Where in the world is Eva Yaa Asantewaa?

Eva Yaa Asantewaa (photo by Deborah Feller)

Well, back home in New York City, for one thing!

But also look for me at...

This. Witness Relocation's Eterniday at La MaMa. Info/tickets here.

Bebe Miller Company: A History--co-presented by 651 Arts and New York Live Arts at Brooklyn's Kumble Theater for the Performing Arts at LIU. I'll be moderating a "Stay Late" post-performance sit-down with Bebe and collaborators this Friday, April 12. For program and ticket information, click here and here.

I hope to attend Deirdre Towers' film screening and salute to the producers, artists and educators of the US flamenco community. Monday, April 15, 6pm, at Bruno Walter Auditorium, New York Public Library for the Performing Arts. ​For information on this free event and the library's exhibit, 100 Years of Flamenco in New York, click here.

My project-driven Writing on Dance 2013 takes off at New York Live Arts next Wednesday afternoon with a full house of new students. Also, I'll pretty much be living at New York Live Arts on Wednesday for the opening of that visionary series, Live Ideas: The Worlds of Oliver Sacks ("A five-day festival of arts and ideas exploring the mind-body connection through the works of the acclaimed neurologist"). My first WOD session will be sandwiched between the panel on "Disembodiedness: Body Image & Proprioperception" and the evening keynote with two of my heroes--Dr. Sacks and Bill T. Jones. And the following day, I cannot afford to miss "Minding the Dancing Body" with Jones, Miguel Gutierrez, Colin McGinn, Alva Noë and Gwen Welliver, followed by the performance of RE: Awakenings by Donna Uchizono Company. While that's probably all I'll get to, that's not all that's happening. For details on the full series of special events here.

Speaking of Writing on Dance: Last year, I was delighted to have the accomplished, Argentinian dance artist and educator Anabella Lenzu in my workshop, and she will be returning for this year's series. Anabella has just self-published a book about her life and career--Unveiling Motion and Emotion--which includes her forthright thoughts on dance education, dance community and more (as well as some striking photography by her husband, Todd Carroll). So, you'll also find me dipping into this, now and then. Presented in English and in Spanish, her writing is just like her: warm and sincere with an underlying tenacity born of a drive to become the best she can be, as artist and as communicator, in the service of dance and dancers. For information on her book, click here.

I look forward to Miami-based choreographer Rosie Herrera's New York premiere of Dining Alone at Baryshnikov Arts Center (a surreal work of "immersive dance theater," somehow involving food and an opera singer...hmmm). It's running April 18-19, and a new show has been added. Find out more here.

My Image and Psyche workshops on Tarot and psychic development continue at our wonderful East Village location. On Saturday, April 27 (Image and Psyche, Part 2), we'll experiment with dynamic layouts and the intriguingly varied, Trickster-ish reversed cards. On Saturday, May 4, I plan to repeat Part 1. For complete information and to register for a place in these fun and enlightening workshops, see my listings on Facebook for April 27 and May 4.

On May 21, artists Larissa Velez-Jackson, iele paloumpis, Katy Pyle and others at Lobby Talks (New York Live Arts--in the lobby, natch) for "Identity Matters: Persona and Politics," curated by Marissa L. Perel.  ("Choreographers, directors, and critics discuss contemporary issues in identity politics, and how these issues shape perceptions of persona and embodiment.") Free. Just show up for the 7:30 start time and grab a chair.

Oh, there's bound to be more. But--whew!--that's enough news for now. See you around town!