Search This Blog

Showing posts with label Julie Atlas Muz. Show all posts
Showing posts with label Julie Atlas Muz. Show all posts

Saturday, April 19, 2014

Go see "Ubu Sings Ubu" at Abrons Arts Center

title

Take one part Ubu Roi--translated from the satirist Alfred Jarry's French by good ol' reliable Google--and one part Pere Ubu song list. Mash that up with some dance moves and puppetry for extra flava and feed it to the hungry souls of Tony Torn (Pa Ubu) and Julie Atlas Muz (Ma Ubu) with the hallucinogenic notions of Kaz Phillips Safer (video) and Jay Ryan (lighting), and you'll get the psychotropic elixir that is Ubu Sings Ubu, now at Abrons Arts Center.

Co-directed by Torn (who adapted the work) and Witness Relocation's Dan Safer (who choreographed), the boisterous, electrifying Ubu Sings Ubu can't stay in its place. It continuously sloshes and spills past the performance area the way a storm-driven ocean barrels into a low-lying village. I like the radiant actor Torn very, very, very much--but at a distance where his mercurial performance dazzles. Pa Ubu up in the face? Not so much. A stupid man, mad for power and free of conscience, Ubu's an explosion waiting to happen, a walking id and nightmare from the heart of darkness. (In other words, stay away!) For her part, Muz's bawdy and scheming Ma Ubu might climb onto you and lock her legs and naked nether parts around your neck.

The Underground Theater at Abrons doesn't allow much wiggle room, either. It's tiny, and you'll probably find yourself packed in with a mess of folks trying to catch the final shows. Ubu sings (and plays) LOUD. Stay well away from the speakers.

You did say you relish immersive theater, right? Just checking.

Sets and costumes by Deb O; a truly amazing animal cape by Ben Rosenberg; and sound design and musical direction by Vera Beren; musicians Beren, Emmitt Joe George, Matt Butterfield and Patrick "Paddymyke" Conlon

Ubu Sings Ubu runs through April 26. Wednesday-Saturday, 8pm with late shows on April 25 and April 26 at 11pm. For information and tickets, click here.

Abrons Arts Center
466 Grand Street (at Pitt Street), Manhattan
(map/directions)

Thursday, March 20, 2014

Beautiful, beastly and renegade: Muz and Fraser at Abrons

Julie Atlas Muz as Beauty
At rear, Mat Fraser as The Beast,
flanked by Jonny Dixon (l) and Jess Mabel Jones
(photo by Sin Bozkurt)
Mat Fraser
with puppeteers Dixon and Jones
(photo by Sheila Burnett)
To be sure, the Playhouse stage at Abrons Arts Center is set up for a fairy tale--here, Beauty and the Beast--with an ornate, antique-y, rose-strewn set drenched in crimson light and gently breathing mist. And so, on a rainy evening perfect for storytelling, begins not one but two uncommon love stories. The familiar one we came for--in which a lovely daughter, having staved off family disaster by agreeing to go away to live in a beast-man's castle--gets charmingly, seamlessly interwoven with real-life details about the show's charismatic stars, Julie Atlas Muz and Mat Fraser.

Muz, former beauty queen and a multi-talented artist best-known for neo-burlesque, and Fraser, a British actor, writer and rock musician, are a married couple who met and fell in love when they were Coney Island sideshow performers and married to other people. Fraser, whose mom took Thalidomide for morning sickness, has the congenital deformation phocomelia with, in his case, missing forearms and thumbs. When these two artists dreamed up a collaborative project, "Beauty and the Beast" immediately sprung to mind. But because they are who they are--both kickass provocateurs, one whose visible disability has long been integral to his art--this "Beauty and the Beast" would have to be a "Beauty and the Beast" like no other.

And so it is.

A very sexy "Beauty and the Beast," indeed, with frequent, matter-of-fact nudity, erotic food play and joyous sexual simulation where even paper puppets get it on. And a hilarious "Beauty and the Beast" in which Muz's sharp talent for comedy--along with Jonny Dixon and Jess Mabel Jones's skillful, innovative puppetry--give extra dimension and brightness to every scene. And a tender "Beauty and the Beast" which, without hesitation, welcomes us into the love that this couple shares. I don't believe I have ever seen this much love (genuine love) in a work on stage.

So, if you think all that might be too much to handle, stay home...or, go anyway, take a chance and see if it changes you.

Directed by Phelim McDermott (Satyagraha, Shockheaded Peter) of the British theater troupe, Improbable

Beauty and the Beast runs through March 30. For information and tickets, click here.

The Playhouse
Abrons Arts Center
466 Grand Street (at Pitt Street), Manhattan
(map/direction)

*******

Of related interest

Access All Areas--Live Art & Disability (NYC edition), a free, all-day event looking at some of the radical approaches to the representation of disability by contemporary performance artists.

March 29, 10-6pm at Abrons Arts Center

For information, click here.

Wednesday, October 1, 2008

The Body and its Image roundtable

The Philoctetes Center for the Multidisciplinary Study of Imagination
at the New York Psychoanalytic Institute
(Edward Nersessian and Francis Levy, Directors)

invites you to a Roundtable
Saturday, October 4, 2008 at 3:30pm

The Philoctetes Center
247 East 82nd Street
(Phone: 646-422-0544; email: info@philoctetes.org)

Events at Philoctetes are free and open to the public. Seating is on a first come basis.

The Body and its Image

Over the past decade there has been a moral panic about inappropriate body size. Anorexia nervosa and obesity have become touchstones for discussions of social and personal failure, of the supremacy of genetics over human choice, of the global expansion of normative ideas of the body—indeed, for virtually all discussions about what has gone wrong in our contemporary world. Meanwhile, artistic representations offer another vision of what it means to inhabit a body. This panel will examine the interlocked questions of the meanings attached today to bodily difference and representation, and the role that these debates play in our psychological and physical well-being.

Marina Abramovic has been a pioneer of performance as a visual art form since beginning her career in Belgrade in the early 1970s. The body has always been both her subject and medium. She has explored her physical and mental limits in works that ritualize the simple actions of everyday life. From 1975–88, Abramovic collaborated with the German artist Ulay, addressing the nature of duality. Since returning to solo performances in 1989, she has presented her work at major institutions in the US and Europe, including the Centre Georges Pompidou in Paris and the Neue National Galerie in Berlin. She has also participated in many large-scale international exhibitions, including the Venice Biennale and Documenta VI, VII, and IX in Kassel, Germany. Recent performances include "House with Ocean View" at New York's Sean Kelly Gallery and "7 Easy Pieces" at the Guggenheim Museum. Among her upcoming projects are a retrospective at MoMA and a theatre piece directed by Robert Wilson that will premier in 2011.

Paul Campos is Professor of Law at the University of Colorado and a syndicated columnist for the Scripps Howard News Service. He has written widely about the legal, medical, and social consequences of narrow definitions of what constitutes a "normal body." He is the author of The Obesity Myth. His work on this subject has been featured in Scientific American, The New York Times, The New Republic, The Los Angeles Times, and many other publications.

Sander Gilman (moderator) is a Distinguished Professor of the Liberal Arts and Sciences and Professor of Psychiatry at Emory University, where he is the Director of the Program in Psychoanalysis and the Health Sciences Humanities Initiative. A cultural and literary historian, he is the author or editor of eighty books. His Oxford lectures, Multiculturalism and the Jews, appeared in 2006. His most recent edited volume, Diets and Dieting: A Cultural Encyclopedia, appeared in 2007. He has held professorships in humanities and medicine at Cornell University, the University of Chicago and the University of Illinois at Chicago. He has also served as the Visiting Historical Scholar at the National Library of Medicine in Bethesda; as a fellow at Stanford's Center for Advanced Study in the Behavioral Sciences; as a Berlin prize fellow at the American Academy in Berlin; and as the Weidenfeld Visiting Professor of European Comparative Literature at Oxford University.

Marcel Kinsbourne is a behavioral neurologist and Professor of Psychology at the New School. Educated at Oxford University, he has held professorships at Duke University and the University of Toronto. His research interests center on problems in neuropsychology and child development. He has published in excess of 400 medical and scientific articles and authored or edited eight books, including The Asymmetrical Function of the Brain, The Unity and the Diversity of the Human Brain, and Consciousness: The Brain's Private Psychological Field.

Julie Atlas Muz, Miss Exotic World and Miss Coney Island 2006, is a choreographer, actor and artist based in New York City. Muz was included in the Whitney Biennial 2004 and has performed her work all over the world. Her alter ego, Mr. Pussy was a main attraction at a show she co-curated with Kembra Pfahler at Dietch Projects, entitled Womanizer. She recently co-created and performed a new erotic version of "Beauty and the Beast" with Mat Fraser, a UK based artist with Thalidomide, at Dadafest in Liverpool.

Sabine Wilhelm is Associate Professor of Psychology at the Harvard Medical School. She is Director of the Obsessive-Compulsive Disorder and Related Disorders Program and Director of the Cognitive-Behavior Therapy Program at Massachusetts General Hospital and Harvard Medical School. Dr. Wilhelm is internationally recognized as a leading researcher on Body Dysmorphic Disorder, a distressing preoccupation with an imagined defect in one’s appearance. She currently is the principal investigator of two studies investigating treatments for the disorder funded by the National Institute of Mental Health. She wrote the book, Feeling Good About the Way You Look: A Program for Overcoming Body Image Problems and has many other publications. Dr. Wilhelm serves on several editorial boards and regularly provides continuing education workshops nationally and internationally.

______________________

The mission of the Philoctetes Center is to foster the study of imagination — funding research, organizing roundtable discussions, offering courses and programs open to the public. The Center publishes a newsletter, Dialog, and is developing a web-based clearing house on work related to imagination. The Center also publishes a journal, Philoctetes. Visit The Philoctetes Center web site for more information.

Copyright notice

Copyright © 2007-2023 Eva Yaa Asantewaa
All Rights Reserved

Popular Posts

Labels