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Showing posts with label protests. Show all posts
Showing posts with label protests. Show all posts

Sunday, May 31, 2020

Inconvenient Black bodies




Inconvenient Black bodies

by Eva Yaa Asantewaa


Our blood runs red through inconvenient bodies

that mattered when we were profitable chattel

sold, bought, traded like cattle.

We mattered when raped, forced to birth property.

We mattered when building the white man’s nation

from his soil to the skies.

We mattered when our blood ran red in southeast asia,

when it was our blood--not the white man’s,

back in his comfortable home.

We mattered when our brains, our creativity built industries.

We mattered when our own money built white wealth.

We mattered when our ballots built white power.

We build it still, which is how we manage to matter.

But we are inconvenient people,

troublesome bodies, bodies in the way of progress.

Mouths to feed.

Mouths crying, mouths questioning.

Mouths telling secrets.

We are

bodies taking up space,

holding down space desired by others.

Holding stories never meant to be heard.

Resisting names we did not and

do not choose.

Resisting definition by others.

Resisting obscurity.

Resisting obstruction.

So, we are

bodies in handcuffs.

in prisons, in the crosshairs,

at the crossroads,

under the knee

that snuffs out breath as we

make one last cry to ancestors:

gather us, please; please receive

our inconvenient spirits.

derek chauvin confidently pressed his knee

against george floyd's black neck

for nearly nine minutes, each second

precisely measured out with deadly power,

a procedure well-practiced, one might say,

meticulous in its execution,

effective in its dispatch

of one more Black

and inconvenient body.


(c)2020, Eva Yaa Asantewaa

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DISCLAIMER: In addition to my work on InfiniteBody, I serve, at Gibney, as Senior Director of Artist Development and Curation and Editorial Director. The postings on this site are my own and do not necessarily reflect the views, strategies or opinions of Gibney.

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Tuesday, April 12, 2016

American Dance Festival takes a stand on North Carolina's HB2...sort of

American Dance Festival--launched in 1934 as Vermont's Bennington Festival and, since 1977, based at Duke University--is arguably one of the world's most historic, most influential arts institutions. Its renown--and its location in Durham, North Carolina--recently raised questions for many of us in the dance community when the state's legislature passed HB2, touted as a way to protect women and girls from transgender women in school and public bathrooms and changing rooms. HB2, in actuality, broadly denies anti-discrimination protection to LGBTQ people and strips employees of the right to file claims under state law for discrimination on the basis of race, sex, national origin, color and age. It also restricts local governments from raising the minimum wage beyond the federal level.

HB2's passage drew swift condemnation--most notably from rock star Bruce Springsteen, who cancelled shows scheduled for the state, and PayPal, quashing plans to open a center with hundreds of jobs in Charlotte. But what about ADF whose programs include and serve many people who identify across the queer/gender non-conforming spectrum?

On March 30, ADF's Facebook friends found this posting on its page:
In light NC's legislature passing ‪#‎HB2‬, we want our friends in NC and beyond to know that our bathrooms are still safe for trans and gender non-conforming folks. ‪#‎WeAreNotThis‬ ‪#‎NoHateInMyState‬
followed by Google's handy map of North Carolina businesses "who have stated publicly that their bathrooms are safe for trans* and gender non-conforming folks under HB2." And that--to the immediate and continued anger of many friends from the dance field--is as far as things went.

Yesterday, finally, a dance artist I know discovered a new statement now linked through ADF's website:
The American Dance Festival (ADF) is disappointed by the North Carolina legislature's recent passage of HB2, a bill that cruelly reduces the scope of anti-discrimination protections in the state. Discrimination is wrong, period. As an organization, ADF has long promoted diversity and is deeply troubled by North Carolina's embarrassing step backward. HB2 does not reflect the values of ADF nor do we believe it reflects the values of the overwhelming majority of the state of North Carolina. ADF has been a proud resident of the North Carolina arts community since 1977, a community that believes in inclusion and fairness and believes that every individual is important. 
ADF strongly urges the North Carolina General Assembly to repeal HB2 at the earliest opportunity. ‪#‎WeAreNotThis‬
This is the rough equivalent of "Hey, you guys, cut it out. We're over here trying to do the right thing, and you're making us look bad." No one expects dance folks to make economy-shaking gestures on the level of a Springsteen, an Apple or a PayPal, but we really need to pull out better words than these prim ones about disappointment and embarrassment.

ADF has no shortage of smart, creative people. Surely, good heads can work up a statement or action that, in no uncertain terms, reflects ADF's cultural and economic value to the state of North Carolina and the weight of its rejection of hate. Direct, uncompromising condemnation of HB2 from ADF--an institution associated with the best North Carolina, and our nation, has to offer--would have high visibility and moral impact, giving needed support to anti-discrimination activists in the state and beyond.

This fight isn't only about who gets to use which bathroom. It's about concerted efforts to drag our country back to times when discrimination and abuse could be widely, openly practiced without restriction or consequences. An ignorant, hate-filled demagogue now commands an army of supporters who--even if he goes down to defeat--have been encouraged and activated. With or without a Trump--or a Cruz--we're staring at damage we'll likely still be confronting well into the future. Sitting there in the belly of the beast, ADF needs to toughen up, speak truth to power and represent our dance community the right way.

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Sunday, May 3, 2015

Protest with joy: a view from Baltimore

We need to be reminded of black beauty in the face of black death. Moments of light to help us not to get lost in the darkness.
--Steven W. Thrasher
In Baltimore we need protest in all its forms. Even joyful ones
by Steven W. Thrasher, The Guardian, May 2, 2015

Sunday, April 7, 2013

Dance artist Max Pollak creates international march against violence

Led by some of the greatest musicians, dancers and artists from all over the world, MAGNOLIA MARCH a traditional New Orleans – style funeral processional will organize on April 27th, 2013 in big cities and small towns throughout the US, Canada, Asia, Australia and Europe demonstrating peaceful solidarity against acts of violence.
Too often we are witnesses to violent acts that cost lives, and that have deep impact on us, and our loved ones.  Too often excessive violence is shown repeatedly through our media, and too often we are silent in fear, dismay and helplessness.
The MAGNOLIA MARCH is a chance for all of us to take a peaceful stand by marching in the streets of our cities and towns.  With a Second Line Parade, we can drown out the violence with music for sympathy, compassion and community.
The Inspiration
Outraged by the recent Sandy Hook shooting, NYC based tap dancer/percussionist Max Pollak felt compelled to create MAGNOLIA MARCH in order to provide the public, specifically families, children and artists, with an opportunity to mourn and come together to express their feelings and pay respect to those who have lost loved ones in recent acts of violence.
Details
MAGNOLIA MARCH will honor the memory of victims lost to recent violence throughout the United States and other places all over the world.
On April 27, 2013 MAGNOLIA MARCH funeral processionals will take place at approximately the same time, in multiple cities, streamed live via www.MagnoliaMarch.com.
Those who wish to organize a MAGNOLIA MARCH in a city other than NYC, or would like to participate, please visit www.MagnoliaMarch.com for additional event information.
Facebook: Magnolia March
Twitter: @MagnoliaMarch
Email: magnoliamarchevent@gmail.com

Friday, January 6, 2012

Dance and the Occupy Movement


Dance and the Occupy Movement

Wednesday, January 25 (7:30pm)

Organized by Abigail Levine

Jimmy's no. 43, in the backroom
43 East 7th Street
between 2nd Avenue and Bowery, Manhattan
(directions)
Exploring an expanded notion of choreography and how it is related to our social and political organization and discovery of ourselves as individuals working within a temporary collective...circling and questioning around ideas of a moving community.
--Movement Research Festival Spring 2011 brochure
Exercise your right to peaceably assemble; occupy public space; create a process to address the problems we face, and generate solutions accessible to everyone.
--Declaration of the Occupation, NYC General Assembly
What are the points of contact between experimental, contemporary dance and the Occupy Movement? As spatial and embodied practice? As social investigation and organization? As improvisation and movement? As agents of change? How do and might these moving communities interact? How do we approach (public and private) space in New York City? Barbara Browning, Daniel Lang-Levitsky, Paloma McGregor, Clarinda Mac Low, and Edisa Weeks open a conversation about this creative political moment.

Sunday, November 27, 2011

OWS: Now let's Occupy Broadway!


"They say the neon lights are bright on Broadway, but looking at them just gives me the blues..."

Okay, now for a little something to cheer me up:


Gathering the Arts & Culture working group (c)2011, Eva Yaa Asantewaa

Occupy the theatre/shopping district 
with performance and spectacle for 24 hours straight!

December 2nd starting at 6pm until December 3rd at 6pm
Occupy Broadway will introduce tourists and New Yorkers uptown going to Broadway shows or shopping themselves into debt in Times Square to the idea of occupation as CREATIVE resistance with non-stop free performances.  We will set up in a privately owned public space near Times Square.  This movement is spreading around the world and around New York City.  In a time when downtown theaters are rapidly losing their spaces, being turned into high-end fashion stores, it is a symbolic attempt to regain the space of theatre as an accessible, popular art form, bringing it back to where it all started - in a public space, for the common citizen.
How you can get involved
The organizers are looking for groups in all styles and genres, to present a segment (2 minutes to 2 hours long) that has a theme of the 99% movement, possibly holiday-related, festive, radical caroling, large puppets, marching bands, dance, etc.
Also, visit this link for an online petition that explains the context of this (and future) events.

Wednesday, November 23, 2011

Documentary filmmaker from US arrested in Egypt [UPDATE]

US journalist arrested by Egyptian police
Documentary filmmaker Jehane Noujaim, director of Control Room, was arrested while filming clashes in Cairo's Tahrir Square.
CBSNews, November 23, 2011

UPDATE

Media Help Set Free Arrested U.S.-Egyptian Filmmaker Jehane Noujaim In Cairo
Deadline/Hollywood, November 25, 2011

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