tag:blogger.com,1999:blog-7913278390524654713.post8543473819877644861..comments2023-10-17T08:03:24.968-04:00Comments on InfiniteBody: APAP Diary: Nails on blackboardEva Yaa Asantewaahttp://www.blogger.com/profile/08673851887585753232noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-7913278390524654713.post-14626471692381537652012-01-10T11:27:11.655-05:002012-01-10T11:27:11.655-05:00I would agree that his presentation "was not ...I would agree that his presentation "was not the most effective method of conveying" the idea you're articulating, but at least you are articulating it in reasonably understandable language.Eva Yaa Asantewaahttps://www.blogger.com/profile/08673851887585753232noreply@blogger.comtag:blogger.com,1999:blog-7913278390524654713.post-3912060172766916002012-01-10T11:20:49.037-05:002012-01-10T11:20:49.037-05:00Hi Eva -
I haven't seen the piece in question,...Hi Eva -<br />I haven't seen the piece in question, and I won't, but I actually like the quote you posted, "dance that... understands itself..as a constituting principle, a technology of the self at the edges of modern consciousness." (my edit) As I understand it, it's a very wordy way of saying that the principles found in dance, or choreography, can be applied outside the boundaries of what is currently understood as 'art' (that's another discussion) to create a more embodied consciousness in a wider population. We'll probably talk more about this at that Dance and Occupy talk you so kindly mentioned recently, but I just wanted to give a short answer to your question. I'm not sure that Klien's "show" was the most effective method of conveying this, but I am all for his ideas...CMLhttps://www.blogger.com/profile/01098465895665496309noreply@blogger.com