Recently, two seminal figures of the New York downtown dance world—Bill T. Jones and Susan Rethorst—sat down with Lois Welk, director of Dance/USA Philadelphia, to talk about their distinct practices and the evolution of the field. Though they share a birth year (both were 61 at the time of the interview), the dancer-choreographers represent two archetypal models or attitudes for how to live as an artist in society. During the interview, Jones refers to the French notion of l’artiste engagé, and talks about developing a thick armor to do battle with not only critics but audiences as well. Rethorst speaks of an openness to the world around her, of staying fluid and letting daily experience find a way into the work.
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