"seNSATE' in The Vaults

Carrie Ahern rehearsing seNSATE 

(c)2010, Eva Yaa Asantewaa

Choreographer Carrie Ahern reprises seNSATE, her acclaimed dance installation, at The Vaults (14 Wall Street) for six Swing Space performances, beginning this Saturday at 8pm.


             all photos (c)2010, Eva Yaa Asantewaa

Premiered at the Brooklyn Lyceum in November 2009, Ahern's seNSATE runs for three hours in a cyclical loop. Viewers may drop in and leave at any point during those times, and they will freely move around to follow the flow of action in various pockets of space beneath Wall Street.

Click here for audio interview with Carrie Ahern

Carrie Ahern Dance

The Vaults

14 Wall Street (Level B), Manhattan

Performance schedule, directions and ticketing

Swing Space is a residency program and presentation of the Lower Manhattan Cultural Council.

Ahern's spook house

Halloween might be long gone, but Carrie Ahern and her fellow dancers are haunting the Brooklyn Lyceum this week. They're decidely flesh-and-blood creatures. But, if you go, you'll feel the hairs on your arms tingling, particularly if you spend any time in the small, upstairs room where powerful Donna Costello might thrash around like a maniac only a millimeter away from you. 

Sensate, running for three hours at every installation performance, offers each audience member his or her choice of arrival and departure time, viewing location and even intermission. (A restroom is conveniently located to the rear of the main space's primary seating area. Quietly slip back to your bench without fuss, and know that it's okay that you've missed what you've chosen to miss.) Ahern invites us to collaborate with her by creating our own experience of the work, going beyond her own efforts to shape its structure by willfully reorganizing her output.

From what I could tell, last night's small audience saw itself in a far more linear way. For instance, for long stretches of time, people sat in a conventional arrangement, facing the main space head-on. And Ahern's use of the Lyceum's features--including stairs to different levels--rarely went beyond expected functionality. It's certainly not the first time, we've seen dancers suddenly arrive or withdraw by taking the stairs.

A live, visually-innovative performance voice and electronic music by composer Anne Hege and eerie lighting by Jay Ryan contribute to the spooky, mysterious air. Costumer Naoko Nagata's raggedy layers make the dancers resemble survivors of some unnamed disaster. And the site itself, a former public bathhouse, is a potentially eccentric space for a show. But it needs more imaginative magic-making.

Ahern's choreography, however, and the Bacchante-like performances of her fellow dancers--Costello, David Figueroa, Kelly Hayes and Jillian Hollis--can often sizzle. The audience might evade Ahern's invitation to freedom, but her dancers do not. They take to this work with feverish abandon and put their bodies--maybe even their sanity--on the line.

You'll find the Brooklyn Lyceum (227 4th Avenue, Park Slope) right upstairs from the Union Street station on the R line. Remaining performances of Sensate run tonight (7:30-10:30pm) and tomorrow (3-6pm).

Information and ticketing
718-857-4816

Carrie Ahern: Body and Soul podcast

My guest, Carrie Ahern, is a dancer and an independent choreographer whose work shows a powerful sense of visual order and psychological depth. We met in the dressing room at St. Mark's Church, home of Danspace Project, to talk about "Red," which premiered there in 2006, and her new piece--"The Unity of Skin"--which will premiere on April 3 and run through April 5.

To listen to original music composed for "The Unity of Skin" by cellist Greg Heffernan, visit http://www.carrieahern.com/calendar/calendar.html.


BIO

Carrie Ahern, a Wisconsin native, is an independent dance and performance artist who has been based in New York City since 1995. She worked primarily as a freelance performer/choreographer for over a dozen dance and theater companies until forming Carrie Ahern Dance in 2005. Her current evening length project, "The Unity of Skin" is commissioned by Danspace Project for performances April 3-5, 2008 and is being presented at Baltimore Theatre Project March 6-9, 2008. Investigations into "The Unity of Skin" were shown at Dance Conversations at the Flea, Danceworks in Milwaukee, Movement Research at Judson Church and at Brooklyn Arts Exchange (BAX) as part of their 2007 Space Grant Residency. Her studies of Ancient Greek Philosophy for this piece were funded, in part, by Fractured Atlas' Creative Development Grant. Carrie's first evening length work "Red" (2006) was commissioned both by Danspace Project at St. Mark's Church and the Guggenheim Works-and Process Series.

Her shorter works have been seen at over a dozen venues in New York City such as Danspace Project, P.S.122, Dixon Place, the Angel Orensanz Foundation, Dance Space Center (now DNA), Chashama, The Flea and Soundance among others. Nationally and internationally, her work has been presented at Baltimore Theatre Project, Danceworks and Walker's Point Arts Center in Milwaukee, Le Regard du Cygne in Paris and at the Festival D'OFF in Avignon, France. She self-produced two seasons in conjunction with her frequent collaborator, Jennifer A. Cooper: "Alteregomania" at Cunningham in 1999 and "Exploding Plastic Acorns" at the Williamsburg Art Nexus (WAX) in 2003. In 2002, Bessie award winning dancer Carolyn Hall commissioned a solo, with an original score by Grammy award winner Matt Darriau and Ivan Goff. As a performer Carrie has had the pleasure of working with many artists here in New York City including, Pat Cremins/Wyoming, Heather Kravas, Heidi Latsky, Allyson Green, Nina Winthrop, Jeffrey Frace, Ridge Theater, Donna Bouthillier and Jennifer A. Cooper.

Upcoming choreographic experiments include a collaborative effort with The Nietzsche Circle -the exciting and daunting task of using Nietzsche's "Thus Spake Zaranthustra" as a jumping off point for a dance. She is exploring remounting 2006's "Red" for the crumbling and infamous Eastern State Penitentiary.

Ahern is a sought-after teacher of pilates and yoga throughout NYC. She has taught improvisation at the University of Wisconsin-Milwaukee and dance technique in the New York City Public Schools.

LINKS

Carrie Ahern
http://www.carrieahern.com

Greg Heffernan (composer)
http://www.gregheffernan.com

Agata Oleksiak (visual designer)
http://www.agataolek.com

Danspace Project
http://www.danspaceproject.org/

Body and Soul is the official podcast of InfiniteBody dance blog at
http://infinitebody.blogspot.com. Subscribe through iTunes or at
http://magickaleva.hipcast.com/rss/bodyandsoul.xml.

(c)2008, Eva Yaa Asantewaa

This material may not be reproduced in any way, either in part or in its entirety, without the expressed written permission of Eva Yaa Asantewaa.

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