In memoriam: The tragedy of Fukushima

Eiko Otake introduces her commemorative program,
Remembering Fukushima: Art and Conversations in the Cathedral,
at New York's Cathedral of St. John the Divine
all photos ©2017, Eva Yaa Asantewaa

During yesterday's anniversary remembrance of Japan's 2011 tsunami and nuclear disaster--a deeply moving event organized at the Cathedral of St. John the Divine by artist-in-residence Eiko Otake--Katja Kolcio, choreographer and Wesleyan professor, spoke of the political upheaval wrought in the wake of Ukraine's 1986 crisis at Chernobyl. Photographer William Johnston, Otake's longtime collaborator, noted the growing environmental activism in Japan following the Fukushima crisis. And we were frequently reminded that, just about fifty miles north of here, in Buchanan, New York, the Indian Point nuclear power plant poses a similar threat. A few months ago, state officials announced an agreement that, by 2021, would lead to the complete shutdown of Indian Point--long touted as "Safe. Secure. Vital." and "Right For New York" by its operating Entergy Corporation.

Massive visual documentation, provided by Johnson and others, alerts the world to the devastating, enduring consequences of nuclear accidents--whole towns emptied of people, toxic and uninhabitable except by irradiated animals and plant life. Otake's program drew together numerous educators, activists and visual, literary, music and movement artists to illustrate how creative communication can help us begin the process of grasping the massive scale of the tragedy and the details of lives destroyed or upended.

And Otake, the inimitable, danced her latest iteration of A Body in a Cathedral, cloaked this time in black, thrusting through holy space like a crow in flight, in alarm, disorientation, displacement, grief...and warning.

"This is what I do as an artist," said Otake.
"I hang around. Thanks to the Cathedral for allowing me to hang around."

Remembering Fukushima: Art and Conversations in the Cathedral was presented in partnership with Asia Society and Danspace Project.

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My Eiko journal: Part 6

Eiko's A Body in Places

Saturday, March 12 -- 3pm

Meredith Monk
marked the hour at 3pm
at St. Mark's Church
for Eiko's A Body in Places.
photos (c)2016, Eva Yaa Asantewaa

Eiko (left) with Meredith Monk
who taught us all a Japanese lullaby, The Red Dragon Fly
(c)2016, Eva Yaa Asantewaa

Come by today and this evening for the continuation of Danspace Project's commemoration of the Fukushima tragedy with an installation of William Johnston's powerful photographs and a performance offering by artists every hour on the hour through 9pm. For more information, click here.

******

Read My Eiko journal: 

Part 1
Part 2
Part 3
Part 4
Part 5

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Eiko's A Body in Places platform continues at Danspace Project and other venues through March 23. There's so much going on in this platform's programming, that Danspace Project is actually offering consultation with a docent to help you get your bearings. Really. For detailed information, click here.

Danspace Project
St. Mark's Church in-the-Bowery
131 East 10th Street (at Second Avenue), Manhattan
(map/directions)

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Chelsea gallery surveys post-Fukushima theme of Japanese artists

On View | Japanese Artists Respond to Fukushima
by Sylvia Rupani-Smith, The New York Times, June 26, 2014