Search This Blog

Showing posts with label Latin music. Show all posts
Showing posts with label Latin music. Show all posts

Saturday, December 3, 2016

Afro-Caribbean legacy: Visit "La Sirene" this weekend



The Afro-Cuban Lukumi Arts--founded in 2008 as "an open and growing collective of artists, orisha/palo priests and practitioners, singers, dancers, percussionists, MCs and producers"--presents La Sirene: Rutas de Azucar at Brooklyn's JACK performance space now through tomorrow evening. Dedicated to the Black mermaid water deity who protected Haitian sugarcane workers on their way to Cuba, the 90-minute program is an immersive experience created by a thriving network of multi-talented, accomplished artists dedicated to the continuing relevance of Afro-Atlantic history and spiritual culture especially in our time of renewed resistance to oppression.

For four days, singer/performer Jadele McPherson in collaboration with Director Charlotte Brathwaite, offers a cosmic sonic journey through black liberation figures, conjurers and spiritual leaders from Haiti and Cuba, surrounded by fellow performers Val Jeanty, Maxine Montilus, Yomaira Gonzalez, Caridad Paisan Garbey, Bembesito Akpon, Hansel Vaillant and Daniel Gil. La Sirene: Rutas de Azucar (“The Siren: Routes of Sugar”) probes Cuban revolutionary José Antonio Aponte's libro de pinturas, a book of paintings, of black heroes that served as a catalyst for an attempted rebellion against colonists, leading to the first conspiracy and abolition charge in Spanish-speaking Latin America. Through sound and movement, McPherson maps the connections between West Indian and Haitian migrations to Cuba to harvest sugarcane and repositions the Cuban ingenio (sugar mill) as a birthplace of freedom that extends beyond borders and waters.

Each performance is followed by a special event. Tonight's--on the eve of Santa Barbara/Shango's day--the cast will offer "Afro-Cuban Rumba for the Vispera de Santa Barbara-Chango." Sunday evening will conclude with "Healing Quisqueya and Beyond," a reference to the Taino name for the island including the nations of Haiti and the Dominican Republic. This panel features Dr. Nathalie Guillaume, Goussy Célestin, Jose Perez and Osvaldo Lora.

Dr. Nathalie Guillaume is an alumnus of the University of Miami where she graduated with a Bachelor of Arts in Biochemistry and Foreign Languages. She holds a Master of Science in Acupuncture and Traditional Chinese Medicine from the Atlantic Institute of Oriental Medicine, and a Clinical Doctorate in Pain Management & Oncology from Bastyr University. She specializes in lifestyle medicine with an emphasis on nutrition, meditation & Qi Gong, and is dedicated to promoting the benefits of holistic health to the community. She is currently adjunct faculty for the Graduate School of Oriental Medicine at the New York College of Health Professions and practices in New York City where she is the CEO and Medical Director of Healing Happy Hour.
Goussy Célestin currently performs throughout the NYC-Tri state area as a musician and dancer. She is an alum of ASE Dance Theater Collective, a neo-folklore ensemble dedicated to the traditional/contemporary arts of the African Diaspora filtered through Haitian music and dance. She is also a member of ¡Retumba!, an all-female multi-ethnic music-dance ensemble dedicated to the traditions of the Caribbean and Latin-America, in addition to serving as lead vocalist for Charanga Soleil. Ms. Célestin's wide range of interests and versatility, has led her to study classical piano, Jazz and Latin music. While in Cuba, she had the honor of performing with members of the Buena Vista Social Club, as well as performing/mentoring with members of Grupo AfroCuba de Matanzas, Yoruba Andabo and Clave Y Guaguanco. She has performed at Alice Tully Hall, Lincoln Center, Del Terzo Studio at Carnegie Hall, Symphony Space, SOB's, the Knitting Factory, NJPAC, Tilles Center, Newark Symphony Space, Joe's Pub, as well as various jazz clubs in NYC.

Osvaldo "Bembesito" Lora. Bembesito is one of the most renowned and versatile "akpons" in the U.S. and maybe even internationally speaking. With over 10 years of experience performing religious ceremonies and as an olo Obatala he brings a level of professionalism that is hard to find in most ceremonies. Bembesito's crew does it all, from cajon to guiro to Aña and even the music of the 21 divisions from the Dominican Republic also called los palos. Over all the experience you will receive at a ceremony where Bembesito performs will be clean, authentic, professional and like no other...

Jose Perez is a writer and editor, an investigative reporter, a West Indian Nationalist, and a public school history teacher at North Miami Middle School where over 80% of his students are Haitian.  He infuses social justice into  his underground curriculum, which has led to him to become a leader in professional development trainings to teachers in the Miami-Dade County Public School System, the 4th largest in the United States. Pérez also was a  Research Assistant for Cuban filmmaker Gloria Rolando during the production of her moving documentary about Haitians in Cuba,
Reembarque.  Collaborating with AfroCubaWeb.com and Dr. Andrea Queely of Florida International University, he brought Ms. Rolando to North Miami Middle for her only Florida screening of Reembarque.  Pérez has been recognized by the Haitian American Cultural Society as well as the Mayor and Board of County Commissioners of Miami-Dade County for journalistic coverage of Haitian heritage. Perez's interest in the bridges between Ayiti & Kiba is as deep as the joy found in a plate of homemade legume.

La Sirene: Rutas de Azucar continues tonight and tomorrow with performances at 8pm. Seating is limited. For more information and tickets, click here.

JACK
505 1/2 Waverly Avenue (between Fulton Street and Atlantic Avenue), Brooklyn
(map/directions)

If you like what you're reading,
subscribe to InfiniteBody!

Tuesday, February 4, 2014

In celebration of Celia Cruz

Celia Cruz

film screening and discussion


Wednesday, February 5, 7pm

Free admission
Celia the Queen, a film produced by Joe Cardona, is a loving look at the amazing life and legacy of a woman whose voice symbolized the soul of a nation and captured the hearts of fans worldwide. Erupting onto the Cuban music scene as the lead singer for La Sonora Matancera, Celia Cruz broke down barriers of racism and sexism.
With the powerful weapon of her voice and the warm tolerance of her heart, Celia soon became all things to all people.
The film shows the diversity of the people whose lives she touched, from stars like Quincy Jones, Andy Garcia and Wyclef Jean, to ordinary people all over the world who loved not only her music but her incredible spirit.

El Museo del Barrio
1230 5th Avenue (between 104th and 105th Streets), Manhattan
(map/directions)

A Caribbean Cultural Center African Diaspora Institute presentation in collaboration with El Museo del Barrio, the Apollo Theater and the National Black Programming Consortium

Wednesday, November 6, 2013

Music artists gather tomorrow in benefit for Dave Valentin

Latin jazz flutist Dave Valentin

A Benefit for Dave Valentin


Thursday, November 7 
7:30pm

featuring Bob Baldwin, Bobby Sanabria, Robby Ameen, Lincoln Goines, Dave Samuels, Bill OConnell, Mayra Casales and many more
Fellow musicians and artists will donate their time, talent and resources to perform a fundraiser for the Grammy Award winning artist. Net proceeds will benefit the Bronx, NY native and said proceeds will assist in medical bill payments and basic living needs as Valentin has not worked any musical performances since suffering from a stroke on March 3, 2012.
On March 3, 2012, Latin Jazz Flutist and Grammy Award Winner, Mr. Dave Valentin, suffered a stroke that has limited his ability to perform his beloved instrument. The native New Yorker has been in physical therapy since that tragic day. There is a chance that he may be able to wow his audiences on stage worldwide again, but not before he's the beneficiary of some more critical physical therapy.
In the interim, his medical bills have climbing been through the roof. Dave Valentin has insufficient medical insurance to cover the enormous bills surrounding his stroke.
Joining the party are:
Bill O'Connell (Piano)
Lincoln Goines (Bass)
Robby Ameen (Drums)
Ragan Whiteside (Flute)
Gilberto "Pulpo" Colon (Piano)
Bob Baldwin (Piano/Keyboards)
Chieli Minucci (Guitar)
Dave Samuels (Vibes)
Mayra Casales (Percussion)
Eddie Montalvo (Percussion)
Bobby Sanabria (Drums/Percussion)
Richie Morales (Percussion)
Tarrytown Music Hall
13 Main Street, Tarrytown, NY
(directions)

Thursday, September 5, 2013

Roberto Fonseca coming to Highline Ballroom, September 23

Roberto Fonseca
Photos (c)Carlos Pericas
Miraculously clear. Chiming. Deep and capacious. Cuban-born Roberto Fonseca's vital compositions and piano work speak the languages of the Latin world, West Africa, the Maghreb, jazz, funk and electronica. Check this out on his collection Yo (Concord Jazz), now in US release. Particularly scrumptious: the sweet, kora-influenced "Bibisa"--in both its original and remixed forms--and the North African-influenced "Chabani" and "Gnawa Stop." And hear Fonseca and his band live, later this month, in New York!

Highline Ballroom
Monday, September 23 -- 8pm (doors: 6pm)

431 W 16th Street, Manhattan (between 9th and 10th Avenues)



Friday, August 9, 2013

Rubén Blades at Lincoln Center Out of Doors


Rubén Blades
(photos above and below by Darial Sneed)

After four decades in music, just how big a superstar is Panama-born salsero (and actor, activist, lawyer, politician) Rubén Blades? Well, if you already know his work, you know the answer. But, if you don't, check out this note I received from the Lincoln Center press office the day following Blades' Wednesday night appearance at Lincoln Center's Damrosch Park Bandshell:
By the way, we just got the official head count from LC Security and it's 10,000+ -- -- that includes people in the official seating area, plus crowds in the back section of the park going all the way to the Koch Theater and spilling over a bit on to Josie Robertson Plaza.  There were also folks standing and listening from the sidewalk of West 62nd street, but these were not included in the count. 
Yes. Sure enough, despite threat of rain--a threat never made good on--there were people stretched back from the park's entrance barriers as far as my eyes could see. Many had been waiting there for hours. They were let in, a handful at a time, and then the trickle stopped--no more admitted. I had never seen anything like that at a Lincoln Center Out of Doors show.

Similarly, the line for the women's restroom was ridiculous, made bearable only by the way a spirit of solidarity and wicked humor tends to break out in these situations. After my more than half-hour wait, I just barely made it back to my seat to hear Blades well into his first number, "Plástico," with Roberto Delgado Orchestra, Panamanian musicians making their US debut.

Blades with Panama's Roberto Delgado Orchestra
(photo by Darial Sneed)
Getting their shots
(c)2013, Eva Yaa Asantewaa
Dancing had already broken out in the aisles with salsa dancers of different ethnicities exchanging partners and displaying intricacies of personal style--a delightful visual accompaniment to the stage show. With few moments of lilting effervescence, Blades' set hewed to a sober, steady roll--his vocals sliding over the disciplined brass, percussion and keyboards of the orchestra. No eye-candy or sonic flash whatsoever, just a baseline for a reliable Everyman storyteller and his tales of social and political realities--in songs like "Decisiones," "Caína," and "Amor," the last, written as his mother was succumbing to cancer--and his sharing of comfort and wisdom.

I want to share with you one of my earlier and most fervent Rubén Blades obsessions--"Cuentas del Alma," a Latin jazz piece from Escenas (1985). So much do I love this song--a curiously soaring reflection on abandonment and bitter loneliness--that I'm going to share two versions of Blades singing it with different bands. Here's the first.

For the second, you'll have to go here.

Lincoln Center Out of Doors continues through this Sunday, August 11. Click here to enjoy more wonderful--and free-shows.

Lincoln Center Plaza fountain
(c)2013, Eva Yaa Asantewaa

Copyright notice

Copyright © 2007-2023 Eva Yaa Asantewaa
All Rights Reserved

Popular Posts

Labels