A thrilling journey began yesterday at Harlem Stage with the public launch of "Naked City," part of larger conceptual work, visible/invisible, being developed by choreographers Jawole Willa Jo Zollar and Nora Chipaumire. Commissioned by Harlem Stage for its WaterWorks Program, the piece honors Harlem's people and their stories and is strongly rooted in the aesthetics and practice of jazz.
Naked City was performed by an international cast of exciting dancers, including several members of Zollar's Urban Bush Women troupe. Hard to believe that these folks did not thoroughly rehearse this piece forwards and backwards for weeks and that they'd only come together earlier in the day to figure out what they were going to present to us! I mean, really!
Since it's truly a baby work-in-progress--one that will continue growing through many more exploratory events like last night's showing and feedback session--I certainly won't offer a review of what I saw. But I will urge you to get on Harlem Stage's mailing list so that you can follow "Baby" as she grows and perhaps, if you take part in one of these events, help her along her way.
Congratulations to Zollar and Chipaumire and their dancers and thanks to Harlem Stage's Patricia Cruz (Executive Director) and Brad Learmonth (Director of Programming) for welcoming us to partake in this auspicious beginning.
Special Update: "Naked City" will be performed by the members of Urban Bush Women at New Jersey Performing Arts Center (NJPAC), November 21-22.
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