La MaMa to host anti-racism training for cultural workers

Understanding & Undoing Racism / Community Organizing Training for Cultural Workers

September 12-14

Equity.
Solidarity.
Diversity.

This training "focuses on understanding what racism is, where it comes from, how it functions, why it persists and how it can be undone" and "is tailored specifically to cultural organizers, artists of all kinds, and arts administrators."

For further information, including registration fees (with sliding scale for individuals and organizations), click here.

La MaMa Rehearsal Studios
47 Great Jones Street (between Bowery and Lafayette), Manhattan
(map/directions)

Ballet's Cynthia Harvey initiates program to help other dancers

Dance Veterans Join Forces for the Betterment of Ballet
by Allan Kozinn, The New York Times, May 22, 2014

Train for anti-violence with Gibney's Institute for Community Action

For more than a decade, Gibney Dance Community Action has pioneered movement workshops that help women in domestic violence shelters to find their voices and move towards healthier futures. Now, you too can be part of the groundbreaking work that positions movement and creativity at the forefront of positive social change.

Institute for Community Action is open to dance and social service professionals and students. Participants will gain the tools and skills to initiate, build, and sustain arts outreach projects targeting specific populations.

Friday, January 25 / 6pm – 9pm: Building Awareness
Saturday, January 26 / 10am – 6pm: Building a Workshop
Sunday, January 27 / 10am – 2pm: Building a Program

Tuition: $500

Learn more about this important program here.

Applications for ICAT are now open through January 4th and can be accessed here. 

Yasemin Ozumerzifon

Community Action Manager

Gibney Dance Center

Wesleyan introduces curation certificate program

Wesleyan University’s Center for the Arts Announces the Institute for Curatorial Practice in Performance (ICPP) 

Nine-Month Certificate Program for Presenters, Artists, Curators and Managers Blends Curatorial Practices from the Visual and Performing Arts 

Wesleyan University’s Center for the Arts (CFA) has launched the Institute for Curatorial Practice in Performance (ICPP), which brings arts professionals together to examine curatorial practices from the fields of visual arts and performance, in order to better understand and improve upon the ways in which performance is managed, produced and presented in this country.

Professional Certificate Program

Starting in summer 2011, the ICPP will offer a professional certificate program in Curatorial Practice in Performance. Students will study artistic and curatorial practice, social and cultural context, and entrepreneurial strategies and complete an independent project in consultation with an advisor.

Through a close examination of the practical and theoretical concerns of performance work, graduates of the ICPP certificate program will deepen their knowledge and skill base, enhance their professional relationships, and become better advocates for performance in the marketplace.

The certificate is a low-residency, nine-month program intended for early and mid-career working professionals. Students will complete work online in between on-campus intensives at Wesleyan University. Dates for the 2011–12 on-campus intensives are: July 9–24, 2011, November 18–20, 2011, and March 3–5, 2012.

Instructors and guest lecturers include ICPP Director Samuel A. Miller, Wesleyan professors Katja Kolcio and Claudia Tatinge Nacimento, and field professionals Doryun Chong of MOMA, Philip Bither of the Walker Art Center, and Judy Hussie-Taylor of Danspace Project. Artists in residence are TBA.

Applications deadline for 2011-12 

February 1, 2011 

Responding to Contemporary Performance Practice

The ICPP was founded in 2010 by Wesleyan graduates Samuel A. Miller and Pamela Tatge (Director of the CFA) in partnership with Judy Hussie-Taylor (Executive Director of Danspace Project) in response to the dynamic dialog surrounding idea- and technique-based performance practice in the performing arts field.

The ICPP aims to understand how performance can function within multiple landscapes, by building new models for understanding contemporary performance practice. The ICPP will serve as a meeting-point for academics, professionals, and students to share ideas and resources in both formal and informal ways. By creating a rigorous and creative learning environment, enhanced and energized by the outside activities of its students and instructors, the ICPP will provide students and instructors with a base for their future professional endeavors.

Filling a Gap

Currently there is no post-graduate program in the United States that is dedicated to addressing curatorial practice in performance. The ICPP looks to fill this gap, as an interest in contemporary performance continues to thrive even as the recent economic recession has hit arts organizations particularly hard. The ICPP is committed to training performing arts professionals who will build on the momentum of contemporary performance by using new information and resources as creatively as possible, while also understanding how historical practices have shaped our current trajectory.

For more information about the ICPP, visit http://www.wesleyan.edu/icpp or contact Program Coordinator David Milch at 860-888-3606 or icpp@wesleyan.edu.

Headlong wants you!

Headlong Performance Institute (HPI) is a pre-professional dance and theater training program in Philadelphia, accepting applications for the Fall 2009 semester. Our next application deadline is June 15th, and we'll be notifying applicants by June 19th.

How will you know if the Headlong Performance Institute is a good fit for you? You don't have to be a dancer, an actor or formal artist to enjoy learning how to push your inner elements. And if you're not frightened silly at the prospect of exploring the corners of these very elements, then this may just be the challenge you're looking for.

Headlong Performance Institute is where professionals working on the cutting edge of American experimental theater and dance work with students in a small group setting to learn about movement, collaborative creative spaces and how to tune your body and mind to be your most creative.

The program is open to undergrads (for credit, the semester counts as 300- or 400- level courses through Bryn Mawr College) and post-bac students and is based in South Philadelphia. All program expenses (except living expenses) are included in tuition and include tickets to performances throughout the semester, throughout the Philadelphia area.

For more information please visit our website and get in touch. We want to hear from you!