPherson in collaboration with Director Charlotte Brathwaite, offers a cosmic sonic journey through black liberation figures, conjurers and spiritual leaders from Haiti and Cuba, surrounded by fellow performers Val Jeanty, Maxine Montilus, Yomaira Gonzalez, Caridad Paisan Garbey, Bembesito Akpon, Hansel Vaillant and Daniel Gil. La Sirene: Rutas de Azucar (“The Siren: Routes of Sugar”) probes Cuban revolutionary José Antonio Aponte's libro de pinturas, a book of paintings, of black heroes that served as a catalyst for an attempted rebellion against colonists, leading to the first conspiracy and abolition charge in Spanish-speaking Latin America. Through sound and movement, McPherson maps the connections between West Indian and Haitian migrations to Cuba to harvest sugarcane and repositions the Cuban ingenio (sugar mill) as a birthplace of freedom that extends beyond borders and waters.

Each performance is followed by a special event. Tonight's--on the eve of Santa Barbara/Shango's day--the cast will offer "Afro-Cuban Rumba for the Vispera de Santa Barbara-Chango." Sunday evening will conclude with "Healing Quisqueya and Beyond," a reference to the Taino name for the island including the nations of Haiti and the Dominican Republic. This panel features Dr. Nathalie Guillaume, Goussy Célestin, Jose Perez and Osvaldo Lora.

Dr. Nathalie Guillaume is an alumnus of the University of Miami where she graduated with a Bachelor of Arts in Biochemistry and Foreign Languages. She holds a Master of Science in Acupuncture and Traditional Chinese Medicine from the Atlantic Institute of Oriental Medicine, and a Clinical Doctorate in Pain Management & Oncology from Bastyr University. She specializes in lifestyle medicine with an emphasis on nutrition, meditation & Qi Gong, and is dedicated to promoting the benefits of holistic health to the community. She is currently adjunct faculty for the Graduate School of Oriental Medicine at the New York College of Health Professions and practices in New York City where she is the CEO and Medical Director of Healing Happy Hour.
Goussy Célestin currently performs throughout the NYC-Tri state area as a musician and dancer. She is an alum of ASE Dance Theater Collective, a neo-folklore ensemble dedicated to the traditional/contemporary arts of the African Diaspora filtered through Haitian music and dance. She is also a member of ¡Retumba!, an all-female multi-ethnic music-dance ensemble dedicated to the traditions of the Caribbean and Latin-America, in addition to serving as lead vocalist for Charanga Soleil. Ms. Célestin's wide range of interests and versatility, has led her to study classical piano, Jazz and Latin music. While in Cuba, she had the honor of performing with members of the Buena Vista Social Club, as well as performing/mentoring with members of Grupo AfroCuba de Matanzas, Yoruba Andabo and Clave Y Guaguanco. She has performed at Alice Tully Hall, Lincoln Center, Del Terzo Studio at Carnegie Hall, Symphony Space, SOB's, the Knitting Factory, NJPAC, Tilles Center, Newark Symphony Space, Joe's Pub, as well as various jazz clubs in NYC.

Osvaldo "Bembesito" Lora. Bembesito is one of the most renowned and versatile "akpons" in the U.S. and maybe even internationally speaking. With over 10 years of experience performing religious ceremonies and as an olo Obatala he brings a level of professionalism that is hard to find in most ceremonies. Bembesito's crew does it all, from cajon to guiro to Aña and even the music of the 21 divisions from the Dominican Republic also called los palos. Over all the experience you will receive at a ceremony where Bembesito performs will be clean, authentic, professional and like no other...

Jose Perez is a writer and editor, an investigative reporter, a West Indian Nationalist, and a public school history teacher at North Miami Middle School where over 80% of his students are Haitian.  He infuses social justice into  his underground curriculum, which has led to him to become a leader in professional development trainings to teachers in the Miami-Dade County Public School System, the 4th largest in the United States. Pérez also was a  Research Assistant for Cuban filmmaker Gloria Rolando during the production of her moving documentary about Haitians in Cuba,
Reembarque.  Collaborating with AfroCubaWeb.com and Dr. Andrea Queely of Florida International University, he brought Ms. Rolando to North Miami Middle for her only Florida screening of Reembarque.  Pérez has been recognized by the Haitian American Cultural Society as well as the Mayor and Board of County Commissioners of Miami-Dade County for journalistic coverage of Haitian heritage. Perez's interest in the bridges between Ayiti & Kiba is as deep as the joy found in a plate of homemade legume.

La Sirene: Rutas de Azucar continues tonight and tomorrow with performances at 8pm. Seating is limited. For more information and tickets, click here.

JACK
505 1/2 Waverly Avenue (between Fulton Street and Atlantic Avenue), Brooklyn
(map/directions)

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Saturday, February 16, 2013

Fired up with Robert Farris Thompson


New York Public Library for the Performing Arts

presents

ON FIRE WITH AFRICAN DANCE
Staccato Incandescence: The Story of Mambo

with Robert Farris Thompson

Thursday, March 14, 6pm

Robert Farris Thompson, Master T, the Colonel John Trumbull Professor of the History of Art at Yale University, will focus his lecture on mambo, which fuses a variety of dance styles, from Lindy to ballet to bomba to Afro-Cuban dance.
Robert Farris Thompson is America's most prominent scholar of African Art, and has presided over exhibitions of African art at the National Gallery in Washington, D.C. He lived in the Yoruba region of southwest Nigeria for many years while he conducted his research of Yoruba art history, and is affiliated with the University of Ibadan and Yoruba village communities. Thompson has studied the African arts of the diaspora in the United States, Cuba, Haiti, Puerto Rico, and several Caribbean islands. Robert Farris Thompson is also an authority in hip hop. Cornel West, who teaches African American studies at Princeton, calls this white man from Texas "my dear brother" and "one of the greatest pioneers in the study of Afro-American culture and African culture."
The ON FIRE WITH AFRICAN DANCE series is presented by The Committee for the Jerome Robbins Dance Division and the Jerome Robbins Dance Division, The New York Public Library for the Performing Arts, and is produced by The New York Public Library for the Performing Arts.
Free admission

Click here for more information.

For information on other upcoming programs, including On Fire with African Dance presentations by Ronald K. Brown of Ronald K. Brown/Evidence (April 6) and Djoniba Mouflet (April 11), click here.

Monday, December 12, 2011

Asuka!

So, tell me, how does this sound?
  • live music by Arturo O’Farrill & the Afro Latin Jazz Orchestra...
  • a dance homage to salsa legend Celia Cruz...
  • and more dances to the music of the Buena Vista Social Club and Tito Puente

at The Apollo Theater
December 17 (2pm and 8pm)

Catch the world premiere of Asuka, Eduardo Vilaro's first work for Ballet Hispanico since becoming Artistic Director.

Get all the details--and tickets, too--right here.

Sunday, April 24, 2011

Roots + Rumba!

Cuba's fabulous Los Muñequitos de Matanzas

ROOTS + RUMBA WORKSHOP

presented in collaboration with  
Northern Manhattan Arts Alliance,  
MAPP International Productions 

Friday, May 6 (12noon-2pm)

The Cornerstone Center
178 Bennett Avenue (at 189th Street), Manhattan
Take the A train to 190th Street.
Los Muñequitos de Matanzas offer the purest sounds and movements of their Afro-Cuban heritage, with live music, presented and explained in a very accessible and friendly way. They begin with Yoruba Orisha dances through all Rumba styles, bringing all the power and joy of their performance to energize workshop participants. This is a dance workshop but singers and drummers are welcome as well. All levels welcome. Please wear comfortable clothing to dance.
By performing Max Pollak's RumbaTap choreography in their shows over the last decade, Los Muñequitos have helped popularize this new element in Afro-Cuban folklore all over Cuba and worldwide.
Workshop fee: $20 (no reservations necessary)

For more info, email rumbatap@gmail.com.
Don't miss Los Muñequitos de Matanzas LIVE at Symphony Space May 5-7 and The Performing Arts Center at Purchase College, SUNY May 8.

Sunday, March 27, 2011

Roots and future at Hostos Center

Hostos Center for the Arts and Culture proudly announces its new music and dance program, The Young Roots Performance Series, designed to "showcase emerging artists experimenting with the artistic roots of Afro-Latino traditions to create new branches that reach into the future."

Check out Young Roots' first event: a collaborative exploration between dancer-choreographer Noemi Segarra and percussionist Henry Cole, "in which the artists loosely work on the edges of Cuban rumba and jazz improvisation." The audience will be seated on the stage!

Thursday-Friday, April 7-8 (7:30pm)

Also: Cultural Trolley preview, Wednesday, April 6 (6pm)

For further information about Young Roots and a conversation with Noemi Segarra, click here. 

Hostos Center for the Arts and Culture
450 Grand Concourse (at 149th Street), Bronx
(directions)

Monday, March 15, 2010

Celebrating Cuban culture in New York


HERENCIA CUBANA: BEMBÉ, SALÓN Y CALLE, a dynamic evening of dance, live music and visual art featuring Afro-Cuban orishas, rumba, salsa, cha-cha-cha and contemporary dance theater.

Friday, March 19, 7:30pm
450 Grand Concourse (at 149th Street), The Bronx

Click here for tickets, or call the box office at 718.518.4455.

Sunday, May 4, 2008

Catskill Mountain Womyn's World Drum and Percussion Happen’n

11th Annual Catskill Mountain Womyn’s World Drum & Percussion Happen’n
August 21–August 24
Circle Lodge, Hopewell Junction, New York

For registration and scholarship application, click here.

The Circle Lodge is a private lakefront adult retreat center with comfortable indoor accommodations, vegetarian and non-vegetarian meals, multiple indoor workshop and jamming areas, performing arts center, cell phone reception, heated pool and access to Sylvan Lake. The Happen’n is just 1-½ hours from NYC or two hours from Albany, four hours from Boston.

The Happen’n is an annual multicultural drum, percussion and dance gathering for women and girls of all levels (beginner, intermediate, advanced).

We have assembled some of the most diverse, dynamic, inspiring, and skilled women musicians/ teachers in the drumming world today. Learn rhythms, songs, techniques and musical styles of the Conga, Djembe, Dundun, Taiko, Dumbek, Frame Drum, Tablas, Bodhran, Sakara, Gyil, Shekere, Berimbau, Drum Kit, Bells, Gourds and various world hand percussion.

Expand your knowledge and skills of traditional music of West Africa, Brazil, Haiti, Japan, Cuba, the Middle East, North Africa, India, Ireland, Native America, and original music of North America.

Explore methods of music for healing, teaching, facilitation and performance. Move with West African Dance, Capoeira, Maculele, Movement Meditation and circle dancing. Learn to tune and repair your drum. Sing, drum and dance around the fire!

The Happen’n provides many opportunities for networking and music exchange while in a supportive atmosphere of women’s drumming community. Experience the Blessing of the Drums, Saturday Night Showcase, Vibrational Healing Circle, Opening and Closing Ceremonies. Circle with others to sustain the Heartbeat Drum throughout the gathering.

Expand your awareness of global women’s drumming at the Happen’n Gallery of books, instruments, photos and videos. Explore instruments and handcrafts by the teachers and craftswomen at the Marketplace.

Bring your drums, percussion instruments, voice, and musical styles to the various music and dance jams.

2008 HAPPEN’N TEACHING STAFF:

Edwina Lee Tyler--West African Drum Traditions


Emilia Biancardi--Music & Percussion of Brazil


Nurudafina Pili Abena--Djembe, Afro-Cuban Drum


Peace Elewonu--Women’s Music of Ghana, Dance


Sejal Kukadia--Tabla Drums of India


Phyllis Bethel--Afro-Cuban Conga


Valerie Naranjo--West African Gyil, Native American Music


Ubaka Hill--Art & Spirit of Drumming


Bonnie Devlin--Haitian Folkloric Music, Bodhran


Elaine N. Fong--Taiko Drums of Japan


Leaf Miller--World Drum


Caru Thompson--Shekere, Bells, Vocal Gourds


Raquy Danziger--Dumbek & Frame Drum


Fre Atlast--Teaching & Drum Circle Facilitation


Joy San Agustin and Molly Lee--Capoeira, Maculele


Nana Akosua Baakan Agyiriwah--Sakara, Dundun


Nancy Asch--Stick/ Kit Drumming


Victoria Christgau--Vocal Improvisation

White Feather--Movement Meditation

Beverly Nadelman--Drum Care and Repair

Drum Central Vision Statement:

Drum Central is dedicated to the advancement of women's knowledge and participation in the ancient and sacred traditions of women's drumming locally and globally.

This vision is expressed through our annual gathering: the Catskill Mountain Womyn’s World Drum & Percussion Happen’n. Drum Central was founded in 1998 by Leaf Miller, Fre Atlast, and Ubaka Hill.

Come for the Entire Time or Come For the Day!
Registration & Lodging Options

Your Registration Fee includes Workshops, Meals, Accommodations and Featured Programs.

Per-woman Accommodation Fees are listed as Before July 1st / After July 1st Rates. Early Registration saves $!

Double w/ Shared Bath $485.00/ $505.00


Double w/ Private Bath $495.00/ $515.00


Single w/ Shared Bath $595.00/ $615.00


Single w/ Private Bath $675.00/ $695.00


4 Day Commuter $365.00/ $385.00


Single Day Commuter $165.00/ $185.00


Children 8-12 years old $ ½ the price of the adult fee


Registration begins at 3pm on Thursday. The Happen’n ends at 2pm on Sunday.

All Registration Rates are per woman registrant. Housing for groups of three

or more can be arranged with advance notice. Linens and towels are provided.

Accommodations do not apply to Commuter Rates.

* Confirmation Packets with directions and other information will be sent to you upon receipt of your Registration form. Cancellations will be charged $75.00 before July 1st. After July 1st, fees are non-refundable unless we can fill your space.

Please make Checks or Money Orders Payable to: The Arts Community

After July 1st, Money Orders ONLY will be accepted. Mail Registration Form with Payment to:

DRUM CENTRAL - PO Box 231, Saugerties, NY 12477. For more information and questions:

Call (845) 706-1176 Email: info@drumcentral.net

Visit our website www.drumcentral.net for details, updates and the FAQs.


*** PLEASE DONATE TO OUR SCHOLARSHIP FUND
Every tax-deductible contribution, whatever the amount, supports the participation of Elder women and women with financial need. A limited number of participant assistance grants are available.

To apply for a Scholarship, send in a Registration Form with your letter of request for a scholarship application. All Applications are due by July 1st, 2008.

Wednesday, August 15, 2007

Congress on Research in Dance (CORD) 40th Anniversary Conference


November 8-11
Barnard College, New York City

An interdisciplinary gathering of scholars and artists to explore dance's past, present and future through the critical prism of migration

Keynote Address • José Moya, Professor of History and Director of the Forum on Migration, Barnard College , Columbia University

Awards Luncheon • Honoring 2007 CORD Awardees Robert Farris Thompson (Outstanding Contribution to Dance Research), Susan Leigh Foster (Outstanding Leadership in Dance Research), George Dorris (Outstanding Service to Dance Research), and Outstanding Graduate Student Research Awardee

Performance • Choreographies of Migration Dance Concert featuring the José Limón Dance Company; Dana Tai Soon Burgess & Co.'s Tracings , an homage to the first Korean Americans, commissioned by the Smithsonian Asian Pacific American Program and the Kennedy Center; and a performance by New York-based choreographer and performance artist Sita Frederick.

Plenary • Dancing Diaspora in Brooklyn: Folk Feet Traditional Dancers discuss and demonstrate transnational dance forms, presented by Brooklyn Arts Council, Folk Arts

Film Screenings • Including Meredith Monk's Ellis Island

Over 100 Presentations • Papers, workshops, and lecture-demonstrations focused on the relationship between dance and im/migration.

Membership Meeting

Book & Media Exhibit

Click here for complete information.

Saturday, April 7, 2007

Max Pollak and RumbaTap in “Viis”

by Eva Yaa Asantewaa

You know the drill: Someone welcomes us, introduces the show, points out emergency exits and reminds us to stifle our cellphones. But I heard a new twist at Max Pollak’s Joyce SoHo gig: “No text messaging and no receiving of text messages during the performance.” Text messaging? Is there anyone left who still pays attention to the show?

Luckily there was not a single outbreak of high technology at RumbaTap’s performance of Viis, but the evening-length dramatic work, created by Pollak in collaboration with dancer Chikako Iwahori, could have benefitted from clearer correspondence--and I don’t mean email.

I came to Viis with some misgivings about its prospects; unfortunately, those feelings were not dispelled. Inspired by Pollak’s visit to Finland, Viis is set in an undefined place where the Santeria orishas of Cuba and Nordic characters from the ancient Kalevala epic are one and the same and sometimes find themselves tap dancing to jazz. But the Finnish characters and storyline get lost in performance, and the cursory explanation in the program notes don’t help us find them.

This conceptually ambitious gambit rides on Pollak’s world-class reputation. For years he’s been rightly lauded for soulful, seamless integration of tap dance with Afro-Cuban rhythms and chant, and for the extravagant way he gives his entire body over to the music, his dancing and the ground. He is truly a master performer who commands our attention in this work as in others.

In Viis, his hearty crew of musicians--Paul Carlon (tenor sax/flute), Andy Milne (keyboards), Dimitri Moderbacher (baritone sax, flute, clarinet), Alby Roblejo (percussion), Gottfried Stoger (alto sax, flute) and Ileana Santamaria (vocals)–arrive in full force, packing the expected pleasures. There are bright spots in the dancing: in particular, effervescent Lynn Schwab perfectly cast as the flirtatious, self-pleasuring Oshun/Louhi’s daughter character and DeWitt Fleming, Jr. as Oggun/Ilmarinen cutting loose in a tap challenge number with Pollak.

Instead of casting longtime dance partner and collaborator Iwahori as the angry, forbidding witch/Oya character, Pollak could have challenged her to loosen up her stony demeanor and body, and tune up those inexpressive feet. I keep wanting to see more of Iwahori than we usually do, hoping that it’s there.

Near the end, Pollak makes an attempt to render the Finnish aspects of the story more palpable, but by then it’s too late and too cartoonish. This work argues for separation of powers–tap over here, folklore over there–a shame because Pollak’s motivation was a longing for unity among diverse cultures, among all people. Unity is a fine goal, but first let us all be clear about who we are. Identity comes first.

Click here to visit RumbaTap.

(c)2007, Eva Yaa Asantewaa

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