"THEM" returns to its East Village birthplace

Johnnie Mercer Cruise and Hentyle Yapp
dance in THEM at Performance Space New York.
(photo: Rachel Papo)

Michael Watkiss and Alvaro Gonzalez Dupuy
(photo: Rachel Papo)

THEM

Conceived, directed, and performed by:

Chris Cochrane (music/sound)
Dennis Cooper (text/spoken word performance)
Ishmael Houston-Jones (movement)

at Performance Space New York (East Village Series)

*****

Tilt in the direction of a memory, starting anywhere. With sound: a deepening drone. With light: splashed across a man's back and legs otherwise engulfed by semidarkness. With bodies: still, lining the margins, covered in shadows.

THEM (made at and for Performance Space 122, premiered in 1986, now revived for Performance Space New York) is a way of remembering the AIDS epidemic and the lives downtown artists led and lost. With Chris Cochrane's electric guitar--caustic shredding, blurting, pounding dissonance. With Dennis Cooper's text--direct and revealing, vulnerable, delivered from off to one side, with isolating distance and longing observation. With dancers, led and gathered by Ishmael Houston-Jones, who toss themselves across the space and at each other with fiery abandon, who occupy the expanse, crafting a world necessary for themselves and their kind. With rites of gesture and behavior. With exploration through touch. With play. With aggression. With a visceral sense of the overpowering, inescapable presence of death...and Death.

The theater at Performance Space New York has just the right degree of plain-and-grim to help this memory work. Houston-Jones's score has been improvised by each of his dancers; the current revival's vigorous cohort includes Alvaro Gonzalez Dupuy, Johnnie Cruise Mercer, Michael Parmelee, Jeremy Pheiffer, Kensaku Shinohara, Michael Watkiss, and Hentyle Yapp. (Mercer and Yapp are especially headstrong, cogent performers, alone or together.) A spare, functional design--here a simple white mattress; there a menacing plank of wood--makes human movements and energies pop in the space, setting the stage for the emergence of a nightmare buried deep in the work and the blaring sirens (invoking, at once, a speeding ambulance and a city under threat) with which Cochrane drags the work to its end.

THEM continues tonight (7:30pm) and Thursday (7pm) with a post-show talk with Visual AIDS on Thursday. For information and tickets, click here.

Performance Space New York
150 First Avenue, 4th Floor (between 9th and 10th Streets), Manhattan

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Sidra Bell Dance New York at The Met Breuer

Last evening, as part of its Theater of the Resist series, The Met Breuer hosted bass-baritone Davóne Tines (singing Julius Eastman's searing Prelude to The Holy Presence of Jeanne d'Arc), rapper Himanshu Suri (a.k.a. Heems) and Sidra Bell Dance New York. I don't know if the museum installed the metal bleacher and bench seating to keep us all on edge to the point of mind-alteration but, if so, the artists certainly did their part. Curated and MC'd by media/culture writer Kali Holloway--who, frankly, often seemed as stunned as her audience--the two-hour program offered various media and modes of artistic resistance to the ground, unholy and toxic, in which we currently find ourselves.

I was there, primarily, for Bell's Stella (2012), which you can see tonight at 6pm. The ensemble dances in a relatively shallow space across the gallery and gets up close to front-row folks in ways that heighten the persistent air of tension, risk and thrill. There are the crisp rhythms of street dance, the stark, deep-queer glamour of a fashion catwalk, the enigmatic drama that just does not quit. Bell calls upon a seemingly limitless supply of intricate movement ideas and shows no hesitation to share this largesse. And, from start to finish, her disciplined crew is ON IT.

Video closeups amplify the unfiltered anxiety with performers staring into the camera and repeatedly tugging or clawing at their own bare flesh for reasons that remain mysterious.

Sometimes you visit museums to see dance that addresses museum space (its design, contents, atmosphere and everyday functions) in harmonizing or questioning and possibly illuminating ways. Sometimes you go, and it's just another container for performance; the dance, not made for its surroundings, could have happened elsewhere. As for Stella, she simply blasts herself into The Met Breuer and makes her formidable presence felt.

Tonight and all Theater of the Resist programs are free with museum admission and run from 6pm to 8pm. For the best seating, make your way to the 5th Floor no later than 5:30pm. For information, click here.

Upcoming events 

in the Met Breuer's Theater of the Resist series
through August 12:

Saturday, July 29

For Living Lovers with Brandon Ross, and Stomu Takeishi, musicians, and poet Sadiq Bey

Sidra Bell Dance New York

M. Lamar, performer

Friday, August 4

Nicole Fleetwood, Associate Professor Department of American Studies, Rutgers University moderates discussion between Lifers Group members Maxwell Melvins, president, and rapper Picard "Original" Galette.

Saturday, August 5

Stew, Singer-songwriter, playwright

Gina Yashere, British comedian

Friday, August 11

Film: Strong Island (2017)

with Q&A with filmmaker Yance Ford

Saturday, August 12

Maria Usbeck, Ecuadorian musician, traveler and diarist

Aparna Nancherla, introspective and outrospective standup comedian

DJ Mojo: Music is Life, directed by Lawrence Kim

(2017 documentary short, 5 mins.)

Live set by DJ Mojo

The Met Breuer
945 Madison (at 75th Street)
(map/directions)

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D'Lo bears witness--and gets laughs--at Dixon Place

Dixon Place presents comic performer D'Lo
in To T, or Not to T,
a highlight of the 2017 Hot! Festival,
DP's annual celebration of queer arts and culture.
(photos: Ryan Harper Gray)

Bearing witness is the only way I know to be alive. -- D'Lo

From the outset, D'Lo literally trampolines and pogo-sticks into our hearts and, if you haven't seen him perform before--and I hadn't--you figure that's cute. But where will he go after this wacky first impression?

To T, or Not to T--a Dixon Place commission for this summer's Hot! Festival--hooks in and never lets you go. Just over an hour in length, this one-trans show is, by turns, hilarious, tender and sharp. D'Lo's so talented and smooth, he makes it all look effortless, but you know a hellawork went into getting all this material to line up and flow this well.

To T, or Not to T traces D'Lo's experience being raised as a girl in a Tamil-Sri Lankan family in Lancaster, California ("aka Sri Lancaster, California") and gradually coming to terms with his true gender identity. He has now been on testosterone for two years. Right there, that's a whole lot of content. Heavy-going, you say? Oh, no. Not one bit.

What gives D'Lo and his narrative so much lift and embraceable charm is how strongly it is rooted in his observation of and complete delight in his family--a family that wrestled with challenges but ended up cheering him on in the most heartwarming way. Which makes me think: Despite the idiot in the White House and his delusional supporters, we're actually living a moment in America where D'Lo's relatives and friends could easily find themselves the subject of a quality tv sitcom. And I would watch it. Every last episode.

To T, or Not to T continues tonight and July 21-22, all performances at 7:30pm. For information and tickets, click here.

For a full Hot! Festival schedule (through August 4), click here.

Dixon Place
161A Chrystie Street, Manhattan
(map/directions)

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#SayHerName and the value of art over politics

Poet Aja Monet Confronts Police Brutality Against Black Women With #SayHerName
by Maddie Crum and Irina Dvalidze, The Huffington Post, May 21, 2015

40th anniversary of "For Colored Girls..." celebrated in Harlem

Schomburg Center Plans Exhibition on ‘For Colored Girls’
by Felicia R. Lee, The New York Times, September 8, 2014

In her own voice: Black women's spoken words

Poet Patricia Smith

What a treasure trove!

Learn about and listen to the spoken word poetry of:

Patricia Smith

Sonya Renee Taylor

Mahogany L. Browne

Falu

Jaha Zainabu

Dominique Christina

Aja Monet

Angel Nafis

Safia Elhillo

Alysia Harris

Tonya Ingram

Aziza Barnes

12 Black Woman Spoken Word Poets Everyone Should Know

by Michelle Denise Jackson, For Harriet, July 2, 2014

Celebrate World Poetry Day, March 21

Poetry is one of the purest expressions of linguistic freedom. It is a component of the identity of peoples and it embodies the creative energy of culture, for it can be continuously renewed.

--Irina Bokova, Director-General, UNESCO 

How will you celebrate World Poetry Day--Friday, March 21?

For the Academy of American Poets's roundup of international poetry organizations and festivals in Ireland, Chile, Tasmania and more, click here.

Start the Car: DUMBO series for multimedia storytelling

Start the Car

Multimedia Storytelling Series

presents

Getting Lost

October 10, 2013

 Galapagos Art Space

Getting Lost features storytelling from Zefrey Throwell (Whitney, MoMa), Hollis Witherspoon (Comedy Central, The PIT, WBAI), Elena Megalos (The Moth), Jenny Zhang (LMCC, Rookie Mag), Chris Stackhouse (Poet, Art in America), Benaifer Bhadha (Narativ), and Nathaniel Sullivan (Flux Factory, This Red Door).

Start The Car is a multimedia storytelling series featuring a diverse panel of writer/artist/performers at Galapagos Art Space in Dumbo, Brooklyn. The event brings together artists, writers, and performers that may utilize various creative multimedia to support an "alternative presentation" of a narrative structure. A rotating line-up of storytellers offer up diverse essays, non-fiction and fictionalized stories based around a loose theme and are encouraged to use sound, pictures, written and spoken word, video, music, images, collaboration and any other modes to creatively enhance the narrative.

Tickets are $8 in advance ($12 at the door) and can be purchased at ticketweb.com. Doors open at 7pm, and stories will begin at 8pm. This event is 21 and over; seasonal drink specials will be available for purchase.

Galapagos Art Space

16 Main Street, Brooklyn

(map/directions) 

Tough times for Nuyorican poetry pioneer

Poet and Prophet of El Barrio May Soon Be a Pauper
by David Gonzalez, The New York Times, February 8, 2013

Celebration for Jayne Cortez at Cooper Union's Great Hall

There will be a celebration of the life of poet/activist Jayne Cortez at The Great Hall, Cooper Union  (7 East 7th Street, Manhattan) on Wednesday, February 6, 2pm.

(map/directions)

For further information, please email jaynecortezcelebration@gmail.com.

Jayne Cortez, 78 [New York Times obituary]

Jayne Cortez, Jazz Poet, Dies at 78
by Margalit Fox, The New York Times, January 3, 2013

See also: http://infinitebody.blogspot.com/2012/12/jayne-cortez-76.html

Harlem's new cultural center--MIST Harlem--to open Wednesday

New Harlem Cultural Center Ready to Open
by Felicia R. Lee, The New York Times, November 26, 2012

Obama, Occupy, outrage: an interview with Jesse Phillips-Fein

Unbind it!, a work by Jesse Phillips-Fein (photo by Jesse Phillips-Fein)

own,Owned, a work by Jesse Phillips-Fein (photo by Eva Ostrowska)

CLICK AUDIO LINK (21:00)
an interview with Jesse Phillips-Fein, curator

From Obama to Occupy: Works of Outrage from 2008-2012

***

BAX / Brooklyn Arts Exchange announces
an open call for submissions for the guest-curated showcase

FROM OBAMA TO OCCUPY: Works of Outrage from 2008-2012

curated by Jesse Phillips-Fein

A sequel to the hit Requiem for W, Overture for O: Works of Conscience from 2000 - 2008, From Obama to Occupy: Works of Outrage from 2008-2012 will present performances works that addressed Obama Administration policies and corresponding political events of the past four years. This showcase aims to generate thoughtful, provocative, risky, and respectful critical reflection on Obama's first term.

We are seeking works made from 2008-2012 in dance, theater, music, spoken word, multimedia, and performance art, that engage with Obama as a phenomena, his Administration's' policies, and political events reflecting key challenges of the past 4 years. Works should be from 5-15 minutes in length. Excerpts from longer works are permitted.

Deadline for submission: Friday, July 27th, 5pm (received)

Artists will be notified by September 1st. 

To apply, visit http://www.jotform.us/BAX/Apply-ObamatoOccupy.

Shows are Friday & Saturday January 18 & 19th, 2013 at 8pm at the BAX/Brooklyn Arts Exchange. Visit http://bax.org/tech-specs/ for technical specifications of the Theater @ BAX. In addition, artists must be available for workshops on Sunday September 30th, 4pm - 7pm and Sunday November 18th, 4pm - 7pm.

ABOUT JESSE PHILLIPS-FEIN

Jesse Phillips-Fein grew up and is based in Brooklyn, NY, where she choreographs, teaches dance, and produces shows and community events to engage the performing arts in political dialogues. Require for W, Overture for O: Works of Conscience from 2000-2008 marked the end of the Bush era by celebrating how artists responded to the policies of the Bush Administration while encouraging continued action for justice. Hosted by Shanté Paradigm, the evening featured performances in dance, music, and poetry on themes including 9/11, the wars in Iraq & Afghanistan, gay marriage, Hurricanes Katrina & Rita, and the now evident disastrous effects of debt-driven consumerism. The pieces move beyond simply bashing President Bush and heralding President-elect Obama. Instead, they provided reflection how we survived and commemoration for those who didn't, critical thought about the role of artists in activism, and information about how to become involved in local organizations that are working on issues of social justice. Artists included: Alexandra Beller, Tara Betts, Sabrina Chapajiev, Drastic Measures, Guta Hedwig, Remi Kanazi, Rachel Lane, Sapphire, Paul Singh, Spiritchild & Gina Young.

Without knowing the outcome of this November election, there is still need to reflect on how artists have responded to Obama and the political events of the past four years.  Through celebrating what artists created, we can discuss the new challenges for political debate and presidential critique that Obama's term brought. Obama's election highlighted racial discourse, from contentious debates about a "post-racial society", to racist attacks in the popular media, stifled response from the political Left, and the differing emotions, expectations, and disappointments, that his term had for white people and people of color. From Obama to Occupy: Works of Outrage from 2008-2012 generates a space for art to be a powerful platform to engage deeply with the contradictions and questions that Obama's presidency raised.

ABOUT BAX

Founded in 1991, BAX/Brooklyn Arts Exchange is a is a multi-faceted community performing arts center located in Park Slope, Brooklyn offering an annual presenting season, artist services, and educational programs for youth and adults. BAX receives support from city, state and national public and private foundations. Our programs have been featured in several Brooklyn, NYC, and national publications, celebrating our continued support of artists of all ages.

Greg Tate remembers Gil Scott-Heron

Gil Scott-Heron, R.I.P.
by Greg Tate, The Village Voice, May 31, 2011

Gil Scott-Heron, 62

Gil Scott-Heron dies aged 62
David Sharrock, Guardian.co.uk, May 27, 2011

Gil Scott-Heron, Spoken-Word Musician, Dies at 62
The Associated Press (via The New York Times), May 27/28, 2011

Pizza, pizza...and A Gathering of the Tribes

On Tuesday, April 26--Save the Tribes Day--all seven Manhattan locations of Two Boots Pizza will be donating all proceeds of the day's pizza sales to A Gathering of the Tribes, and A Gathering of The Tribes will host an open mic fundraiser that evening at its threatened longtime home.

The Lower East Side arts institution, founded 20 years ago by poet, playwright and novelist Steve Cannon, is on the brink of losing its longtime home at 285 East 3rd Street, as the building is up for sale.

Culminating Save the Tribes Day, in connection with National Poetry Month, Tribes will host an open mic musical performance and poetry reading with special guests at 6pm. Admission is $5 (at the door).
 
Steve Cannon bought the building housing A Gathering of the Tribes in 1970 and sold it in 2004 to help finance the organization's programming. He has since paid rent to continue occupying the space, but recently found out that the building is being sold. So many of the artists, poets and musicians whose careers have been nurtured by Tribes--along with neighbors such as Two Boots--are rallying to help the organization keep its home. You can read more about the situation here in this New York Times article.

About A Gathering of the Tribes

A Gathering of the Tribes is an arts and cultural organization dedicated to excellence in the arts from a diverse perspective. Located on the Lower East Side of New York City, Tribes has been in existence since 1991. In that year, Steve Cannon, poet, playwright, novelist, and retired professor from the City University of New York,  converted a portion of his apartment into an informal salon. Despite his loss of eyesight to glaucoma, he encouraged the exchange of alternative points of view traditionally overlooked by mainstream media. The ideas raised in the discussions served as inspiration to the pieces later published in A Gathering of the Tribes Magazine. In 1993, a further transformation of the space by Dora Espinoza, a Peruvian photographer, produced Tribes Gallery. Since then, Tribes has evolved into a performance venue and meeting place for artists and audiences to come together across all artistic disciplines, all levels of complexity, and all definitions of difference. In this
pan-disciplinary, multi-cultural environment, artists exchange ideas, create peer relationships and find mentorship. Through Tribes' publications, readers encounter a unique synthesis of literature, visual art, criticism and interviews with promising artists of all kinds. In an attempt to attract a wider audience for these artists, Tribes additionally organizes an annual outdoor event--The Charlie Parker Festival--to engage members of the community who have seldom, if ever, attended literary or artistic events.

NJPAC's Out, Loud and Proud V

New Jersey Performing Arts Center
presents Out, Loud and Proud V

curated and hosted by Pandora Scooter
with Brave Soul Collective and Alix Olson

Saturday, May 7 (7:30pm)

Gay, straight, queer, lesbian, bisexual, transgender—how do you identify? As part of this season’s Alternate Routes GLBT Festival, New Jersey’s own Pandora Scooter returns to riff, rhyme, rant and act as host to some of the spoken word scene’s most provocative new artists—a daring collective of wordsmiths who collectively represent all orientations. Be there when these cutting-edge voices convene to express their personal views on one of life’s hottest topics: sexuality. This year's performers include the three-person Brave Soul Collective and spoken word artist Alix Olson.

Details
Ticketing
Directions

"Atomic Samurai"

Jackie Sheeler's "Atomic Samurai"

A WordRock video about energy consumption & nuclear reactors. Inspired by the workers at Fukushima, who are knowingly forfeiting their lives in order to protect the lives of others. I bow to you all. --Jackie Sheeler

Rays of light

My body is a halfway house for a ray of light. -- Marc Bamuthi Joseph

Last evening, 651 Arts brought together the fabulous Ntozake Shange and Marc Bamuthi Joseph--"fabulous" modifies both of them, thank you--for a conversation that could have, should have gone on all night. From the outset--with Joseph explaining that his middle name means "of the trees" and Shange acknowledging that "trees carry spirits"--everyone could feel that these two charming, multi-talented, politically astute artists ride the same wavelength and have much to share. I'm still buoyed and buzzing from this one-time-only, one-of-a-kind, event, which took place before a full and fully mesmerized audience at the Mark Morris Dance Center as part of 651 Arts' Live & Outspoken series.

 

Joseph opened by offering excerpts from Word Becomes Flesh, a solo that takes the familiar concept of spoken word and pumps it up into super-embodied word--a steady roll of movement, narrative and allegorical characterization treating historical and societal realities. Later, as Shange interviewed him, Joseph cited the world-renowned Tap God. "The way Savion Glover hears rhythm and channels it through his body is the way I aspire to hear language and channel it through my body," he said. "The body is the primary mechanism for carrying a story and for the making of ritual." He certainly has come a long way from the nine-year-old who--auditioning for Bring in 'da Noise, Bring in 'da Funk--did not know how to dance. Unimaginable!

Like Joseph, we were all beguiled by the presence of the author of For Colored Girls Who Have Considered Suicide When the Rainbow is Enuf. Shange, as interviewer, brought insightful questions and an effervescent spirit of generosity and wit. Imagine Shange--"she who walks like a lion"--wondering about the distinction between Ruby Keeler (of the hard-charging feet) and Ginger Rogers (of the light-skimming feet) and Joseph answering with a juicily word-embodied elucidation of the Afro-Haitian snake god, Damballah. Pure joy, pure joy. The two of them should really take this act on the road.

For Colored Girls deeply influenced the young Joseph, to be sure, and clearly directed his sense of compassion towards women and his commitment to playing a positive role as educator and activist. It would have been great to hear a little about his concern for environmental issues and eco-equity, described as "the radically democratic position that poor communities and communities of color are logistically and psychologically included in the new, clean and green economy." But if this interests you, keep watch for his upcoming performance project--red black and green: a blues. You can find out more about it at Life is Living.

To keep pace with 651 Arts, click here. Next up: poet-activist Amiri Baraka interviews actor-director Stephen Henderson, April 5, 7pm. (Information and ticketing)

But where will the tribes gather?

Place in East Village Where Emotions Became Poetry Is for Sale
by Colin Moynihan, The New York Times, March 6, 2011