And the 2015 Bessies go to...!

With deep regret, I missed this year's Bessies celebration at the Apollo, as I'm struggling with the horrible cold that's going around. But I'm absolutely delighted to share this list of winners. Congratulations to everyone!

# # #

Hosts with the mostest, Carmelita Tropicana and Jock Soto
on The Apollo stage
(photo: Yi-Chun Wu)

The 2015 NY Dance and Performance Awards

Lifetime Achievement in Dance

Steve Paxton

For a relentless curiosity into the possibility of movement, from the redefinition of modern dance with the movers who gathered at Judson Church in the 1960s, to the development of contact improvisation now practiced around the world, and for his ongoing rigorous and surprising choreographic investigations.


Outstanding Service to the Field of Dance

Movement Research

For nearly four decades as a creative incubator for innovation, enquiry, and dialogue. For providing a range of platforms to disseminate ideas about dance, art, and civic life via its classes, publications and weekly performance gatherings. For championing the importance of artistic process.


Outstanding Production

Dorrance Dance with Toshi Reagon and BIGLovely for The Blues Project at The Joyce Theater

For a symphonic dialogue between a stellar company of tap artists and a groundbreaking blues band; a true fusion of dance and music, expanding the boundaries of two great American traditions.


Outstanding Production

David Neumann/Advanced Beginner Group for I Understand Everything Better, Abrons Arts Center and The Chocolate Factory

For creating a mysterious and whimsical world in which to explore the dual devastations of personal loss and public destruction, taking the audience on a visceral journey through internal and external storms.


Outstanding Production

Justin Peck for ‘Rōdē,ō: Four Dance Episodes, New York City Ballet

For a bracing new interpretation of a well-known score, wiping it clean of prior associations and using it as the springboard for an entirely new ballet marked by wit, surprise, poignant intimacy, and robust ensemble energy.


Outstanding Production

Roger Guenveur Smith for Rodney King at BRIC Arts Media

For a powerful and timely performance using gesture, voice, and historical document to link the personal tragedy of Rodney King's life to our national tragedies of racism and police brutality.
For extending that conversation into the street in an improvised post-show town hall that evolved into a peaceful demonstration in reaction to the Eric Garner case unfolding in New York City.


Outstanding Revival

Alexei Ratmansky for The Sleeping Beauty, American Ballet Theatre

For recapturing the spirit and style of Petipa from 19th-century ballet notation starting with simple steps to reconstruct that world’s ideas about movement, musicality, aesthetics, and storytelling in dance.


Sustained Achievement in Performance (posthumous)

Lawrence Cassella for his work with Ivy Baldwin

For the ability to be smooth, strong, fast, fearless, dangerously sexy, and bizarrely hilarious. For more than a decade of creation in a richly intertwined collaboration with choreographer Ivy Baldwin.


Sustained Achievement in Performance

Lauren Grant for her work with the Mark Morris Dance Group

For nearly two decades’ work gracing Mark Morris’ choreography with invigorating spontaneity, expansive phrasing, and robust musicality. For bringing to life an extensive and varied repertory, embodying the essence and individual tone of each work.


Sustained Achievement in Performance

Amar Ramasar for his work with New York City Ballet

For his natural ease and contemporary presence on the classical stage. For his ongoing contributions to a wide range of new ballet work, and for his sensitivity and skill in the demanding and sometimes unseen art of partnering.


Outstanding Performance

Ryoji Sasamoto in OQ by Kota Yamazaki at Japan Society

For his mastery and presence in a dance palace filled with extraordinary movers. For a never-ending flow of movement merging an ingrained sense of lock and pop with a contemporary sense of fluid release.


Outstanding Performance

Melissa Toogood for her work in the 2014−15 season with Pam Tanowitz, Kimberly Bartosik, Merce Cunningham, Rashaun Mitchell, Stephen Petronio, and Sally Silvers

For dancing so precise and fluid, elegant and electric, it captivates the viewer in each work in which she appears. For committing herself so completely to enhancing and transforming the vision of an astounding number of unique choreographers.


Outstanding Sound Design

Tei Blow for I Understand Everything Better by David Neumann/Advanced Beginner Group, Abrons Arts Center and The Chocolate Factory

For a virtuosic live audio performance mixing recorded sounds, percussive rhythms, a live mic, and spinning vinyl to transport the audience from the mountains of Japan to the hurricane-ravaged shores of New York.


Outstanding Visual Design

Geoff Sobelle, Steven Dufala, Christopher Kuhl, Nick Kourtides, Jamie Boyle, and Rachel McIntosh for The Object Lesson by Geoff Sobelle at BAM Fisher

For creating an immersive environment built from the material debris of an individual life. For sparking curiosity in the audience about the need, meaning, and weight of their own lives’ objects.


As previously announced, the 2015 Emerging Choreographer Award was given to Storyboard P for fusing various styles of hip-hop with elements of modern and jazz dance, creating a cinematic choreographic vision for new dance narratives and abstract movement-based works. The 2015 Juried Bessie Award was given to Pavel Zuštiak for his poetic layering of movement and visual imagery, and conceiving of the stage space as a decentralized world in which the corporeal body is the focus and canvas for a wide range of human expression.


The full list of nominees can be found at: http://bessies.org/2015-nominees-announced/.


2014−15 Bessie Committees

The Bessie Awards Steering Committee, responsible for setting policy and providing oversight of the Bessie Awards throughout the year, is comprised of Cora Cahan, Beverly D’Anne, Lane Harwell, Judy Hussie-Taylor, Stanford Makishi, Carla Peterson, Laurie Uprichard, and Martin Wechsler.

The Bessie Awards Selection Committee consists of Nolini Barretto, Diana Byer, Kim Chan, H.T. Chen, Blondell Cummings, Nancy Dalva, Andrew Dinwiddie, Maura Donohue, Simon Dove, Boo Froebel, Laurel George, Caleb Hammons, Zhenesse Heinemann, Iréne Hultman, Robert LaFosse, Matthew Lyons, Nicole Macotsis, Caridad Martinez, Harold Norris, Nicky Paraiso, Mathew Pokoik, Susan Reiter, Rokafella, Walter Rutledge, Sue Samuels, Philip Sandstrom, Gus Solomons Jr., Sally Sommer, Risa Steinberg, Carrie Stern, Kay Takeda, David Thomson, Muna Tseng, Kay Turner, Tony Waag, Edisa Weeks, Ryan Wenzel, Adrienne Westwood, and Elizabeth Zimmer.


#   #   #


ABOUT THE BESSIES

The NY Dance and Performance Awards have saluted outstanding and groundbreaking creative work in the dance field in New York City for 31 years. Known as “The Bessies” in honor of revered dance teacher Bessie Schönberg, the awards were established in 1984 by David White at Dance Theater Workshop. They recognize exceptional work in choreography, performance, music composition, and visual design. Nominees are chosen by a 39-member selection committee comprised of artists, presenters, producers, and writers. All those working in the dance field are invited to join the NY Dance and Performance League, as members participate in annual discussions on the direction of the awards and nominate members to serve on the selection committee. www.bessies.org