Zahava Griss: the sacred work of transforming white culture

A list of the skills Zahava Griss has amassed and roles they have played might fill this entire blog post--gender-transcendent dance artist, erotic ritualist, bodyworker, educator, coach, anti-racist activist and so much more. Recently, Griss contributed a chapter of perceptive writing to a new anthology of essays, Sacred Body Wisdom: Igniting the Flame of Our Divine Humanity, out soon from Flower of Life Press.

Their chapter, “Transforming the Culture of Whiteness in Dance and Sexuality Communities,” outlines ways in which white artists and activists like themselves can approach creative and social justice work--as well as the relationship with their own and others' bodies--with greater openness, awareness, respect and joy.

Sections of the essay deal with issues of white culture within ballet (where authoritarian traditions predispose dancers to follow rules and not speak up for themselves), within sexuality and within the complex challenges of community building across differences. Griss notes, "so many of the body-centered events and communities I have explored are mostly white people, white leadership and white culture." And, by that, Griss means “certain ways of communicating, an aesthetic of what is valued and acceptable, an unspoken way of framing what being a body is, what ‘safety’ is, what spirit is, what having a body means, what success or beauty means that is familiar to a dominant white culture...an often unconscious culture that has been created by those who came before us that does not acknowledge or reflect awareness and respect for people of color, who make up the majority of people on this beautiful earth.”

Griss continues, “I wrote this so we could better observe white culture, vision what we want to replace it with, clarify what diversity means to us personally, and take action to create the society we want to live in.”

Sacred Body Wisdom: Igniting the Flame of Our Divine Humanity will become available on Amazon.com on January 21. Learn more about it here. For more on Zahava Griss and their projects, visit www.EmbodyMoreLove.com.

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DISCLAIMER: In addition to my work on InfiniteBody, I serve as Senior Curatorial Director of Gibney. The postings on this site are my own and do not necessarily reflect the views, strategies or opinions of Gibney.

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Zahava on intimacy and improvisation

Zahava of Love Making Dances invites you to a special workshop in dance:

The Tantra of Contact Improv

Wednesday, December 14 (7-9pm)

Bring a beloved, friend, or hey an adventurous blind date!

Come learn techniques for conscious energy sharing.  Experience gravity as an intimacy with the Mother Earth as we root to fly and surrender to fall.  This contact improv class is the physical practice of trust, strength, and play as we linger and pounce in the mystery of desire, comfort, and connection.

This is a fully clothed class for women and men who do not have a physical injury.   Bring knee pads and an open mind.  Previous contact improv is recommended but not required if you have another movement practice.

Benefits:
1. More play in your relationship
2. Enhanced creativity
3. Heightened sensitivity to giving and receiving support
4. Expanded sense of intimacy

Admission: $25
Register here.

Red Bean Studio
320 West 37th Street, 7th Fl. (between 8th and 9th Avenues), Manhattan
(map/directions)

For more information on Zahava and her work, click here.

Zahava: Exploring the shamanic way of dance

Zahava

Dance as Shamanic Ceremony:
A New Offering to the Dance Community

 

from Zahava

The most curious, loving, and courageously adventurous dancers are starting to gather at the free Intros to Dance as Shamanic Ceremony.  We start by what we are most passionate to explore in the next phase of our dancing.

I felt very disconnected from my trained body, within a dance culture that valued me for things that were not related to my soul.  My metabolism, my body structure, my willingness to follow instructions through fatigue, my willingness to compete, all gave me mobility in the ballet culture. I found myself in this culture because it was one of the few options for me as a young white American girl who wanted to dance!  I have watched the impact of this culture on my body, in my friends (many of whom have stopped dancing but have not completely healed their relationship to dance), and in the current generation of professional dancers.  This is a crucial time for transformation on the Earth and it’s showing up everywhere, including the dance world.

I remember wondering how I could love something so much, rehearse hours each day, and yet see that when the audience showed up to the performance they could not connect with us.  The new course that I am offering explores dance as a source of deep connection.  I remember how awkward my dancer friends and I used to be improvising in clubs.  It’s intimidating to move how you feel in the absence of choreography when you don’t know how you feel.  The course includes feeling our soul instincts and expressing them fully through improv. 

I remember how many of us lost our menstrual cycles as young women because we did not have the body fat to support a baby.  The course gives us the opportunity to become profoundly present to the needs and desires of our body, as our primary intuitive instrument.  The pleasure we can create in our dance sets a pretty high bar for the pleasure we create in our sexuality, our career, our homes, our spirituality, our families, and our community.

I'm offering this, not only to heal the relationship individual dancers have with dance.  It is also to create more trust, wholeness, and love, in the culture of dance training as a reflection of the values we want to live by in our society.  We can train our bodies to do so much in addition to triple pirouettes and ponches.  We can train our bodies to be the perfect instruments for our souls and to transform what is not LOVE.  Forgiveness and compassion start in the body.

Standing still has become a tremendous experience with the growing awareness of the energy system in my body and it’s relationship to the Earth, in partnership, tribe, and ancestry.  Dancing from this full place is the most enlivening, grounding, pleasurable, and purposeful way of being in “here.” 

Shamanic Ceremony is speaking an intention in a charged space such that it’s possibility becomes real to the speaker, the community present, and the universe.  Dance as Shamanic Ceremony is moving our soul inside our body with an intention and we become in that moment who we need to be for the intention to manifest in the physical world.

If you are a professional dancer or have intensively studied a dance form for the past 5 years, this class will meet you at your growing edge as a mover. Experience with improv and contact improv will enhance your journey. If you have a meditation practice, study energy awareness, are on a shamanic or tantric path, then this is your class! Come meet your tribe. All genders are welcome.

Wednesdays, 6pm-7:30 pm
Sept 21, 2011 to April 25, 2012

The Red Bean Studios

320 West 37th Street, 7th Floor

between 8th and 9th Avenues, Manhattan

For more information, click here.

Register here by Wednesday, September 14.

Contact: Zahava@LoveMakingDances.com

Shimmy shimmy bop

The inaugural New York Theatrical Bellydance Conference (July 8-12) is well underway with performances, workshops, classes, panels, parties, a brunch at Veselka and opportunities to shop 'til you spin and drop. Co-directors Ranya Renée and Anasma haven't left much room for lovers of this apparently infinitely adaptable art form to be bored. Just look at some of these workshops and master classes:

"Silent Film Starlet: How to Give Great Face While Bellydancing"

"Hot and Heavy Humor: Bellydancer Meets Shamanic Clown"

"Eerie Serpents and Ethereal Grace"

"Juicy Egyptian Technique: Make Friends With Your Abs, Butt, And All that Other Stuff in There"

"Snakelike Hip Hop Bellydance Liquid Fusion: Hissing Choreography"

As a dance student back in the '70s and later, I was brought up pretty squarely in Serena Wilson's venerable, if deliberately vanilla, cabaret style.




Today's dancers rock the very notion of raqs sharqi, producing all kinds of hybrids suitable to a variety of audiences--from dance-theater fans to Goths.

The conference's curated shows, running this week at Dance New Amsterdam, provide a survey of this contemporary development--in some cases, over-development. After seeing the opening-night show--two hours, 14 international acts, no intermission or intentional pause--I find myself unreconciled to the overlay of broad comedy, the deployment of large, synchronized ensembles or anything having to do with masks.

But there were some true gems in the hip belt:

Zahava, creating a laughing meditation on erotic power, a bellydance in (embodied) spirit only, danced with delicately free and rapturously free gestures along the floor and through the air

Sarah Johansson Locke, as solid and mature as an earth goddess, scooping and gathering energy to her in an introspective solo, with subtle, shifting moves like the gentlest stirrings along the surface of a pond

Aszmara, profoundly soulful and open, a blend of proud gypsy and transported dervish in her generous, ethnic-style dancing

Samara, whose old-school cabaret-style act closed the show with elegance and jubilation

Two completely different line-ups will take the stage for tonight's and Saturday's 9pm performances. But you might find some dancing that's intriguing, fun and maybe flat-out beautiful. And maybe you'll witness a master in action.

For complete conference schedule and event ticketing, click here. Sign up for workshops online or at 718-706-0037. Tickets may also be ordered at 800-838-3006.

Zahava: Body and Soul podcast

Zahava's mission encompasses not only dance as aesthetic expression but also its role in individual and societal healing. She writes, "My body has led me to teachers, rhythms, techniques, abandon, containment, ecstasy, erotic languid prayers, rituals geometry, discipline, storytelling and healing. Through these journeys I have found spirit guides, competition, self criticism, deep reverence, the practice of life in uncomfortable and pleasurable tempos." In this conversation, Zahava discusses her practice as a dancer and her understanding of how racism gets played out in our relationship with our bodies, the source of discord and of peace.

For a bio of Zahava and more information on her work, visit:

Love Making Dances

White Folks Soul--by Any Dance Necessary

(c)2008, Eva Yaa Asantewaa

MP3 File

Program Notes: Upcoming on "Body and Soul"

Zahava's mission encompasses not only dance as aesthetic expression but also its role in individual and societal healing. She writes, "My body has led me to teachers, rhythms, techniques, abandon, containment, ecstasy, erotic languid prayers, rituals geometry, discipline, storytelling and healing. Through these journeys I have found spirit guides, competition, self criticism, deep reverence, the practice of life in uncomfortable and pleasurable tempos." In this conversation, Zahava discusses her practice as a dancer and her understanding of how racism gets played out in our relationship with our bodies, the source of discord and of peace.

For a bio of Zahava and more information on her work, visit:

Love Making Dances

White Folks Soul--by Any Dance Necessary