"When I watch performance, usually the first thing that strikes me is the way the performers are present—not where they are, or what they’re doing, but how they are. This most intangible of the many intangibles of this here-for-now-then-gone-again form is the first 'idea' I take away. How do you exist? The performer does it while being watched, but in that moment of being a conduit for presence, what is passed on?"
Read Clarinda Mac Low's new blog--Taking the Imperfect Leap--on Critical Correspondence.